When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
Set in a futuristic world where humans live in isolation and interact through surrogate robots, a cop is forced to leave his home for the first time in years in order to investigate the murders of others' surrogates.
Ex-con Jensen Ames is forced by the warden of a notorious prison to compete in our post-industrial world's most popular sport: a car race in which inmates must brutalize and kill one another on the road to victory.
A robotic warrior from a post-apocalyptic future travels back in time to protect a 20-year old drifter and his future wife from an most advanced robotic assassin and to ensure they both survive a nuclear attack.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
It has been several months since The X-Men stopped William Stryker, but that victory came at a price: they have lost Jean Grey when she tried to save them from the collapsed reservoir. Scott Summers (Cyclops) is still grieving about her loss. One day, he comes out to the place where Jean Grey sacrificed herself. Jean Grey appears right in front of him. Meanwhile, the rift between humans and mutants has finally reached the boiling point. Humans have discovered what causes humans to mutate and have found a cure for the mutation. The X-Men are appalled at this idea. When news about the cure comes to Magneto, he decides to organize an army of mutants and wage his war against the humans. When Jean Grey evolves into the Phoenix, her new mutant powers are so strong that she can not control her own body. Then, she kills off Professor X with her new powers. Now, The X-Men must stop Magneto again and put an end to the war against the humans, as well as stop Jean Grey's Phoenix powers. Written by
Stan Lee, Chris Claremont:
The "X-Men" creator and longtime "X-Men" writer appear in the opening scene, as neighbors of Jean Grey. They are credited as "Waterhose Man" and "Lawnmower Man," respectively. (Claremont created the "Dark Phoenix Saga" in the "X-Men" comics, which was the basis of the Jean Grey/Phoenix storyline in this film.) See more »
At the scene where Rogue is standing in line to recieve the 'cure', she looks over to read the picket signs that a group of mutants are holding up at the side. One of the signs, instead of reading 'say NO to the cure' clearly reads 'say to NO the cure'. At the top of the sign it says 'Say to' then 'NO' in large letters in the middle and 'the cure' at the bottom. Even reading it as "NO say to the cure" would be grammatically incorrect. See more »
I still don't know why *I'm* here. Couldn't you just make them say yes?
Prof. Charles Xavier:
Yes, I could, but it's not my way. And I would expect you, of all people would understand my feelings about the misuse of power.
Ah, "power corrupts" and all that. Yes, I know, Charles. When are you going to stop lecturing me?
Prof. Charles Xavier:
When you start listening. And you're here because I need you.
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SPOILER: A scene appears after the closing credits: Dr MacTaggart checks up on her comatose patient, and discovers Professor Xavier transferred his mind into the patient's body. See more »
I must be one of the few, it seems, who enjoyed X-Men: The Last Stand. I have been an X-fan for many years and my expectations were still met by this film. Do I think that it could have been a bit better? Certainly. The script seemed to pack too many elements into a short running time. With those issues solved I believe that it would have been fantastic. Still, I felt that X-3 was almost on the level with X-2's greatness. It has taken another viewing and some time to reach this point. At first, I felt betrayed at the many liberties taken with story elements. But after I left the theatre, I could not shake the feeling that I needed to view it again. After the second time, I came to grips with the film and now like it quite a bit.
Contrary to some critics' reviews, I do not believe that X-3 became overshadowed by action. There really is quite little of it until the finale, which feels quite epic. There are excellent character moments sprinkled throughout. The acting is generally superb across the board. More Ian McKellen is always nice, and Hugh Jackman impresses again with Wolverine. Kelsey Grammar actually does a respectable job with Beast. The other characters all do well with what they are given. There are a few poorly written one-liners that reminded me of the ones in X-Men 1, but the script is mostly intelligent with powerful themes such as the Cure. Another difficulty is that the film cannot pay the proper amount of attention to the many characters, including the new ones. But they still all seem to contribute something to the larger plot movement in the film. Ratner's only obvious difference from Singer is his frenetic pacing and energy. X-3 really moves quickly, and this does not have to be a negative. I also enjoyed the emotion that was hinted at in X-2, and came into full force during X-3. I do not think that it reached sentimentality or was melodramatic; it really felt powerful. The stakes really do seem to be high for the final chapter of this trilogy. The viewer finds this out quickly concerning Cyclops and Mystique, later with Jean and Xavier (in a particularly awe-inspiring scene), and during the finale in a nice moment with Jean and Wolverine. I think that many of the problems people are seeing in the film resulted from the pressure the entire production team was placed under in order to develop and finish the entire film in less than a year.
But all in all, I have really come to enjoy it as a satisfying film that met my high expectations. Look at it this way if you must. Try to see X-3 as not a stand-alone film but more as the third portion of one large story. The first X-Men had the difficult job of introducing a large ensemble cast of mutants and establishing a story and tone (other superhero films with one primary character have it much easier). X-2 had the most enviable position as most of the characters had already been partly developed and it did not have to conclude the entire story. It could work mostly on its own, just having to leave threads open for the next one. X-3 had the extremely difficult task of closing out the entire trilogy for good. I see it more as the third portion of one expansive tale, thus in the larger scheme it must move quickly toward a complete conclusion. In my opinion, the many actors under the abrupt switch in direction did an x-cellent job.
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