In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city's scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city's seasoned criminals vie for the cash, an unexpected player -- a drugged out rock 'n' roller presumed to be dead but very much alive -- has a multi-million dollar prize fall into... See full summary »
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
Londoner Adam Jones is stuck in a dead end job; lives alone with his cat and spends his free time obsessing over the latest conspiracy theories on the Internet. Taking an experimental drug ... See full summary »
A successful cocaine dealer, who has earned a respected place among England's Mafia elite, plans an early retirement from the business. However, big boss Jimmy Price hands down a tough assignment: find Charlotte Ryder, the missing rich princess daughter of Jimmy's old pal Edward, a powerful construction business player and gossip papers socialite. Complicating matters are two million pounds' worth of Grade A ecstasy, a brutal neo-Nazi sect and a whole series of double crossings. The title "LAYER CAKE" refers to the layers or levels anyone in business goes through in rising to the top. What is revealed is a modern underworld where the rules have changed. There are no 'codes', or 'families' and respect lasts as long as a line. Not knowing who he can trust, he has to use all his 'savvy', 'telling' and skills which make him one of the best, to escape his own. The ultimate last job, a love interest called Tammy, and an international drug ring threaten to draw him back into the 'cake mix'. ... Written by
When XXXX and Gene are drinking whiskey at Gene's flat, XXXX fills the glass closest to him first, but when the camera switches through the table, the glass closest to him is empty and he has filled up Gene's glass first. See more »
When I was born, the world was a far simpler place. It was all just cops and robbers.
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The film lacks a traditional opening title. The title Layer Cake appears ten minutes into the film on a door that XXXX walks through. See more »
Chameleon Craig Does a Steve McQueen in Brutal But Sleek Thriller
After an art house release everywhere else in the civilized world, LAYER CAKE (LC) unexpectedly premiered in our area, the Lehigh Valley, at the $4 theater in Easton (this joint started as a second-run theater, but it's been getting some acclaimed imports and indies lately, too. Somebody there is a good programmer!). This British import, adapted by J.J. Connolly from his novel, is a taut crime drama that moves with the sleek menace of a tiger. Imagine THE BIG SLEEP with an ever-so-slightly more coherent plot and, as its protagonist, a prosperous, wily drug dealer looking to retire after one last score instead of tough but noble private eye Philip Marlowe. Our hero's problem is that he's a careful, calculating businessman in a dicey business where he's surrounded by loose cannons who shoot, stab, or punch first and ask questions later. Director Matthew Vaughn has been best known as Guy Ritchie's producer, but in his directorial debut Vaughn is like Martin Scorsese to Ritchie's Barry Sonnenfeld (that's meant as a compliment to all concerned, I assure you). It helps that Vaughn gets excellent performances from Daniel Craig as our cool but in-over-his-head unnamed antihero (usually films and books that refuse to name their main character strike me as trying too hard to be clever, but it works here), Michael Gambon nearly stealing the show as a cultured but ruthless narcotics kingpin, Colm Meaney and THE INTERPRETER's George Harris as our protagonist's partners in crime, and many folks from Guy Ritchie's films. Sienna Miller doesn't get to do much beyond being eye candy, but she's tasty eye candy indeed. I'm as heterosexual a gal as they come, but after seeing lithe, leggy Miller strip down to black lingerie and garters, I couldn't help thinking, "That Jude Law is one lucky guy!" :-) One of the things I liked about LC is that the protagonist, while thoughtful and competent, is never quite as clever as he thinks he is; somehow everybody manages to be one step ahead of him, if only because they're all so damned unpredictable. Though I've only seen Daniel Craig in three of his many films (the other two were THE ROAD TO PERDITION and THE JACKET), he's clearly one of those actors who never looks or sounds the same from role to role, so if he does indeed end up being Pierce Brosnan's successor as James Bond as rumored, it'll be interesting to see how he fares playing the same character in more than one film! :-) In any case, Craig certainly lives up to the "new Steve McQueen" rep that LC has garnered him. I look forward to seeing what he'll do next!
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