| Photos (see all 41 | slideshow) | Videos (see all 2) |
| Daniel Craig | ... | XXXX | |
| Tom Hardy | ... | Clarkie | |
| Jamie Foreman | ... | Duke | |
| Sally Hawkins | ... | Slasher | |
| Burn Gorman | ... | Gazza | |
| Brinley Green | ... | Nobby | |
| George Harris | ... | Morty | |
| Tamer Hassan | ... | Terry | |
| Colm Meaney | ... | Gene | |
| Marcel Iures | ... | Slavo | |
| Francis Magee | ... | Paul the Boatman | |
| Dimitri Andreas | ... | Angelo | |
| Kenneth Cranham | ... | Jimmy Price | |
| Garry Tubbs | ... | Brian | |
| Nathalie Lunghi | ... | Charlie | |
| Marvin Benoit | ... | Kinky (as Marvyn Benoit) | |
| Rab Affleck | ... | Mickey | |
| Dexter Fletcher | ... | Cody | |
| Steve John Shepherd | ... | Tiptoes | |
| Ben Whishaw | ... | Sidney | |
| Sienna Miller | ... | Tammy | |
| Paul Orchard | ... | Lucky | |
| Stephen Walters | ... | Shanks | |
| Louis Emerick | ... | Trevor | |
| Darren Healy | ... | Junkie 1 | |
| Matt Ryan | ... | Junkie 2 | |
| Ivan Kaye | ... | Freddie Hurst | |
| Jason Flemyng | ... | Larry - Crazy | |
| Ben Brasier | ... | Jerry - Klburn | |
| Neil Finnighan | ... | Troop | |
| Michael Gambon | ... | Eddie Temple | |
| Budge Prewitt | ... | Golf Host (as Budgie Prewitt) | |
| Don McCorkindale | ... | Albert Carter | |
| Dragan Micanovic | ... | Dragan | |
| rest of cast listed alphabetically: | |||
| James Dodd | ... | Principal Dancer (uncredited) | |
| Steve Hooper | ... | Couple Having Sex (uncredited) | |
| Kinky Kerry | ... | Couple Having Sex (uncredited) | |
| Peter Rnic | ... | Serbian Gangster (uncredited) | |
| Lucy Wills | ... | 70's Party Girl (uncredited) | |
Directed by | |||
| Matthew Vaughn | |||
Writing credits | ||
| J.J. Connolly | (screenplay) | |
| J.J. Connolly | (novel) | |
Produced by | |||
| Adam Bohling | .... | producer | |
| Stephen Marks | .... | executive producer | |
| David Reid | .... | producer | |
| Matthew Vaughn | .... | producer | |
Original Music by | |||
| Ilan Eshkeri | |||
| Lisa Gerrard | |||
Cinematography by | |||
| Ben Davis | (director of photography) | ||
Film Editing by | |||
| Jon Harris | |||
Casting by | |||
| Leo Davis | |||
| Jina Jay | |||
Production Design by | |||
| Kave Quinn | |||
Art Direction by | |||
| Steve Carter | |||
Set Decoration by | |||
| Joanna Barrs | (as Jo Barrs) | ||
Costume Design by | |||
| Stephanie Collie | |||
Makeup Department | |||
| Fae Hammond | .... | chief hair stylist | |
| Fae Hammond | .... | chief makeup artist | |
| Maureen Hetherington | .... | hair stylist | |
| Maureen Hetherington | .... | makeup artist | |
| Pebbles | .... | chief hair stylist | |
| Pebbles | .... | chief makeup artist | |
| Karen Sherriff-Brown | .... | hair stylist (as Karen Sherriff Brown) | |
| Karen Sherriff-Brown | .... | makeup artist (as Karen Sherriff Brown) | |
| Dubi Preger | .... | makeup artist (uncredited) | |
Art Department | |||
| Chloe Boleyn | .... | graffiti artist | |
| Mick Boleyn | .... | construction manager (as Michael Boleyn) | |
| Sophie Boleyn | .... | graffiti artist | |
| Will Cann | .... | stand-by props (as William Cann) | |
| Nick Cosens | .... | stand-by props | |
| Noel Cowell | .... | property master | |
| Hannah Evans | .... | assistant set decorator | |
| Jonathan Holbrook | .... | scenic painter | |
| Martin Kane | .... | props | |
| Coralie Lew | .... | assistant art director | |
| Dale Manning | .... | art department production assistant | |
| Justin Overhill | .... | stand-by painter | |
| Matthew Parsons | .... | scenic painter (as Mathew Parsons) | |
| Sandra Phillips | .... | assistant art director | |
| Adrian Platt | .... | dressing props | |
| Will Pope | .... | carpenter foreman | |
| Nina Ross | .... | assistant art director | |
| John Watt | .... | stand-by carpenter | |
| Damian Butlin | .... | dressing props (uncredited) | |
