| Photos (See all 24 | slideshow) | Videos (see all 7) |
| Will Friedle | ... | Calvin Menhoffer | |
| Chris Owen | ... | Leonard Smallwood | |
| Louise Lasser | ... | Doris Mundt | |
| Renée Taylor | ... | Betty Mundt | |
| Nikki Ziering | ... | Charlene | |
| Rudy De Luca | ... | Uncle Walt | |
| Jack Ong | ... | Mr. Woo | |
| J.J. Cole | ... | Minister | |
| Carmen Twillie | ... | Gospel Singer | |
| Gabriel Bologna | ... | Jail Guard | |
| Mary Albee | ... | Woman on the Street | |
| Draegin | ... | Bruno 'The Dog' | |
| rest of cast listed alphabetically: | |||
| Jeff Eveleth | ... | Jail Inmate (uncredited) | |
| Akira Lane | ... | Fantasy Girl (uncredited) | |
| John Paul Lubran | ... | Young Leonard Smallwood (uncredited) | |
| Rena Riffel | ... | Fantasy Girl (uncredited) | |
| Tawny Amber Young | ... | Bikini Girl (uncredited) | |
Directed by | |||
| Gary Preisler | |||
Writing credits(in alphabetical order) | ||
| Michael Canale | story | |
| Gary Preisler | writer | |
Produced by | |||
| Don Ashley | .... | producer | |
| Dean Blagg | .... | co-producer | |
| Amy Greenspun | .... | producer | |
| Brian Greenspun | .... | executive producer | |
| Howard Houng | .... | co-producer | |
| Charles V. Kinstler | .... | executive producer | |
| J.B. Moresco | .... | associate producer | |
| Kami Norton | .... | co-producer | |
| Gary Preisler | .... | producer | |
| Leland Preisler | .... | executive producer | |
| Michael T. Rutter | .... | associate producer | |
| Nick Goodwin Self | .... | line producer | |
Original Music by | |||
| Chris Horvath | |||
Cinematography by | |||
| Thomas L. Callaway | |||
Film Editing by | |||
| Robert Brakey | |||
Casting by | |||
| Aaron Griffith | |||
Production Design by | |||
| Terrence Foster | |||
Set Decoration by | |||
| Melanie Jones | |||
Costume Design by | |||
| Ellen Falguiere | |||
| Rachel Sage Kunin | (re-shoots) (as Rachel Sage) | ||
Makeup Department | |||
| Danielle Friedman | .... | special makeup effects artist | |
| Cindy Miguens | .... | personal makeup artist: Louise Lasser | |
| Erica Pearce | .... | makeup artist | |
| Kathleen Toner | .... | hair stylist | |
| Kathleen Toner | .... | key makeup artist | |
Production Management | |||
| Kami Norton | .... | post-production supervisor | |
| Kami Norton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jeff Fuller | .... | additional second second assistant director (as Jeff 'Bones' Fuller) | |
| Howard Houng | .... | second unit director | |
| Matt Lake | .... | additional second second assistant director (as Matthew Lake) | |
| William Lu | .... | second assistant director: pick-ups | |
| Casey Mako | .... | second second assistant director | |
| David N. Schrager | .... | first assistant director | |
| Dawn Stewart | .... | second assistant director | |
Art Department | |||
| Pedro Barquin | .... | stand-by greensman | |
| Joshua T. Duman | .... | propmaker | |
| Greg Finnin | .... | property master | |
| Tom Gould | .... | assistant property master | |
| Gary Jones | .... | swing | |
| Emile Kortleven | .... | swing | |
| Ryon Peck | .... | storyboard artist | |
| Regan Redding | .... | carpenter | |
| Paul A. Still | .... | construction coordinator (as Paul Still) | |
| John Stone | .... | swing | |
| Daniel M. Swed | .... | leadman (as Daniel Swed) | |
| Jason Puga | .... | painter (uncredited) | |
Sound Department | |||
| Doug Andham | .... | sound re-recording mixer (as Doug Andorka) | |
| Seth Cooper | .... | boom operator | |
| Dave Davenport | .... | adr mixer (as David Davenport) | |
| Lisa Hannan | .... | sound effects editor | |
| James B. Howe | .... | foley mixer (as James Howe) | |
| Markus Innocenti | .... | supervising sound editor | |
| Jackie Johnson | .... | assistant dialogue editor | |
| John Kohlbrenner | .... | sound effects editor | |
| Darrin Mann | .... | foley mixer | |
| George E. Marshall Jr. | .... | boom operator | |
| Sterling Moore | .... | boom operator | |
| Steuart Pearce | .... | sound mixer | |
| Jesse Pomeroy | .... | dialogue editor (as Jess Pomeroy) | |
| Sergio Reyes | .... | sound re-recording mixer | |
| Joan Rowe | .... | foley artist | |
| Sean Rowe | .... | foley artist | |
| Reuben Simon | .... | foley editor | |
| Trevor Ward | .... | sound consultant: Dolby | |
