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Directed by | |||
| Charles Dance | |||
Writing credits | ||
| William J. Locke | (short story) | |
| Charles Dance | (written by) | |
| Judi Dench | ... | Ursula | |
| Maggie Smith | ... | Janet | |
| Daniel Brühl | ... | Andrea | |
| Freddie Jones | ... | Jan Pendered | |
| Gregor Henderson-Begg | ... | Luke Pendered | |
| Miriam Margolyes | ... | Dorcas | |
| David Warner | ... | Dr. Francis Mead | |
| Clive Russell | ... | Adam Penruddocke | |
| Richard Pears | ... | Barry | |
| Natascha McElhone | ... | Olga Daniloff | |
| Iain Marshall | ... | Fisherman (as Ian Marshall) | |
| Toby Jones | ... | Hedley | |
| Trevor Ray | ... | Very Old Man 1 | |
| John Boswall | ... | Very Old Man 2 | |
| Joanna Dickens | ... | Mrs. Pendered | |
| Geoffrey Bayldon | ... | Mr. Penhaligan | |
| Timothy Bateson | ... | Mr. Hallett | |
| Rebecca Hulbert | ... | Fiancée | |
| Finty Williams | ... | Pretty Local Girl | |
| Roger Booth | ... | Arthur | |
| Jimmy Yuill | ... | Constable Timmins | |
| Peter Cellier | ... | BBC Announcer | |
| Alan Cox | ... | Obsequious Man | |
| rest of cast listed alphabetically: | |||
| Joshua Bell | ... | Violinist for Andrea (uncredited) | |
| Tom Frankland | ... | Penhaligan's Assistant (uncredited) | |
| Oliver Wakefield | ... | (featured in "Henry Hall's Hour") (archive sound) (uncredited) | |
Produced by | |||
| Bill Allan | .... | executive producer | |
| Nicolas Brown | .... | producer | |
| Charles Dance | .... | executive producer | |
| Emma Hayter | .... | executive producer | |
| Robert Jones | .... | executive producer | |
| Elizabeth Karlsen | .... | producer | |
| Nik Powell | .... | producer | |
| Ian Prior | .... | associate producer | |
| Bill Shephard | .... | line producer | |
| Michael Whyke | .... | co-executive producer | |
| Terrence Yason | .... | co-executive producer | |
| Keith Evans | .... | executive producer (uncredited) | |
Original Music by | |||
| Nigel Hess | |||
Cinematography by | |||
| Peter Biziou | (director of photography) | ||
Film Editing by | |||
| Michael Parker | |||
Production Design by | |||
| Caroline Amies | |||
Art Direction by | |||
| David Hindle | |||
Costume Design by | |||
| Barbara Kidd | |||
Makeup Department | |||
| Roz Abery | .... | additional makeup artist | |
| Sarah Grispo | .... | additional makeup artist | |
| Fae Hammond | .... | hair stylist supervisor | |
| Fae Hammond | .... | makeup supervisor | |
| Sharon Martin | .... | hair assistant | |
| Sharon Martin | .... | makeup assistant | |
| Astrid Schikorra | .... | additional makeup artist (as Astrid Schikora) | |
| Joan Stribling | .... | assistant makeup artist | |
| Sarah Walkinshaw | .... | hair assistant (as Sarah Trusler) | |
| Sarah Walkinshaw | .... | makeup assistant (as Sarah Trusler) | |
Production Management | |||
| Caroline McManus | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Victoria Connell | .... | additional assistant director | |
| Paul Cowan | .... | first assistant director | |
| Ben Dixon | .... | second assistant director | |
| Andrew Mannion | .... | third assistant director (as Andy Mannion) | |
| Mary Soan | .... | first assistant director | |
Art Department | |||
| Brian Aldridge | .... | dressing props (as Brian Aldgidge) | |
| Peter Andrews | .... | additional stagehand (as Peter 'Snowy' Andrews) | |
| Paul Bradburn | .... | stand-by props | |