| Damian Butlin | .... | props (uncredited) | |
| Craig Cheeseman | .... | assistant property master (uncredited) | |
| Andrew Palmer | .... | art department runner (uncredited) | |
| Stuart Read | .... | dressing props: dailies (uncredited) | |
Sound Department | |||
| Paula Boram | .... | foley artist (as Paula Borum) | |
| Chris Burdon | .... | sound re-recording mixer | |
| Matthew Collinge | .... | foley editor | |
| Matthew Collinge | .... | sound designer | |
| Matthew Collinge | .... | sound effects editor | |
| Arthur Fenn | .... | boom operator (as Arthur Turner) | |
| Peter Gleaves | .... | adr recordist | |
| Ben Greaves | .... | cable person | |
| Tom Harrison | .... | cable man | |
| Simon Hayes | .... | sound mixer | |
| Robin Johnson | .... | cable man | |
| Daryl Jordan | .... | assistant sound editor | |
| Danny Sheehan | .... | adr editor | |
| Danny Sheehan | .... | dialogue editor | |
| Danny Sheehan | .... | foley editor | |
| Jason Swanscott | .... | foley artist | |
| Sven Taits | .... | sound re-recording mixer | |
| Alexander Beddow | .... | adr recordist (uncredited) | |
| Gareth Bull | .... | foley recordist (uncredited) | |
| Matthew Collinge | .... | supervising sound editor (uncredited) | |
| Hayden Collow | .... | sound effects editor (uncredited) | |
| Danny Sheehan | .... | supervising sound editor (uncredited) | |
| Ian Tapp | .... | foley recordist (uncredited) | |
Special Effects by | |||
| Neal Champion | .... | special effects supervisor | |
| Matthew G. Armstrong | .... | special effects assistant: dailies (uncredited) | |
| Laurence Harvey | .... | armourer (uncredited) | |
| Nick P. Phillips | .... | senior special effects technician (uncredited) | |
| Edward Smith | .... | special effects supervisor (uncredited) | |
| Rob Tucker | .... | special effects (uncredited) | |
Visual Effects by | |||
| Michelle Camp | .... | visual effects editorial | |
| Jonathan Dredge | .... | scanning and recording | |
| Robert Duncan | .... | visual effects supervisor (as Rob Duncan) | |
| Mike Morrison | .... | data operator | |
| Joanna Nodwell | .... | visual effects producer | |
| Asa Shoul | .... | colourist | |
| Annabel Wright | .... | digital lab operator | |
| Doron Zar | .... | digital grading assistant | |
| Andy Burrow | .... | scanning manager (uncredited) | |
| Edward Xi Chen | .... | data operator (uncredited) | |
| James Clarke | .... | visual effects (uncredited) | |
| Paul Doogan | .... | scanning, digital cleanup (uncredited) | |
| Andrew Francis | .... | HD mastering (uncredited) | |
| Joe Godfrey | .... | scanning, recording & digital cleanup (uncredited) | |
| Dianne Gordon | .... | data operator: Framestore CFC (uncredited) | |
| Alistair Hamer | .... | film mastering engineer (uncredited) | |
| Jan Hogevold | .... | production executive: Framestore CFC (uncredited) | |
| Jack James | .... | compositor (uncredited) | |
| Kevin Lowery | .... | scanning, recording & digital cleanup (uncredited) | |
| Dan McRae | .... | digital lab (uncredited) | |
| Steve Parsons | .... | visual effects: titles (uncredited) | |
| Sirio Quintavalle | .... | digital artist (uncredited) | |
| Dave Robinson | .... | systems engineer (uncredited) | |
| Jeremy Sawyer | .... | data operator (uncredited) | |
| Matina Skouteri | .... | digital lab operator (uncredited) | |
| Maria Stroka | .... | film recording producer (uncredited) | |
| Paola Varvaro | .... | digital cleanup artist (uncredited) | |
| Stephen Willey | .... | systems engineer (uncredited) | |
| Aubrey Woodiwiss | .... | digital cleanup (uncredited) | |
Stunts | |||
| Tom Aitken | .... | stunts | |
| Gary Connery | .... | stunts | |
| Bradley Farmer | .... | stunts | |
| Dean Forster | .... | stunts | |
| Andy Godbold | .... | stunts | |
