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Human Touch (2004)

Not Rated  |   |  Drama  |  14 April 2005 (Australia)
6.0
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Ratings: 6.0/10 from 125 users  
Reviews: 5 user | 16 critic

The wealthy Edward (Haywood) sparks to Anna (Mckenzie), the lead voice in a choir that's raising money for an upcoming trip to China. He donates money to her choir, and she agrees to sit ... See full summary »

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Cast

Cast overview, first billed only:
...
Anna
Aaron Blabey ...
David
...
Edward
...
Desiree
...
George
Terry Norris ...
Ouspensky
...
Bernard
Kirstie Hutton ...
Lucy
Norman Kaye ...
Charles
...
Anna's Mother
Tony Llewellyn-Jones ...
Psychiatrist
Phyllis Burford ...
Edward's Mother
...
Ophelia
Edwin Hodgeman ...
Mr. Thompson
Barbara West ...
Mrs. Thompson
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Storyline

The wealthy Edward (Haywood) sparks to Anna (Mckenzie), the lead voice in a choir that's raising money for an upcoming trip to China. He donates money to her choir, and she agrees to sit for him for a series of still-life drawings. As Anna is drawn more into Edward's life, their relationship -- quite platonic -- nevertheless causes problems at home for Anna, who lives with David (Blabey), a frustrated artist. Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

14 April 2005 (Australia)  »

Also Known As:

Emberi érintés  »

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Did You Know?

Soundtracks

Adagio
from "Piano Concerto No. 5 in E Flat major"
Written by Ludwig van Beethoven
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User Reviews

 
A self-parody?
22 November 2005 | by (Australia) – See all my reviews

Unfortunately this film was sadly quite awful. It is really just an aging man's sexual fantasy, with little insight into the inner lives of the younger characters. The best thing about the film, the acting of the two lead performers Aaron Blabey and Jacqueline McKenzie, was heroic considering how awful the script was. The rest of the acting was verging on the ridiculous, although the scenes involving 'Bud' Tingwell and Julia Blake impart a bit of much needed class into what is otherwise a piece of fairly shallow nonsense. In many ways watching this film felt like watching an awful parody of one of Cox's earlier (and much more interesting) film "Man of Flowers".


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