| Stephen Bray | .... | additional stagehand | |
| Neil Carr | .... | chargehand rigger | |
| Leigh Chesters | .... | chargehand carpenter | |
| Keith Connolly | .... | painter | |
| John Cooling | .... | stand-by rigger (as JC 'Buzz' Cooling) | |
| Andrew Cummins | .... | additional location sherpa | |
| Peter Davis | .... | stand-by painter | |
| Cavin Dempsey | .... | stand-by carpenter | |
| Paul Frost | .... | draftsperson (as Paul D. Frost) | |
| Mary Gibbs | .... | trainee: FT2 | |
| Daniel Gray | .... | carpenter | |
| Fred Gray | .... | pastiche artist | |
| Richard Hall | .... | painter | |
| Joe Hawthorne | .... | construction manager (as Jo Hawthorne) | |
| Jason Ivall | .... | painter (as Jason Ival) | |
| Przemyslaw Krawczyk | .... | additional props runaround | |
| Mick Lambert | .... | greensman | |
| William Lawlor | .... | carpenter (as William P. Lawlor) | |
| Terence Meadows | .... | stagehand (as Terry Meadows) | |
| Graham Mitchell | .... | carpenter | |
| Greg O'Donnell | .... | supervising painter | |
| Jim Parker | .... | dressing props | |
| Joanna Pratt | .... | art department assistant | |
| Thomas Roberson | .... | additional location sherpa | |
| Simon Robilliard | .... | carpenter | |
| Ray Rose | .... | storeman | |
| Peter Rutherford | .... | production buyer | |
| Richard Tilly | .... | additional props runaround | |
| Yvonne Toner | .... | draftsperson | |
| Lloyd Vincent | .... | stand-by prop | |
| Jonathan Walpole | .... | additional location sherpa | |
| Kellie Waugh | .... | stand-by art director | |
| Micky Wheeler | .... | property master | |
| Evan Woolcock | .... | carpenter | |
| Robert Clarke | .... | additional construction rigger (uncredited) | |
Sound Department | |||
| Tim Alban | .... | dubbing mixer | |
| Tim Alban | .... | foley recordist | |
| Antonia Bates | .... | dialogue editor | |
| John Cowan | .... | sound department runner | |
| Paul Davies | .... | supervising sound editor | |
| Anthony Faust | .... | adr recordist | |
| Steve Finn | .... | boom operator | |
| Jim Greenhorn | .... | sound recordist | |
| Derek Norman | .... | sound recordist: second unit | |
| Haresh Patel | .... | assistant dubbing mixer | |
| Brian Simmons | .... | sound recordist: second unit | |
| Jessie Taylor | .... | foley editor | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
| Lee Kerr | .... | adr recordist (uncredited) | |
Special Effects by | |||
| Richard Conway | .... | special effects supervisor | |
| Mark White | .... | floor supervisor | |
Visual Effects by | |||
| Lee Clappison | .... | iQ operator: Lipsync Post | |
| Ivan Cornell | .... | engineer: Lypsync Post | |
| Stuart Fyvie | .... | colourist: Lypsync Post | |
| Scott Goulding | .... | scanning and recording: Lypsync Post | |
| Julia Hall | .... | effects artist: Lipsync Post (as Julia Blake) | |
| Katja Hollmann | .... | digital lab supervisor: Lipsync Post | |
| Alasdair MacCuish | .... | senior producer: Lipsync Post | |
| Adrian Oostergetel | .... | effects artist: Lipsync Post | |
| Kevin Phelan | .... | head of post: Lipsync Post | |
| Avishay Sweiry | .... | effects artist: Lipsync Post | |
| Chris Thornton | .... | scanning and recording: Lypsync Post | |
| Howard Watkins | .... | visual effects supervisor: Lipsync Post | |
Casting Department | |||
| Vanessa Baker | .... | voice casting | |
| Sarah Bird | .... | casting | |
| Brendan Donnison | .... | adr voice casting | |
