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Paul Haggis (story)
Paul Haggis (screenplay) ...
(more)
6 May 2005 (USA) more
You think you know who you are. You have no idea. more
Several stories interweave during two days in Los Angeles involving a collection of inter-related characters... more | full synopsis
Won 3 Oscars. Another 41 wins & 66 nominations more
Thandie Newton suppresses sexuality
(From Monsters and Critics. 8 November 2009, 10:01 PM, PST)
Thandie Newton Doesn't Flirt
(From iCelebz. 8 November 2009, 9:46 PM, PST)
Bold and Compelling Treatise on Racism in Modern Society more (1481 total)
Directed by | |||
| Paul Haggis | |||
Writing credits(WGA) | ||
| Paul Haggis | (story) | |
| Paul Haggis | (screenplay) & | |
| Robert Moresco | (screenplay) (as Bobby Moresco) | |
Produced by | |||
| Don Cheadle | .... | producer | |
| Betsy Danbury | .... | co-producer | |
| Sarah Finn | .... | co-producer (as Sarah Halley Finn) | |
| Marina Grasic | .... | executive producer | |
| Paul Haggis | .... | producer | |
| Mark R. Harris | .... | producer | |
| Randi Hiller | .... | co-producer | |
| Jan Korbelin | .... | executive producer | |
| Dana Maksimovich | .... | associate producer | |
| Robert Moresco | .... | producer (as Bobby Moresco) | |
| Tom Nunan | .... | executive producer | |
| Andrew Reimer | .... | executive producer | |
| Cathy Schulman | .... | producer | |
| Bob Yari | .... | producer | |
Original Music by | |||
| Mark Isham | |||
Cinematography by | |||
| J. Michael Muro | (director of photography) | ||
Film Editing by | |||
| Hughes Winborne | |||
Casting by | |||
| Sarah Finn | (as Sarah Halley Finn) | ||
| Randi Hiller | |||
Production Design by | |||
| Laurence Bennett | |||
Art Direction by | |||
| Brandee Dell'Aringa | |||
Set Decoration by | |||
| Linda Lee Sutton | (as Linda Sutton-Doll) | ||
Costume Design by | |||
| Linda M. Bass | (as Linda Bass) | ||
Makeup Department | |||
| RaMona Fleetwood | .... | hair stylist (as Ramona Fleetwood) | |
| Kerry Mendenhall | .... | department head hair stylist | |
| Ben Nye Jr. | .... | department head makeup | |
| Bunny Parker | .... | department head hair stylist | |
| Theraesa Rivers | .... | key hair stylist | |
| Kimberley Spiteri | .... | department head hair stylist | |
| Michelle Vittone | .... | key makeup artist (as Michelle Vittone-McNeil) | |
Second Unit Director or Assistant Director | |||
| Scott Cameron | .... | first assistant director | |
| Ime Etuk | .... | second second assistant director (as Ime N. Etuk) | |
| Simone Farber | .... | second assistant director | |
| Casey Mako | .... | additional second second assistant director | |
| Christian Pichler | .... | third assistant director (uncredited) | |
Art Department | |||
| Scott Ambrose | .... | property master | |
| Brian Barr | .... | art department intern | |
| James R. Barrows | .... | set dresser (as James Barrows) | |
| Daniel Brodo | .... | leadman | |
| Nicki Cohen | .... | buyer | |
| Cary Conway | .... | lead paint foreman (as Cary 'NW' Conway) | |
| Steve Dennis | .... | painter | |
| Stacy Doran | .... | set dresser | |
| Marcus Epps | .... | set dresser | |
| Joseph W. Grafmuller | .... | leadman (as Joseph Grafmuller) | |
| Maya S. Grafmuller | .... | set dresser (as Maya Grafmuller) | |
| Jay Jergensen | .... | construction coordinator (as John W. Jergensen) | |
| Paul 'Butch' Kitchen Jr. | .... | assistant prop master (as Paul Butch Kitchen) | |
| David Maturana | .... | on-set dresser (as David Saenz De Maturana) | |
| Bruce Purcell | .... | set dresser | |
| Cynthia C. Rebman | .... | on-set dresser (as Cynthia Rebman) | |
| Oswaldo Rojas | .... | propmaker | |
| Philip Ryan | .... | painter | |
| Homberto Saenz | .... | laborer (as Humberto Saenz) | |
| Bradford W. Shoemaker | .... | construction foreman | |
| Jonathan Woods | .... | storyboard artist (as Jonathan B. Woods) | |
Sound Department | |||
| Rick Ash | .... | sound re-recording mixer | |
| Derek Lee Bell | .... | additional audio | |
| Zack Davis | .... | dialog editor (as Zach Davis) | |
