They finish each other's sentences, dance like Fred and Ginger, and share the same downtown loft--the perfect couple? Not exactly. Gray and Sam, are a sister and brother so compatible and inseparable that people actually assume they are dating. Mortified, they both agree they must branch out and start searching for love. He'll look for a guy for her and she'll look for a gal for him.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Gray and Sam are brother and sister and best friends, flatmates in New York City, where she creates ad campaigns and he's a surgery intern. Their social life is too insular, so they head to a dog park so Sam can, maybe, meet a woman. He does - Charlie - a zoologist new in the city; he likes her immediately, and the feeling seems mutual. As the three of them spend time together, what if Gray's feelings for Charlie aren't just sisterly? Not only might this explain her solitary life, but it could lead to real dilemmas - with Charlie (who's sweet, but a bit opaque) and with Sam. No advice comes from Gray's therapist, but a co-worker and a cab driver give theirs. Can Gray sort things out? Written by
I went to the Hampton's Film Festival in East Hampton this past weekend and saw a wonderful romantic comedy called Gray Matters. The film's overall look and message had a tone similar to one of my favorite directors, Nora Ephron. There was a delightful air of Harry Met Sally combined with You've Got Mail. The references throughout the movie to the 40's were superb. One of my favorite scenes was the opening shot where the two main characters Gray and Sam (brother and sister) ballroom dance to the tune of Cheek to Cheek, sung by actress Jane Krakowski. The footage of Manattan with Cheek to Cheek playing in the background had a feeling of a Woody Allen film. I thought the dialogue was not only funny but witty and timely. Molly Shannon delivers one of the funniest scenes in the movie referring to Oprah Winfrey and how she would surrogate a baby for Oprah and Steadman because she loves Oprah so much. It had the audience in hysterics. Heather Graham gives the performance of her career as a quirky, can't make up her mind, ad executive who struggles with her sexuality after meeting and falling in love with her brother's fiancée. Miss Graham was born to play to this role. At times she reminded me of a young Goldie Hawn. I stayed for the Q and A after the movie and was amazed to find out that the budget on this film was a 10th of what it appeared to be. If this was Sue Kramer's directorial debut, bravo, I look forward to seeing her next attempt at taking the helm. I would like to recommend this film for audiences of all ages. As I walked out of the theatre in East Hampton, I over heard an elderly woman around the age of 80 say " What a lovely film, I hope my granddaughters get a chance to see it".
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