| Kate Lawrence | .... | extras casting: The Casting Collective | |
Costume and Wardrobe Department | |||
| Sue Casey | .... | wardrobe assistant | |
| Lee Croucher | .... | wardrobe assistant | |
| Zoe Harvey | .... | wardrobe assistant | |
| Laura Johnson | .... | costume assistant | |
| Maedhbh McMahon | .... | additional wardrobe assistant | |
| Jane Petrie | .... | additional wardrobe assistant | |
| Marion Weise | .... | wardrobe supervisor | |
| Thomas Sjolander | .... | embroidery (uncredited) | |
Editorial Department | |||
| Alice Greenland | .... | post-production coordinator | |
| Lea Morement | .... | first assistant editor | |
| Amy Quince | .... | first assistant editor | |
| John Stanborough | .... | colorist | |
| Matt Gauci | .... | avid technical support (uncredited) | |
Music Department | |||
| Joshua Bell | .... | musician: violin | |
| Marcia Crayford | .... | leader: The Royal Philharmonic Orchestra | |
| Nigel Hess | .... | music conductor | |
| Nigel Hess | .... | orchestrator | |
| Erik Jordan | .... | assistant music engineer | |
| Colin Nicholls | .... | in-vision violins provided by | |
| Royal Philharmonic Orchestra | .... | music performers (as The Royal Philharmonic Orchestra) | |
| Francis Shaw | .... | music associate | |
| Roger Watson | .... | soundtrack supervisor | |
| Quentin Williams | .... | music consultant | |
| Toby Wood | .... | music engineer | |
Transportation Department | |||
| Brian Agar | .... | unit driver | |
| Ken Armstrong | .... | driver | |
| John Coleman | .... | unit driver | |
| Mark Edmonds | .... | driver | |
| Finn Hillman | .... | driver | |
| Miklos Kozma | .... | unit driver | |
| Alan Lewandowski | .... | driver | |
| Mike Matthews | .... | driver | |
| Vic Newell | .... | driver | |
| Darren Notley | .... | driver | |
| Linton Small | .... | driver | |
| John Smith | .... | unit driver | |
| Charlie Stares | .... | unit driver | |
| Keith Winyard | .... | driver | |
| Guy Bostock | .... | action vehicle coordinator (uncredited) | |
| Ian Clarke | .... | vehicle technician (uncredited) | |
| Kay Perriman | .... | unit driver (uncredited) | |
| Sean Thornton | .... | picture vehicle technician (uncredited) | |
Other crew | |||
| Reno Antoniades | .... | legal affairs: Lee and Thompson for Baker Street | |
| Carola Ash | .... | executive: Future Films | |
| Johnny Bamford | .... | location scout (as John Bamford) | |
| Rosie Bedford-Stradling | .... | unit nurse | |
| John Chalk | .... | pre-production finance: Paradigm Hyde Films | |
| Lizzie Conrad | .... | stand-in | |
| Guy Cowan | .... | head caterer: Reel Food | |
| Matt Curtis | .... | title designer | |
| Oliver Dance | .... | floor runner | |
| Patsy de Lord | .... | production coordinator | |
| Paul Denham | .... | legal services: SJ Berwin for Future Films | |
| Lindsay Dolan | .... | choreographer | |
| Cathy Doubleday | .... | script supervisor | |
| Penny Dyer | .... | dialogue coach | |
| John Ensby | .... | contact: Technicolor | |
| Will Evans | .... | head of business affairs: UK Film Council | |
| Jacqui Everard | .... | executive: Paradigm Hyde Films | |
| Julia Finn | .... | unit publicist: Dennis Davidson Associates | |
| Alex Gladstone | .... | location manager: London | |
| Ben Gladstone | .... | location manager: Cornwall | |
| Ronald Gould | .... | pre-production finance: Paradigm Hyde Films | |
| Kevin Grant | .... | catering assistant: Reel Food | |
