When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
It has been several months since The X-Men stopped William Stryker, but that victory came at a price: they have lost Jean Grey when she tried to save them from the collapsed reservoir. Scott Summers (Cyclops) is still grieving about her loss. One day, he comes out to the place where Jean Grey sacrificed herself. Jean Grey appears right in front of him. Meanwhile, the rift between humans and mutants has finally reached the boiling point. Humans have discovered what causes humans to mutate and have found a cure for the mutation. The X-Men are appalled at this idea. When news about the cure comes to Magneto, he decides to organize an army of mutants and wage his war against the humans. When Jean Grey evolves into the Phoenix, her new mutant powers are so strong that she can not control her own body. Then, she kills off Professor X with her new powers. Now, The X-Men must stop Magneto again and put an end to the war against the humans, as well as stop Jean Grey's Phoenix powers. Written by
When director Bryan Singer dropped out of production, Hugh Jackman recommended Darren Aronofsky to replace him, having worked with Aronofsky in The Fountain (2006). Joss Whedon turned it down to work on a "Wonder Woman" movie (ironically his "X-Men" comic 'Gifted' would inspire the final film's plot). 'Rob Bowman' and Alex Proyas were considered for the job. Zack Snyder was approached, but he was committed to 300 (2006); Peter Berg was approached, but turned down the job. Matthew Vaughn was hired in March 2005, but with a release date set of May 2006, he realized he could not put together a good film in such a short time and left. Finally Brett Ratner was hired, who had experience of making successful films out of rushed productions, as seen with Rush Hour (1998). See more »
When Beast meets Leech, a close-up of Beast's face as he remarks on Leech's power reveals the net-like tape used to attach the blue fur to his face. See more »
I still don't know why *I'm* here. Couldn't you just make them say yes?
Prof. Charles Xavier:
Yes, I could, but it's not my way. And I would expect you, of all people would understand my feelings about the misuse of power.
Ah, "power corrupts" and all that. Yes, I know, Charles. When are you going to stop lecturing me?
Prof. Charles Xavier:
When you start listening. And you're here because I need you.
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SPOILER: A scene appears after the closing credits: Dr MacTaggart checks up on her comatose patient, and discovers Professor Xavier transferred his mind into the patient's body. See more »
X men 3: The best and the worst of the trilogy. The film begins better than the others with a lot of potential and a strong emotional charge, which leads you to believe that the second act will be nail bitingly intriguing and the finale explosive. But as the dreadful storyline, which deviates from the cartoon and comic immensely, unfolds, we are left as bewildered and unsatisfied as a diner who has been able to smell the gourmet meal from the kitchen, but is served 'Jellied eels and a pint'.
I feel that Ratner was a little out of his genre on this one. There was no real character development for any of our mutant heroes, who seemed to just pop in and out of the story whenever a fight scene was to commence, to the point where some of our favourite X men were just cameos. And hardly any of the social, humanitarian issues, which are paramount to the concept of the X men, are delved into.
Jean Grey is found alive, though neither she nor Professor X are able to control her extraordinarily powerful alter ego, The Phoenix. The obvious opportunity doesn't escape Magneto's attention who steps in to make The Phoenix the newest addition to his mutant militants. The government have concocted a 'cure' for the mutant gene and now with The Phoenix on his side, Magneto and his cohorts endeavour to destroy this so called cure, which he believes the government are using to wipe out mutants everywhere. Wolverine defiantly goes after The Phoenix to rescue Jean from her dominance. All the conflicting factors come to a head when Magneto unleashes his evil forces on the government establishment holding the 'cure'. The X men regroup and set out to thwart Magneto. An all out action packed rumble between the military, Magneto's mutants and the X men set up the final showdown.
If you are not a die hard fan of the comic or cartoon you may enjoy certain plot twists, the variety of new and exciting mutants and some of the excellent action scenes, but will feel let down by the anti-climatic ending; overall for a non-fan it's a good watch. For a true fan of the X men, you will be bitterly disappointed at the fact that the film makes no attempt to stay true to its origin. (The opposite being one of the reasons why Spiderman is such a success). This, supposed last, of the X men films substitutes the amazing storyline of morals, ethics and action which Stan Lee weaved together, for a incoherent, unfulfilling sequence of events which would raise bile to the throat of anyone who actually read more than two of the comics or watched any of the cartoons. Also Jugernaught is as bad as he looks! Best scene: When Wolverine is being chased through the woods by a mutant who can produce wooden dangers from his body and throw them with acute accuracy.
Should have been called 'The Y Men', as nothing about this film resembles our comic book heroes, and nobody knows why.
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