| Keren Falkenstein | .... | additional audio | |
| Tim Farrell | .... | additional audio | |
| Carl Fischer | .... | boom operator | |
| Marc Fishman | .... | sound re-recording mixer (as Marc David Fishman) | |
| Sandy Gendler | .... | supervising sound editor | |
| Chato Hill | .... | digital sound assistant | |
| Adam Jenkins | .... | sound re-recording mixer | |
| Eric Lamb | .... | digital sound assistant | |
| Carrie Lisonbee | .... | digital sound assistant | |
| Darrin Mann | .... | foley mixer | |
| Ryan Murphy | .... | sound re-recordist | |
| Andy Potvin | .... | consultant: Dolby | |
| Rocky Quiroz | .... | utility sound technician | |
| Joan Rowe | .... | foley artist | |
| Sean Rowe | .... | foley artist | |
| Joel Shryack | .... | boom operator | |
| Unsun Song | .... | sound re-recordist | |
| Greg Steele | .... | adr mixer (as Greg Steel) | |
| Richard Van Dyke | .... | sound mixer | |
| Karen Vassar | .... | dialog editor | |
| Jason Wade | .... | additional audio | |
| Julie Altus | .... | adr recordist (uncredited) | |
| Steve Bartkowicz | .... | re-recording engineer (uncredited) | |
| Courtney Bishop | .... | adr recordist (uncredited) | |
| Michael Miller | .... | adr mixer (uncredited) | |
| Jason Wade | .... | adr assistant (uncredited) | |
Special Effects by | |||
| Scott M. Austin | .... | special effects foreman | |
| Dan Edwards | .... | special effects technician (as Danny Edwards) | |
| Jeffrey Machit | .... | special effects technician (as Jeffrey C. Machit) | |
| Doyle Smiley | .... | special effects technician | |
| Ron Trost | .... | special effects coordinator | |
| Bryan Wohlers | .... | special effects | |
Visual Effects by | |||
| Chih-Jen Chang Andy | .... | digital compositor: Luma Pictures (as Andy Chih-Jen Chang) | |
| Sean Applegate | .... | effects animator: Luma Pictures | |
| Artaya Boonsoong | .... | lead technical supervisor: Luma Pictures | |
| Dean Chamberlain | .... | producer: iO Film | |
| Chad Dombrova | .... | digital effects technician: Luma Pictures | |
| Christopher Dusendschon | .... | digital imaging supervisor: iO Film (as Christopher Dusendschön) | |
| Evan Edelist | .... | production executive: iO Film | |
| Saeed Faridzadeh | .... | digital compositor: Luma Pictures | |
| H Haden Hammond | .... | compositor: Luma Pictures | |
| H Haden Hammond | .... | effects animator: Luma Pictures | |
| Justin Johnson | .... | lead digital compositor: Luma Pictures | |
| Wendy Klein | .... | digital compositor: Luma Pictures | |
| Tim Krubsack | .... | production executive: iO Film | |
| Julie Landholt | .... | end title graphics: iO Film (as J. Kathryn Landholt) | |
| Artin Matousian | .... | digital effects technician: Luma Pictures | |
| Glenn Morris | .... | visual effects coordinator: Luma Pictures | |
| Kevin Mullican | .... | color science/imaging r&d: iO Film | |
| Ian Noe | .... | visual effects producer: Luma Pictures | |
| David Schoneveld | .... | effects animator: Luma Pictures | |
| Payam Shohadai | .... | visual effects supervisor: Luma Pictures | |
| Thanapoom Siripopungul | .... | digital compositor: Luma Pictures | |
| Daniel E. Zobrist | .... | lead matchmover: Luma Pictures (as Daniel Zobrist) | |
| Unjoo Lee Byars | .... | producer: main title (uncredited) | |
| Kyle Cassidy | .... | digital compositor: Luma Pictures (uncredited) | |
| Russ Honican | .... | main title design (uncredited) | |
Stunts | |||
| Hank Amos | .... | stunt performer | |
| Erik Betts | .... | stunt performer | |
| Dartenea Bryant | .... | stunt performer | |
| Keith Campbell | .... | stunt performer | |
| Chris Carnel | .... | stunt performer (as Christopher Carnel) | |
| Jack Carpenter | .... | stunt performer | |
| Kofi Elam | .... | stunt performer | |
| Randolph LeRoi | .... | stunt performer (as Randolph Leroi) | |
| Delma Miranda | .... | stunt performer | |
| Robair Sims | .... | stunt performer | |
| Monica Staggs | .... | stunt performer | |
| Dean Wayton | .... | stunt performer | |
| Gary J. Wayton | .... | stunt coordinator (as Gary Wayton) | |