| Paul Herbert | .... | stunt coordinator | |
| Rowley Irlam | .... | stunts | |
| James O'Donnell | .... | stunts (as James O'Dee) | |
| Seon Rogers | .... | stunts (as Séon Rogers) | |
| Nick Wilkinson | .... | stunts | |
Casting Department | |||
| Vanessa Baker | .... | voice casting | |
| Brendan Donnison | .... | voice casting | |
| Melissa Holm | .... | casting assistant | |
| Dixie Chassay | .... | casting assistant (uncredited) | |
| Julie Dunne | .... | additional casting (uncredited) | |
Costume and Wardrobe Department | |||
| Mike Hodge | .... | wardrobe master | |
| Fiona Lucas | .... | costume supervisor | |
| Anna Palmgren | .... | assistant costume designer | |
| Gabrielle Spanswick | .... | costume supervisor | |
Editorial Department | |||
| Hattie Dalton | .... | assistant editor | |
| Claire McGrane | .... | digital intermediate producer | |
| Jason Wheeler | .... | negative cutter | |
Music Department | |||
| Patrick Cassidy | .... | composer: additional music | |
| Tom Chichester-Clark | .... | music editor | |
| Vic Fraser | .... | music preparation | |
| Liz Gallacher | .... | music supervisor | |
| Julian Kershaw | .... | orchestrator | |
| Richard Lancaster | .... | music recordist | |
| The London Metropolitan Orchestra | .... | music performed by | |
| Stephen McLaughlin | .... | music producer (as Gohl/McLaughlin) | |
| Andrew Raiher | .... | music programmer | |
| Alex Scannell | .... | music recordist | |
| Jeff Toyne | .... | orchestrator | |
| Andy Brown | .... | music contractor (uncredited) | |
| Andrew Raiher | .... | musician: guitars (uncredited) | |
Transportation Department | |||
| Simon Barker | .... | transportation captain | |
| Ben Dillon | .... | picture car coordinator | |
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| Cidade de Deus | Pulp Fiction | Pineapple Express | Carlito's Way | Scarface |
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The trailers to Layer Cake left me with mixed feelings. Usually when a trailer needs to draw reference to 'one's we made earlier' (in this case Lock, Stock, and Snatch) when the writer or director of said films has nothing to do with the project, the end result is a poor copycat. After watching the film, I am more than impressed!
Layer Cake introduces us (once more) to the world of the cockney gangsters, and the dealing of drugs. The medication of choice this time is Ecstacy, and the set up involves an up-and-coming name in the dealing trade being thrown a job by one of the big names. Sent to find a missing girl, and also buy and sell on a large shipment, it all seems like easy work. However, as he soon finds, things are not always as they seem, and before long his life is at risk when the deal begins to go sour.
For the first 20 minutes of the film I couldn't decide whether it was going to be a Lock, Stock, or Honest (the dreadful All Saints film). The film uses the obligatory 'catchy' tunes from the past 2 decades, and uses the same type of framing of scenes as the genre. For the first 20 minutes, whilst we were introduced rapidly to the characters in the tale, it was hard to discern where the plot was going, and even harder to care much about the players. By the half way point I was engrossed! The plot twists and turns at various points throughout, and you do begin to care about the lead character and the associates around him.
The film oozes cockney cool, and although not quite on par with the best of the genre, it is still a worthy, and very engrossing, offering from director Matthew Vaughn. Stylishly shot, with a great soundtrack, this is one of those films that blokes will walk out of very pleased, but their partners may not feel the same way. Whilst not really violent or sexist in nature, this is a lads film through and through, and it is one cake that I want another slice of.