They finish each other's sentences, dance like Fred and Ginger, and share the same downtown loft--the perfect couple? Not exactly. Gray and Sam, are a sister and brother so compatible and inseparable that people actually assume they are dating. Mortified, they both agree they must branch out and start searching for love. He'll look for a guy for her and she'll look for a gal for him.
Ever have an identity crisis? Tell a little white lie here and there, just to make everyone happy? Well, Alex Houston has got you beat, hands down. After telling her fiancé, Dana, that her ... See full summary »
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Gray and Sam are brother and sister and best friends, flatmates in New York City, where she creates ad campaigns and he's a surgery intern. Their social life is too insular, so they head to a dog park so Sam can, maybe, meet a woman. He does - Charlie - a zoologist new in the city; he likes her immediately, and the feeling seems mutual. As the three of them spend time together, what if Gray's feelings for Charlie aren't just sisterly? Not only might this explain her solitary life, but it could lead to real dilemmas - with Charlie (who's sweet, but a bit opaque) and with Sam. No advice comes from Gray's therapist, but a co-worker and a cab driver give theirs. Can Gray sort things out? Written by
The interior scene at Raoul's could not be Raoul's; there is a brass rail behind Gray and her dates, separating them from the bar area. At Raoul's, no such brass rail exists. See more »
She's the best. Strong, independent, feisty.
Who are you talking about?
Who else? Queen Oprah. Oprah, Oprah the great. Oprah, I love her. Do you understand that I'm obsessed with her? I think she is so great that she should start her own religion - that's how much I love her. I love her so much that if she and Stedman couldn't have children and needed a little bit of help, I would surrogate a child for them. That's right. I would have Oprah's baby, that's how much I love her.
Wauw. That's a lot...
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I don't know why so many people seem to hate this movie; from the reviews, it seems they had no idea of what it was about before they watched it. As far as movies having to be 'believable', well, that isn't really what most cinema is about, now, is it. No one dances spontaneously like it's choreographed; spaceships don't travel past the speed of light; martial artists don't get to fight a whole crowd of opponents one at a time. So reality isn't what we're really after here, now is it? No. What we want is to go to a movie and feel good when we come out. And that's exactly what this film does, unless you can't stand the idea of a beautiful woman being gay and being happy. Which is what I suspect so many of the people who wrote the damning reviews feel. That said, well, I can't really comment on how good or bad the acting is; I can't really tell the difference between merely average or good acting, and great acting. But I can tell bad acting (think Chuck Norris in pretty much anything; nice guy, great martial artist, terrible actor), and this wasn't bad at all. In fact, I enjoyed every moment. I rate a movie on whether I will watch it again (I will), and how many times I want to hit the pause button to do something else, and I didn't stop the movie at all. Nine out of ten stars.
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