| Jill Greenacre | .... | stand-in | |
| Nicole Gregory | .... | unit publicist: Dennis Davidson Associates | |
| John David Gunkle | .... | location assistant (as John Gunkle) | |
| Ruth Hodgson | .... | completion guarantor: Film Finances Inc. | |
| Vince Holden | .... | head of production finance: UK Film Council | |
| Ben Holt | .... | assistant production coordinator | |
| Rebecca Hulbert | .... | stand-in | |
| Angela Jackson | .... | production legal services: Scala Productions | |
| Robb Klein | .... | legal services: SJ Berwin for Future Films | |
| Samantha Knapp | .... | chef: Reel Food | |
| Kate Lawrence | .... | assistant: Elizabeth Karlsen | |
| Oliver Lewis | .... | double | |
| Oliver Lewis | .... | violin teacher | |
| Sean Lovell | .... | floor runner | |
| Justin Lumsden | .... | chef: Reel Food | |
| Del Magner | .... | legal services: Paradigm Hyde Films | |
| Stephen Margolis | .... | executive: Future Films | |
| Alisa McIntyre | .... | senior business affairs executive: UK Film Council (as Ailsa McIntyre) | |
| Susanne McMillan | .... | catering assistant: Reel Food | |
| Sharon Menzies | .... | business affairs: Baker Street | |
| Kazuchi Mihara | .... | pre-production finance: Paradigm Hyde Films | |
| Sheila Fraser Milne | .... | completion guarantor: Film Finances Inc. | |
| Arthur Colin Mogford | .... | pre-production finance: Paradigm Hyde Films | |
| John Morgan | .... | head of finance: Scala Productions | |
| Fiona Morham | .... | head of physical production: UK Film Council | |
| Mark Mostyn | .... | location manager | |
| Brock Norman Brock | .... | production executive: UK Film Council | |
| Georgia Oetker | .... | dialogue coach: German | |
| Nicki Parfitt | .... | legal affairs: Lee and Thompson for Baker Street | |
| Laura Rainbird | .... | executive: Bank Leumi | |
| Mark River | .... | business affairs: Scala Productions (as Mark Biver) | |
| Fraser Robertson | .... | pre-production finance: Paradigm Hyde Films | |
| Penny Ryder | .... | stand-in | |
| Catriona Scott | .... | assistant: Nik Powell, Scala Productions | |
| Brian Shemmings | .... | health and safety advisor | |
| Justin Stephenson | .... | executive: Bank Leumi | |
| Paul Stevenson | .... | office runner | |
| George Taylor | .... | floor runner | |
| Lee Thomas | .... | assistant: Nik Powell, Scala Productions | |
| Craig Topham | .... | floor runner | |
| Dan Turner | .... | contact: London | |
| Laerke Vindahl | .... | production executive: Scala Productions | |
| Sue Wall | .... | production accountant | |
| Jackie Wetherill | .... | assistant production accountant (as Jackie Weatherill) | |
| David Wheal | .... | assistant: Charles Dance and Nicolas Brown | |
| Julia Jones | .... | unit publicist (uncredited) | |
| Sean Lovell | .... | double (uncredited) | |
Thanks | |||
| Amy Carr | .... | special thanks | |
| Peter Gelb | .... | special thanks | |
| Suraj Gohill | .... | special thanks: Comerica Bank | |
| Nigel Green | .... | special thanks | |
| Nicola Hudson | .... | special thanks | |
| Ian McClay | .... | special thanks | |
| Michael McCoy | .... | special thanks | |
| Jane Stewart | .... | special thanks | |
| Lisa Telford | .... | special thanks | |
| Tybalt Whitney | .... | special thanks | |
| Rolf Wilson | .... | special thanks | |
| John Woodward | .... | special thanks | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Crazy credits | Main details |