(I) (2004)

Critic Reviews



Based on 36 critic reviews provided by Metacritic.com
Haggis writes with such directness and such a good ear for everyday speech that the characters seem real and plausible after only a few words. His cast is uniformly strong; the actors sidestep cliches and make their characters particular.
Entertainment Weekly
The stunning, must-see drama Crash is proof that words have not lost the ability to shock in our anesthetized society.
This is the rare American film really about something, and almost all the performances are riveting.
The acting is dynamite, notably by Dillon and Newton in their shocking second encounter. Despite its preachy moments, the film is a knockout.
Flaws are outweighed by Crash's intricate construction and intelligent.
Philadelphia Inquirer
Crash fools around with chronology in a Tarantinoesque way that brings its story full circle. You could argue that as events, and people, merge, Haggis' spiky screenplay (cowritten with Bobby Moresco) gets to be, quite simply, too much.
Chicago Tribune
Like Robert Altman's "Short Cuts," it is an all-star fresco, but the stars--none of whom carries the movie--get to play the kind of morally ambivalent, sometimes unlikable parts that big-name actors usually avoid.
New York Post
Never reaches the heights of "Short Cuts" or "Magnolia" -- two multi-story films that clearly provided inspiration -- but it's a thoughtful road trip well worth taking.
Wall Street Journal
Ultimately, Crash succeeds in spite of itself. Its color war starts to feel obvious and schematic. Its coincidences and clichés become like a pileup on the 405 freeway, but there it is -- you find yourself rubbernecking and can't manage to look away.
In the end, Crash lacks a cumulative impact. It takes audiences to new places, but we've all been to similar places, and we walk out knowing no more than we did walking in.
New York Daily News
Concludes in a shower of ashes, which is fitting because this movie is a billowing bonfire of ugly human behavior. Rarely have there been so many characters in need of timeouts, cold showers or house arrests.

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