The story of John Wilmot, a.k.a. the Earl of Rochester, a 17th century poet who famously drank and debauched his way to an early grave, only to earn posthumous critical acclaim for his life's work.
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Director:
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Stars:
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Director:
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Stars:
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In 1660, with the return of Charles II to the English throne, theater, the visual arts, science and sexual intercourse flourish. Thirteen years later, in the middle of political and economical problems, Charles II asks the return of his friend John Wilmot, aka the second Earl of Rochester, from the exile to London. John is a morally corrupt, drunkard and sexually active cynical poet, and the King asks him to prepare a play for the French ambassador to make him pleased. John meets the aspirant actress Elizabeth Barry in the playhouse and decides to make her a great star. He falls in love for her, and she becomes his mistress; during the presentation to the Frenchman, he falls in disgrace in the court. When he was thirty-three years old, he was dying of syphilis associated to alcoholism and he converted to a religious man. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The poem which Wilmot has been banished from court at the beginning of the film is "A Satyr on Charles II". The historical Wilmot really did submit that poem to the monarch accidentally, but he subsequently left court of his own accord, rather than at Charles' command. See more »
Goofs
When the dog poops on the floor behind the king, the sunlight is shining brightly onto the floor. The camera cuts away to Chaffinch and when it returns to the king, there is no sunlight and the pile of dog poop has disappeared. See more »
Quotes
[first lines]
Rochester:
Allow me to be frank at the commencement. You will not like me. The gentlemen will be envious and the ladies will be repelled. You will not like me now and you will like me a good deal less as we go on. Ladies, an announcement: I am up for it, all the time. That is not a boast or an opinion, it is bone hard medical fact. I put it round you know. And you will watch me putting it round and sigh for it. Don't. It is a deal of trouble for you and you are better off watching and drawing...
See more »
Crazy Credits
Special thanks to Tracy, Billy and Stanley and all our Friends and Families See more »
This wasn't a glamorized period costume drama that Hollywood loves to overdo and it wasn't NC-17 for nothing! There was some technical roughness and lack of continuity but they were minor quibbles in what I considered a triumph. The mood, the sets and cinematography, the script and, most of all, the acting were all of the highest and most innovative caliber. Depp was in almost every scene and was fascinating beyond anything I'd ever experienced. His force and range of emotion and naturalness were exceptionally powerful and moving from first to last. You hated him and loved him, were repulsed by him and felt pity for him. You were drawn to him almost against your will, like a vortex pulling you in. All else paled in comparison. This was a Johnny Depp that I'd never seen before but so hope I have a chance to again. This performance is the crowning glory to date of his illustrious career and I see no limits to what he can accomplish in the future. Everyone else was uniformly excellent although Samantha Morton didn't portray the allure the Elizabeth Barry in the play had.
My primary recommendation for improving this work in progress before theatrical release center around clarifying motivations up front for why these people were the way they were. This could be done by a combination of edits and additions. I found I liked it even better and was more moved by it the second time I saw it when I wasn't concentrating as much on following the storyline.
This was a movie I loved and can't get it out of my mind. It was stunning and compelling beyond anything I've seen in a very long while.
178 of 213 people found this review helpful.
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This wasn't a glamorized period costume drama that Hollywood loves to overdo and it wasn't NC-17 for nothing! There was some technical roughness and lack of continuity but they were minor quibbles in what I considered a triumph. The mood, the sets and cinematography, the script and, most of all, the acting were all of the highest and most innovative caliber. Depp was in almost every scene and was fascinating beyond anything I'd ever experienced. His force and range of emotion and naturalness were exceptionally powerful and moving from first to last. You hated him and loved him, were repulsed by him and felt pity for him. You were drawn to him almost against your will, like a vortex pulling you in. All else paled in comparison. This was a Johnny Depp that I'd never seen before but so hope I have a chance to again. This performance is the crowning glory to date of his illustrious career and I see no limits to what he can accomplish in the future. Everyone else was uniformly excellent although Samantha Morton didn't portray the allure the Elizabeth Barry in the play had.
My primary recommendation for improving this work in progress before theatrical release center around clarifying motivations up front for why these people were the way they were. This could be done by a combination of edits and additions. I found I liked it even better and was more moved by it the second time I saw it when I wasn't concentrating as much on following the storyline.
This was a movie I loved and can't get it out of my mind. It was stunning and compelling beyond anything I've seen in a very long while.