7.0/10
35
5 user

The Unknown (1964)

Near Aix-les-Bains (South-East of France), two women, Kassia and Leonora, are driven by a fanatical blackmailer, named André, in a white Rolls Royce at full speed. Suddenly, they stop near ... See full summary »

Director:

Writer:

Reviews

Photos

Add Image Add an image

Do you have any images for this title?

Edit

Cast

Credited cast:
...
Colas
...
André Pavan
...
Tone Hobart
...
Kassia Paine
...
Leonora Edmond
Edit

Storyline

Near Aix-les-Bains (South-East of France), two women, Kassia and Leonora, are driven by a fanatical blackmailer, named André, in a white Rolls Royce at full speed. Suddenly, they stop near a lake, in the middle of the woods, where the man decides to have a swim. He asks the two women for a drink. The women plan to assassinate him by introducing a deadly leaf from a Thanatos tree in the cocktail. The man dies by poisoning and drowning and the women stare at him without moving. They put the dead body in the trunk of the fancy car. Later, they've lost their way in the countryside and, finally, find a mansion where an old blind man, Colas, opens the door. Upstairs, a strange inventor, Tone Hobart, built a time machine which could resurrect the dead. Unfortunately, André is now alive and ready for a revenge. Written by Thomas Rucki (filigrane@hotmail.com)

Plot Summary | Add Synopsis

Edit

Details

Country:

Language:

Release Date:

4 May 1964 (USA)  »

Company Credits

Show more on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.33 : 1
See  »
Edit

Did You Know?

Trivia

To those who are familiar with "Sapphire and Steel" (the UK series from late '70s-early '80s) which starred David McCallum and Joanna Lumley, the two appeared as extra-dimensional beings assigned to repair the fabric of time and set events on proper course on earth. It is ironic that McCallum in his role as Tone Hobart figured out how to "tilt time". In Assignment Three of "Sapphire and Steel", Steel commented that no one should be "... messing around with time ..." but Sapphire and himself. See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
The Fear of the Unknown
19 August 2003 | by See all my reviews

"The Unknown" is an elegant, oddball and symbolic tale that pays tribute to many classic works: first, the core of the drama comes from Henri-Georges Clouzot's "Les Diaboliques"--the drowning of a man--and then borrows elements from Alfred Hitchcock's "Psycho"--the old dark house and composer Dominic Frontiere's music remind the shrill violin of "Psycho" during the murder in the lake scene--, Val Lewton's 1940's noirish productions--fear created by the power of suggestion--, injects some literary references to William Shakespeare's "A Midsummer Night's Dream" (see David McCallum's monologues delivery) and anticipates the mood of Ingmar Bergman's "Persona"--see the close-ups combined with quick cuts of both actresses inside the mansion. The camera works of Conrad L. Hall and William A. Fraker are superb and innovative: see how they transform Nature to give it a dreamlike texture during the lake scene. The general art direction and the dramatic structure are so refined that make this TV movie almost like a feature film. I think this is a work of art for 1964's standards. For the anecdote, the rip through main title by Wayne Fitzgerald as well as Dominic Frontiere's original score was re-used in 1967 for Quinn Martin's "The Invaders".


7 of 7 people found this review helpful.  Was this review helpful to you? | Report this
Review this title | See all 5 user reviews »

Contribute to This Page