When a cure is found to treat mutations, lines are drawn amongst the X-Men, led by Professor Charles Xavier, and the Brotherhood, a band of powerful mutants organized under Xavier's former ally, Magneto.
When bitten by a genetically modified spider, a nerdy, shy, and awkward high school student gains spider-like abilities that he eventually must use to fight evil as a superhero after tragedy befalls his family.
Bruce Banner, a scientist on the run from the U.S. Government must find a cure for the monster he emerges whenever he loses his temper. However, Banner then must fight a soldier whom unleashes himself as a threat stronger than he.
It has been several months since The X-Men stopped William Stryker, but that victory came at a price: they have lost Jean Grey when she tried to save them from the collapsed reservoir. Scott Summers (Cyclops) is still grieving about her loss. One day, he comes out to the place where Jean Grey sacrificed herself. Jean Grey appears right in front of him. Meanwhile, the rift between humans and mutants has finally reached the boiling point. Humans have discovered what causes humans to mutate and have found a cure for the mutation. The X-Men are appalled at this idea. When news about the cure comes to Magneto, he decides to organize an army of mutants and wage his war against the humans. When Jean Grey evolves into the Phoenix, her new mutant powers are so strong that she can not control her own body. Then, she kills off Professor X with her new powers. Now, The X-Men must stop Magneto again and put an end to the war against the humans, as well as stop Jean Grey's Phoenix powers. Written by
With the appearance of Beast (though he was in the previous film) and Angel, the original X-Men team that were formed in 1963 (Professor X, Cyclops, Phoenix, Beast, Iceman, Angel) now fully appear in this film, though not all together. See more »
Time of day during the final battle sequence. The first pan over the bridge from southeast looking north, is clearly midday as the shadow of the bridge is almost directly underneath it. When Magneto first walks onto the Golden Gate bridge it is close to sunset, and the shadowing is very inconsistent, sometimes sharp from direct sunlight, sometimes not. By the time they move the bridge and drops it onto the island, and lowers himself to the bridge, and all the mutants move forward, it is suddenly dark. In the DVD commentary, everyone acknowledges it, but says "Hopefully you're into the movie enough..." The whole battle is then shown as taking place in the dark. See more »
I still don't know why *I'm* here. Couldn't you just make them say yes?
Prof. Charles Xavier:
Yes, I could, but it's not my way. And I would expect you, of all people would understand my feelings about the misuse of power.
Ah, "power corrupts" and all that. Yes, I know, Charles. When are you going to stop lecturing me?
Prof. Charles Xavier:
When you start listening. And you're here because I need you.
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The Marvel logo features comic-book images of the X-Men in its pages. Notable characters seen are the Phoenix, Angel and the Juggernaut; also seen is a moving bridge. See more »
Who wouldn't want the ability to walk through walls or fly away into the sky? Who wouldn't want to be able to lift cars hundreds of feet into the air or turn a cloudy day into a gorgeous sunny afternoon? For some this is a dream come true. For others than can't function without destroying their natural way of life, it is a curse. The premise for the latest installment of the X-Men saga is just that.
X-Men: The Last Stand goes deeper into the mutant versus human controversy. All of the favorites are back with the addition of some needed support. The main focus of this film is the introduction of a vaccine that can rid a mutant of its powers. It is called, "The Cure". Magneto, played once again by Ian McKellan, gathers his Brotherhood for a war on the mankind once more. His eyes are fixed on the one person who holds the answer, a small, innocent child with a gift so powerful, Magneto will risk everything for it.
Charles Xavier (Patrick Stewart) upon hearing gathers his group of X-Men to stop the menacing Magneto. He is short a few of his troops from the last film. Cyclops is still lamenting over the loss of his dear Dr. Jean Grey. When he can't take it anymore, he drives out to where he last saw her. Her voice has driven him to the edge until she appears. Who he meets isn't Jean, but her true self; Phoenix. She is Jean's alter ego, the most powerful mutant Charles or Magneto ever encountered.
Director Brett Ratner of Rush Hour fame delivers an action packed, special effects driven adventure. His style is unlike that of the previous X-Men films. His version is more along the lines of a regular action flick. A lot of explosions, stunts galore, and a so-so script. What made the other films enjoyable was the emphasis on the characters. This film has almost too many to include. Although some weren't present and some don't make it, there are too many side stories going on than are needed.
The mutants are always a blast to watch. Hugh Jackman returns to his old guns, relying on witty remarks and vicious attacks on unsuspecting victims. Somehow it doesn't get old. Kelsey Grammar is introduced as Dr. Hank McCoy, better known as Beast, a blue skinned, blue haired genius who wants nothing more than this war to cease. Also introduced is Angel, who sadly doesn't play too much of a role. On the other side of the battle is Juggernaut (Vinnie Jones). A one man wrecking crew whose momentum is unstoppable to the strongest of obstructions. Beside him is Callisto, a speedy little devil whose impact is virtually just filler. There is more emphasis on characters like Kitty, the girl who can walk through walls, and Collossus, a metal strongman, and less emphasis on Rogue and Mystique.
Without these characters in play, the film is special effects driven. Impressive CGI graphics and and intelligent use of the mutants powers go a long way in the making of this film. Characters like Storm (Halle Berry) rely solely on the effects provided by Ratner and his team or visual effects artists.
As far as summer blockbusters go, this film isn't one to be trifled with. It presents a lot of aspects that a blockbuster should have: a lot of big name actors, reliable story lines, stunning effects, and most importantly, an appeal to a large audience. The movie might be a little bit mature for children, but comic book fans and fans of the films will thoroughly enjoy this. The only remaining question left is; will there be another?
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