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Intimes Tagebuch (2003) (TV)
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Overview
User Rating:
Release Date:
26 June 2003 (Germany) moreUser Comments:
Artist and Model moreCast
(Complete credited cast)| Joseba Barandiaran | ... | Himself | |
| Alberto Carrillo | ... | Himself | |
| Carlos de Torre | ... | Himself | |
| Fredy Gil | ... | Himself | |
| Jon González | ... | Himself | |
| Aritz Iriarte | ... | Himself | |
| Arturo Martin | ... | Himself | |
| Katee McFee | ... | Herself | |
| Aurelio Medina | ... | Himself | |
| Alex Pipaón | ... | Himself | |
| Iran Peirén | ... | Himself | |
| Gorka Puertas | ... | Himself | |
| Lucio Román | ... | Himself | |
| Unai Uranga | ... | Himself | |
| Josu Uribe | ... | Himself |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
Germany:65 min | UK:56 minLanguage:
SpanishFAQ
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Pedro Usabiaga is a well-established Basque photographer whose chief concerns are figurative photography and whose passion in photographing the Spanish male. In this hour long conversation with the artist we are given entry into that process of selecting models (none of the models he uses for this book to be titled 'Private Diary' are professional, but instead are randomly chosen as Usabiaga observes athletes in action) and then allowed to follow Usabiaga and his crew as they photograph these men in natural settings and natural light.
The models are splendidly handsome young Spaniards - surfers, horsemen, swimmers, beach kite fliers, woodchoppers, rope climbers, runners - whose collective body fat is probably close to 0%! These are not body builders but instead are perfectly sculpted male forms who are open to the photographer's ideas and willing to go places professional models might question.
There is nothing at all traditionally erotic about these pictures we watch developing: there is no complete nudity, the focus of the camera is on the muscles at work and the faces of these inordinately handsome young men. The result is a casual conversational approach to the art of photographing the figure and the results are very fine indeed.
Usabiaga narrates in voice-over and his words are quite poetic. Coupled with a background of Bach, Beethoven, and some contemporary composers the overall effect is artistic and therefore sensual in the finest sense of the term. Yes, there is bountiful eye candy here, but there is also a richly detailed account of the relationship between artist and model offered in a finely tuned manner. And Spain never looked so beautiful! Grady Harp