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The Return (2003)
"Vozvrashchenie" (original title)

8.1
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Ratings: 8.1/10 from 26,652 users   Metascore: 82/100
Reviews: 170 user | 102 critic | 30 from Metacritic.com

In the Russian wilderness, two brothers face a range of new, conflicting emotions when their father - a man they know only through a single photograph - resurfaces.

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Title: The Return (2003)

The Return (2003) on IMDb 8.1/10

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Nominated for 1 Golden Globe. Another 28 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Mat
Galina Popova ...
Aleksey Suknovalov ...
Lazar Dubovik ...
Elizaveta Aleksandrova ...
Lyubov Kazakova ...
Andrey Sumin ...
Chelovek v portu
Aleksey Proshchikin
Viktor Alenin
Stas Orlov
Arseniy Belousov
Sofya Bagdasarova
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Storyline

Two teenage Russian boys have their father return home suddenly after being absent for 12 years. The father takes the boys on a holiday to a remote island on a lake in the north of Russia that turns into a test of manhood of almost mythic proportions. Written by Sujit R. Varma

Plot Summary | Plot Synopsis


Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

25 June 2003 (Russia)  »

Also Known As:

The Return  »

Filming Locations:

 »

Box Office

Opening Weekend:

£43,388 (UK) (25 June 2004)

Gross:

£277,457 (UK) (19 January 2007)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

When pre-production was starting, director Andrey Zvyagintsev told producer Dmitriy Lesnevskiy there was no point in making the film if they couldn't find two boys who were "actors of genius." Zvyagintsev had two assistants who helped him look for actors, one in St. Petersburg and one in Moscow, and visited both cities himself. He found Vladimir Garin in St. Petersburg and Ivan Dobronravov in Moscow, picking them from over 600 contenders. See more »

Goofs

On the island, Ivan bandages his hand after it gets injured. In the next shot, the bandage is on his other hand. See more »

Quotes

[first lines]
[on-screen caption: Sunday]
[boy falls in the water, then floats up]
Zavodila: Jump as we agreed! Who climbs down the ladder is a cowardly wanker.
[swims to the shore]
Boy on Tower: Go on, Vityok. You're next.
See more »

Crazy Credits

During the end credits, there are still photos. See more »

Connections

Referenced in Rewind This! (2013) See more »

Soundtracks

Ne iz sadu bylo...
Traditional Russian song
Performed by Ivan Mefodyevich Banderovsky
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Strong performances and interesting direction and development make up for the weaknesses inherent in such a minimalistic film
10 July 2004 | by (United Kingdom) – See all my reviews

Andrei and Ivan have lived the vast majority of their lives with their mother and grandmother. They find this dynamic changed when their father turns up after 12 years absence. While Andrei seems happy with this and keen to try and bond with his father, the younger Ivan is much more stubborn and reluctant – being suspicious of this man's motives. The three go on a trip fishing for a few days, which turns into a much longer time as the father has 'business'. As the journey continues Ivan struggles with a father who is strict and strangely cruel.

On the back of awards and good reviews I was interested enough to go and watch this film at the cinema. Not being a great thinker myself, I usually find the 'you work it out' attitude of art-house films to be rather annoying and unfair and sadly there was an element of that with this film. The narrative is interesting enough to keep you in your seat but just don't expect anything to be explained; in fact there was not even enough information to even really interpret what was going on – by the end of the film I was left with buckets of questions but hardly a single answer…I wanted to ask the others in the cinema (all 4 of us) if they had 'got it' and if it was just me. However what saves this film from being another obscure arty movie is the delivery and the journey we are taken on. For all the unknowns the film is still gripping, even if it is slow at the same time. The journey is an interesting one and one that sees the characters grow in ways I was captivated by even if I didn't understand it all. I would have liked even a little bit of information by the end but I was content that I had witnesses a story and, like some things in life, you don't get all the facts – I was just like the boys in the film, not knowing what was going on but involved in it nonetheless.

For a debut feature the direction from Zvyagintsev was excellent. It was full of great shots, great camera movement and wonderful use of surroundings to create a world where only these three are – no other cars and barely any other people. For this same reason, praise should be endlessly heaped onto cinematographer Krichman as he makes everything look eerily beautiful and calm. The direction aids the minimal story and helped keep me interested, but the clincher for me were the performances. The only named characters are the two boys and, as such, the best performances come from them. Everyone knows that Garin died in an accident similar to the films opening tower-jumping scene and it casts a bit of a shadow over his performance to think that such a young man has died needlessly, but his performance here is still assured. He is keen but he stills allows us to see bits of doubt and fear in his eyes – like a loyal dog coming back after a beating. Dobronravov gives a completely different performance that is much more showy and powerful and he totally surprised me – such a strong and believable performance from so young a boy, he makes Hollywood's blockbuster preening child 'actors' appear to be the bland products that many of them are. Lavronenko's 'father' is a brooding beast who is hard to understand and he plays him fairly blankly. In a way this works but I did wonder if Lavronenko really understood his character either. Two or three others are in the film but, as the character names suggest, the film belongs to Krichman and the late Garin and they do not struggle with this responsibility.

Overall I will not claim to fully understand what the story was about or if it was an allegory for wider issues but the story is still engaging and emotional. The delivery is pretty much perfect although I imagine many audiences will be put off by both the lack of information and the slow pace.

The direction and cinematography are superb and the two boys in the lead put many other child actors to shame by the sheer confidence and ability they have in delivering such complex characters and emotions.


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