6.0/10
127
5 user 16 critic

Human Touch (2004)

Not Rated | | Drama | 14 April 2005 (Australia)
The wealthy Edward (Haywood) sparks to Anna (Mckenzie), the lead voice in a choir that's raising money for an upcoming trip to China. He donates money to her choir, and she agrees to sit ... See full summary »

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1 nomination. See more awards »
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Cast

Cast overview, first billed only:
...
Anna
Aaron Blabey ...
David
...
Edward
...
Desiree
...
George
Terry Norris ...
Ouspensky
...
Bernard
Kirstie Hutton ...
Lucy
Norman Kaye ...
Charles
...
Anna's Mother
Tony Llewellyn-Jones ...
Psychiatrist
Phyllis Burford ...
Edward's Mother
Charles 'Bud' Tingwell ...
Step-father (as Charles Tingwell)
...
Ophelia
Edwin Hodgeman ...
Mr. Thompson
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Storyline

The wealthy Edward (Haywood) sparks to Anna (Mckenzie), the lead voice in a choir that's raising money for an upcoming trip to China. He donates money to her choir, and she agrees to sit for him for a series of still-life drawings. As Anna is drawn more into Edward's life, their relationship -- quite platonic -- nevertheless causes problems at home for Anna, who lives with David (Blabey), a frustrated artist. Written by Anonymous

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Drama

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Not Rated | See all certifications »
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Release Date:

14 April 2005 (Australia)  »

Also Known As:

Emberi érintés  »

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Did You Know?

Soundtracks

Adagio
from "Piano Concerto No. 5 in E Flat major"
Written by Ludwig van Beethoven
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User Reviews

 
A cryptic model for human instinct
24 January 2005 | by (Melbourne) – See all my reviews

This film was the Aussie highlight of Melbourne film festival -- by far. Not hard competition I must say -- Sommersault and Tom White were dreary numbers.

Although the dialogue is heavy handed and the performances under directed -- something interesting comes from the poetics of the imagery. Stalictites, Bad modern art, pervy old men, misogyny, exhibitionism, animal instinct -- all of these things combine tastefully to evoke an erotic and heady world -- a bit like a glass of peppery red wine.

What it did achieve in its exploration of themes -- was not as brilliantly explored as Ken Russel's "Women in Love" but certainly the ideas of the male vs. female instinct was intriguing and mesmerising.

What I miss is the detail of performance -- Jacqui and Rebecca (both fine actresses) look lost in front of the lens. Aron Blabey is a bit TV here and Chris Haywood is interesting -- but far from the complex creation he could have been.


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