In the end of the 70's, the dysfunctional Kenneth Bianchi lives with his mother and is obsessed to join the police force. When his application is refused, his mother sends him to Los ... See full summary »
In the end of the 70's, the dysfunctional Kenneth Bianchi lives with his mother and is obsessed to join the police force. When his application is refused, his mother sends him to Los Angeles to live with his sadistic cousin Angelo Buono. Kenneth unsuccessfully tries to join LAPD, and Angelo convinces him to start a prostitution business with him. They force two girls from Tucson to work for them, but their competitors destroy their business and steals their money. The frustrated Kenneth and Angelo decide to revenge against a prostitute, and Kenneth strangles her, feeling a great pleasure with her death. The two cousins become addicted in death, initially killing prostitutes and then attacking single women, dumping their bodies on the hill. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
I suppose it's a bit trendy to do so, but Tartan films certainly does take advantage of the direct to DVD/late night cable market. The books recounting the ill deeds of Gein, Dahmer, Gacy and Buono/Bianchi are well documented. Cram as much shock into 90 minutes as possible and if you can effectively capture the pathos and motivation of these grandiose sickos all the better. I love a challenging film, one that leaves me a bit mentally drained without long-term ill effects.
I'd say this is one of the better ones, due mostly to the benefit of having two protagonists with anti-social manias to capture instead of one. And the casting of fairly well known actors doesn't hurt either, although the roles actually could have been reversed physically speaking. What I remember from the book's photos is that Bianchi was much more vital and really did look like a cop, not the skinny smarmy John Watersy used car salesman-y figure Howell presents. And Angelo Buono was tall and lean and the book described him as incredibly fastidious and anal, whereas Turturro is a bit too cliché Italian. Either way, the formula works and I think their chemistry is still effective.
This is definitely the hardest of this series of movies by the producers. The language, the real-time realism, the fear of the victims are all very palpable.
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