The wealthy Edward (Haywood) sparks to Anna (Mckenzie), the lead voice in a choir that's raising money for an upcoming trip to China. He donates money to her choir, and she agrees to sit ... See full summary »
Cynthia and Buck are a young couple with little but love. Soon Cynthia drops the cough syrup and beer drinking Buck: her dreams of being a princess did not involve an unemployed boyfriend ... See full summary »
This documentary on the life of artist Vincent Van Gogh is told through his letters to his brother Theo from 1872 until his tragic death. We gain first hand insight into the man, his motivations and his humanity.
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Doctor Gaudenzi, a real Sicilian manly man living in Rome, Italy, married the daughter of a wealthy industrialist. One dayy, his wife is about to die, and being very religious, she asks for... See full summary »
A formerly rich Czech-Australian emigrant comes to a tiny, poor and sleepy Greek Island to rethink her life. Suprisingly she develops a sincere relationship with two other women who each in... See full summary »
The wealthy Edward (Haywood) sparks to Anna (Mckenzie), the lead voice in a choir that's raising money for an upcoming trip to China. He donates money to her choir, and she agrees to sit for him for a series of still-life drawings. As Anna is drawn more into Edward's life, their relationship -- quite platonic -- nevertheless causes problems at home for Anna, who lives with David (Blabey), a frustrated artist. Written by
This film was the Aussie highlight of Melbourne film festival -- by far. Not hard competition I must say -- Sommersault and Tom White were dreary numbers.
Although the dialogue is heavy handed and the performances under directed -- something interesting comes from the poetics of the imagery. Stalictites, Bad modern art, pervy old men, misogyny, exhibitionism, animal instinct -- all of these things combine tastefully to evoke an erotic and heady world -- a bit like a glass of peppery red wine.
What it did achieve in its exploration of themes -- was not as brilliantly explored as Ken Russel's "Women in Love" but certainly the ideas of the male vs. female instinct was intriguing and mesmerising.
What I miss is the detail of performance -- Jacqui and Rebecca (both fine actresses) look lost in front of the lens. Aron Blabey is a bit TV here and Chris Haywood is interesting -- but far from the complex creation he could have been.
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