A highly-evolved planet, whose denizens feel no emotion and reproduce by cloning, plans to take over Earth from the inside by sending an operative, fashioned with a humming, mechanical ... See full summary »
Two ex-government agents turned rival industrial spies have to be at the top of their game when one of their companies prepares to launch a major product. However, they distract each other in more ways than one.
Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film, as Tarantino might put it, puts the four leading characters in a box and strips them apart. Written by
In the trailer, Larry says, "I love you, I love everything about you" and it appears as if he's talking to Anna. But in the movie, he actually speaks this line to Alice when she is stripping for him. See more »
When Alice and Dan are entering the garden at the beginning of the film, a woman in a khaki coat is seen leaving the garden as they enter but in the next shot is nowhere to be seen but is then seen walking away in the following scene. See more »
The strength of Closer, both as a play and a motion picture, is the flawless, mature and beautifully crafted dialogue. Patrick Marber's screenplay is a testament to his truly great writing ability, as not much of the original text needed to be adapted in order to work appropriately and effectively on screen.
The raw emotion and base convictions of these four tragic characters (all acted exquisitly) is given to us primarily through their words and those words are all we need.
If you need more than words and are looking for a feel good love story, steer clear, you will only be disappointed.
However, if you are looking for a piece that will intrigue your senses, causing you to examine your own soul, your own convictions, then I highly recommend Closer.
Like Shakespeare, Williams, and O'Neil, whose words are a testament to the condition of their lives and times, Marber, through his language and presentation of these four exquisite lost souls, forces the mind to acknowledge and deal with the most base of our natural tendencies, painting a brutally honest portriat of the human condition in the 21st century.
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