| Mike Welker | .... | first assistant sound editor | |
| Nelson Ferreira | .... | sound editor (uncredited) | |
| Andrew Tay | .... | additional sound re-recording mixer (uncredited) | |
Visual Effects by | |||
| Owen Demers | .... | 3D paint lead: ESC Entertainment | |
| David Emerson | .... | optical and digital line-up | |
| Scott Fritts | .... | modeler | |
| Shane Roberts | .... | matte painter | |
Stunts | |||
| Mary Albee | .... | stunt performer | |
| Ben Bray | .... | stunt coordinator | |
| Max Daniels | .... | stunt performer | |
| Denney Pierce | .... | stunt performer | |
| Lori Seaman | .... | stunt double | |
| Ray Siegle | .... | stunt performer | |
| Lisa Varga | .... | stunt performer | |
| Frank Torres | .... | stunts (uncredited) | |
Casting Department | |||
| Debe Waisman | .... | extras casting (as Debbe Waisman) | |
Costume and Wardrobe Department | |||
| Laura Calcaterra | .... | on-set costumer | |
| Jody Felz | .... | costume supervisor | |
| Erika Munro | .... | costumer | |
| Grace Yim | .... | on-set costumer | |
Editorial Department | |||
| Jim Williams | .... | color timer | |
Music Department | |||
| David R. Barkley | .... | orchestrator | |
| Gerry Gershman | .... | music supervisor | |
| Benoit Grey | .... | orchestrator | |
| Jackie Johnson | .... | music editor | |
| Danielle Lindstrom | .... | music coordinator | |
| Bernard Matthews | .... | score recordist (as Bernie Matthews) | |
| Doug Rider | .... | score mixer | |
| Talley Sherwood | .... | score recordist | |
| Chris Tedesco | .... | music contractor | |
Transportation Department | |||
| George Bolton | .... | transportation captain | |
| Abiff Salcedo | .... | talent driver | |
| Mario Simon | .... | transportation coordinator | |
Other crew | |||
| Christina Barton | .... | animal trainer | |
| Joseph Bologna | .... | creative consultant (as Joe Bologna) | |
| Gina Brockett | .... | animal wrangler | |
| Jim Brockett | .... | animal wrangler | |
| Heather Burgett | .... | unit publicist | |
| Leonid Choub | .... | location manager | |
| Jill Coughlin | .... | stand-in | |
| Harold De Jesus | .... | title designer | |
| Myles DeRussy | .... | stand-in | |
| Judy Dixon | .... | unit publicist | |
| Leia Dunlap | .... | production assistant | |
| Melissa Elliott | .... | end titles | |
| Jeff Eveleth | .... | production assistant | |
| Eric Fierstein | .... | supervising location manager | |
| Vanessa Grayson | .... | stand-in | |
| Jennifer S. Jackson | .... | script supervisor (as Jennifer Helmuth) | |
| Scott Jolgen | .... | production assistant | |
| Timothy Kiley | .... | assistant location manager | |
| Karl Lewis Miller | .... | animal trainer (as Karl Miller) | |
| Marcel Valcarce | .... | title designer | |
| Lisa Varga | .... | assistant production coordinator | |
| Julie Anne Wight | .... | script supervisor: pick-up shots | |
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| Malibu Express | Cattle Call | National Lampoon Presents Dorm Daze | Going the Distance | Enemy Gold |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I'm a 43 year old father in a small Southern town. Just saying that so you will understand that I am not the target audience for this type of movie. I ignored it at the theater and had no plans to ever watch it. However, after enjoying National Lampoon's Dorm Daze, I figured I would give it a try at the rental store. I am glad I did.
The previews and such are not entirely truthful about this movie. It appears to be 2 young guys out to scam 2 older women. While it is that, it is also 2 older women out to scam 2 young guys who are some of the dumbest criminals ever. The "old women being sexy" angle is not played up nearly as much as you would think and rather than make fun of them, they seem to be making just as much fun of stereotypes.
This is not an Oscar movie or one with long lasting deep plots but it is a decent way to laugh on a rainy day. You will not split your sides laughing but the pace is good and the jokes funny rather than silly most of the time. While this is not a movie I am sorry I missed at the theater, and perhaps not one I will go out and buy, it was one that I enjoyed watching and felt well worth the rental. Just because the cover and premise seem so silly, don't just pass it by.