In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A successful cocaine dealer, who has earned a respected place among England's Mafia elite, plans an early retirement from the business. However, big boss Jimmy Price hands down a tough assignment: find Charlotte Ryder, the missing rich princess daughter of Jimmy's old pal Edward, a powerful construction business player and gossip papers socialite. Complicating matters are two million pounds' worth of Grade A ecstasy, a brutal neo-Nazi sect and a whole series of double crossings. The title "LAYER CAKE" refers to the layers or levels anyone in business goes through in rising to the top. What is revealed is a modern underworld where the rules have changed. There are no 'codes', or 'families' and respect lasts as long as a line. Not knowing who he can trust, he has to use all his 'savvy', 'telling' and skills which make him one of the best, to escape his own. The ultimate last job, a love interest called Tammy, and an international drug ring threaten to draw him back into the 'cake mix'. ... Written by
She Sells Sanctuary
Performed by The Cult
(p) 1985 Beggars Banquet Records
Licensed courtesy of Beggars Banquet Records Ltd
Written by Ian Astbury and Billy Duffy (as William Duffy)
(c) Tayminster Ltd / Screenchoice Ltd / Chappell Music Ltd
By kind permission of Warner Chappell Music Ltd See more »
I was really looking forward to seeing Matthew Vaughn's turn at directing a film and what better genre to see him make his debut in than the British gangster genre especially after his roles in the fabulous 'Lock,Stock...' and 'Snatch' even though they were Guy Ritchie's.
Fans of those two movies may notice a few references in this one, most notably two of the actors used and some of the dialogue sounded fairly similar to a few lines out of 'Lock, Stock' but they didn't detract from the films quality. For a while, I thought I was watching 'Snatch' from a few years ago as the pace and the amount of characters that were piling up in the film was at times overwhelming. This may be the downside to many people's opinion of the film but I could cope. I realized the main characters, 'got to know them', and focused very much on them. Characters like 'The Duke' and 'Morty'; that way, I wasn't totally confused at first sight.
The acting was good and there are moments which creep along silently that will have you on the edge of your seat. This included the factory in Amsterdam being robbed by 'The Duke' and his cronies as well as the scene during which our main character: 'XXXX' is pinned down in a park by a psychopathic Eastern European hit-man whilst on the phone to him.
The acting is faultless and flows all the way through. When there are scenes which perhaps do go on longer than you'd like them to, the acting and dialogue just manage to keep them going to the end. The humour element is also there as I expected it would be. Most of the time they're 'chuckle to yourself' moments but there are two or three moments where you'll really find something funny and want to laugh out loud.
Overall, it was great fun and a damn good film. I think it can just about stand it's self up there with Ritchie's two acts of brilliance as a result.
I think you can tell; I enjoyed my piece.........
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