They finish each other's sentences, dance like Fred and Ginger, and share the same downtown loft--the perfect couple? Not exactly. Gray and Sam, are a sister and brother so compatible and inseparable that people actually assume they are dating. Mortified, they both agree they must branch out and start searching for love. He'll look for a guy for her and she'll look for a gal for him.
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Gray and Sam are brother and sister and best friends, flatmates in New York City, where she creates ad campaigns and he's a surgery intern. Their social life is too insular, so they head to a dog park so Sam can, maybe, meet a woman. He does - Charlie - a zoologist new in the city; he likes her immediately, and the feeling seems mutual. As the three of them spend time together, what if Gray's feelings for Charlie aren't just sisterly? Not only might this explain her solitary life, but it could lead to real dilemmas - with Charlie (who's sweet, but a bit opaque) and with Sam. No advice comes from Gray's therapist, but a co-worker and a cab driver give theirs. Can Gray sort things out? Written by
The interior scene at Raoul's could not be Raoul's; there is a brass rail behind Gray and her dates, separating them from the bar area. At Raoul's, no such brass rail exists. See more »
I quit weight watchers. Can you believe it? I quit! Fergie schmergie! I hate fiber. I like mallomars and if Derek isn't going to love me for the tiny amount of cellulite I have on the back of my thighs then fuck him. Screw that guy. This is the package ok? It's exactly the same under the wrapping. This is the packages, no exchanges, no returns. Right? Why does our society push us to be perpetually uncomfortable with who we are. It's so messed up! Wanna know why?
[reading from a magazine]
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Greetings again from the darkness. First time writer/director Sue Kramer certainly tackles an interesting and unique topic with her initial outing.
A quick synopsis: Brother (Tom Cavanaugh) and sister (Heather Graham) live together and are so close and spend so much time together that people naturally assume they are a couple (Ick!). Sister sets brother up with gorgeous, friendly, smart newcomer to the city (Bridget Moynahan) whom they meet at the dog park. Brother and newcomer immediately fall in love and set a wedding date for the next weekend. Sister and bride to be share a long, wet kiss before bride to be passes out drunk. This incident threatens to ruin brother - sister relationship while "outing" sister as the reluctant lesbian she is.
I rarely struggle over a rating or comments for a film. Normally the rating just hits me and the words flow. This one has me almost as confused as Heather Graham's character (Gray). I very much admire the soft-shoe approach that Kramer brings to this most delicate topic. No, I don't consider the theme "coming out" ... I consider the theme self-discovery of identity. Learning to accept one's self and not "pretend" to be what is expected. This topic is explored through some humorous moments, but in a strange way we actually go through the awakening with Ms. Graham.
The key actors all do a nice job. Graham and Cavanagh have a nice chemistry, Moynahan in lingerie is always a good call, Sissy Spacek as the world's worst therapist and Rachel Shelly in an extension from "The L Word" are all solid. Even Molly Shannon is finally cast in a role that suits her just fine. The best and most entertaining character is the Scottish cab driver played charmingly well by Alan Cumming. He is such a likable guy ... except for the whole gay bar scene.
What really prevents this one from reaching another level is strictly the number of unbelievable events. Two smart people zipping off to Vegas to get married after 6 days and having someone 30 years old first entertain thoughts of gaydom are just two large examples of stretches that ask the viewer for a bit too much latitude. Still, there are some funny moments, funny lines and a thought provoking identity theme that make it worthwhile.
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