A married woman realizes how unhappy her marriage really is, and that her life needs to go in a different direction. After a painful divorce, she takes off on a round-the-world journey to "find herself".
A ballet dancer wins the lead in "Swan Lake" and is perfect for the role of the delicate White Swan - Princess Odette - but slowly loses her mind as she becomes more and more like Odile, the Black Swan.
Two women embark on a road trip after they are brought together by circumstance. Rebecca (Portman) flees her hotel after a fight with her mother-in-law (Maura) and hails a taxi driven by Hanna (Lazlo).
Smart-but-ineffectual journalist Dan "We use euphemisms!" cannot decide between his girlfriend, loving-but-clingy waitress Alice, or his lover cold-but-intellectual photographer Anna; herself indecisive between Dan and honest-but-thuggish "You're bloody gorgeous!" doctor Larry. The film, as Tarantino might put it, puts the four leading characters in a box and strips them apart. Written by
The photograph of an elderly couple which appears before Alice is photographed by Anna, and which appears also in Anna's exhibition, is a photograph of British philosophers Peter Geach and G. E. M. Anscombe. See more »
When Alice and Dan sit on the 109 bus, the destination is for Westminster Station. However, the bus travels east along Victoria Embankment past Blackfriars - the opposite direction to Westminster. See more »
This is the most honest film I've ever seen. Although I'm sure there are critics out there who will comment on the explicit language rather than the story, anyone who's ever been in a dysfunctional relationship can relate to at least some part of this film. I for one found it a very personal and shockingly accurate depiction of how human beings use love and sex to unintentionally destroy each other. The performances were magnificent from all angles. Mike Nichols has done it again. This film is "Carnal Knowledge" for the new millennium. If the Academy does not recognize "Closer" as a Best Picture candidate, then the Academy should no longer be recognized as the authority on achievement in film... yes, it's that good.
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