| April Weeden-Washington | .... | stunt performer (as April Washington) | |
| Paul E. Short | .... | stunts (uncredited) | |
Casting Department | |||
| Jimmy Jue | .... | extras casting | |
| Erika Sellin | .... | casting associate | |
| Amy Greene Vines | .... | casting assistant (as Amy Greene) | |
| Kathryn Lyn Long | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Mary Cheung | .... | set costumer | |
| Bridgitte Ferry | .... | set costumer (as Brigitte Ferry) | |
| Leyla Jabbar | .... | wardrobe intern | |
| Gail Just | .... | wardrobe supervisor | |
| Eve-Gerri Pagliarulo | .... | wardrobe intern | |
| Romeo Pompa | .... | set costumer | |
| Isabela Braga | .... | costumer (uncredited) | |
| Alana Caudillo | .... | costumer (uncredited) | |
Editorial Department | |||
| Adam Hawkey | .... | digital colorist: iO Film (as Adam S. Hawkey) | |
| Sean Hubbert | .... | first assistant film editor | |
| Michael John Koetter | .... | assistant digital colorist: iO Film (as Michael Koetter) | |
| Joel T. Pashby | .... | post-production coordinator (as Joel Pashby) | |
| Bob Wenokur | .... | studio post-production representative (uncredited) | |
Music Department | |||
| James Burt | .... | music editor (as Jim Burt) | |
| Richard Glasser | .... | music supervisor | |
| Mark Isham | .... | music arranger | |
| Mark Isham | .... | music producer | |
| Mark Isham | .... | musician | |
| Stephen Krause | .... | music recordist-mixer | |
| Jason La Rocca | .... | music assistant | |
| Cindy O'Connor | .... | additional music arranger | |
| Mark Reveley | .... | music assistant | |
| Curtis Roush | .... | music editor | |
| Joel C. High | .... | music executive (uncredited) | |
Transportation Department | |||
| Tony Barattini | .... | driver | |
| Tracey V. Black | .... | driver (as Tracy Black) | |
| David R. Blakely | .... | driver | |
| Daren Bojarski | .... | driver | |
| Roger Bojarski | .... | transportation captain (as Roger S. Bojarski) | |
| Brad Campbell | .... | driver | |
| John Campbell | .... | driver | |
| Corey Dail | .... | driver | |
| Derew Frutos | .... | driver | |
| Jay Galloway | .... | driver | |
| Curt Michael Grooms | .... | driver | |
| Virgie Haltman | .... | driver (as Virgie Halteman) | |
| Kevin Loding | .... | driver (as Kevin P. Loding) | |
| Eric Moon | .... | driver | |
| Michael Perrotti | .... | transportation coordinator | |
| Juan Ramirez | .... | transportation co-captain (as Juan J. Ramirez) | |
| Dom Rodriguez | .... | driver | |
| George A. Sack | .... | driver (as George Sack) | |
| Clinton J. Taylor | .... | driver (as Clinton Taylor) | |
| Sal Velásquez | .... | driver (as Sal Velasquez) | |
| Gina August | .... | driver (uncredited) | |
| William P. Lafon | .... | driver (uncredited) | |
Other crew | |||
| Thomas Becker | .... | business and legal affairs: ApolloProScreen | |
| Tony Black | .... | assistant to cast | |
| Andrew Blau | .... | production coordinator | |
| David Bojarski | .... | assistant to cast | |
| Paul Borbon | .... | stand-in | |
| Erik Bright | .... | unit publicist | |
| Luis Brito | .... | catering chef: Hanna Brothers | |
| James Cameron | .... | production assistant | |
| Jackie Chiquete | .... | stand-in | |
| Hugo Cortez | .... | catering assistant: Hanna Brothers | |
| Heather I. Denton | .... | production assistant | |
| David Diamond | .... | assistant location manager | |
| Jennifer Dunne | .... | location manager (as Jennifer W. Dunne) | |
| John Federico | .... | production assistant | |
| Thorsten Felscher | .... | financial affairs: ApolloProScreen | |
| Jordan Brendan Finnegan | .... | key set production assistant (as Jordan Finnegan) | |
| Felicia Flick | .... | assistant: Ms. Schulman | |
| Kelli Gillam | .... | post-production accountant | |
| Paul Giorgi | .... | payroll accountant | |
| Rob Hamer | .... | production assistant | |
| Janet Harold | .... | assistant location manager | |
| Ethan Higbee | .... | assistant to cast | |
| Barbara J. Keys | .... | set medic (as Barbara Keys) | |
| Howard Keys | .... | set medic (as Howard M. Keys) | |
| Richard D. Lewis | .... | finance | |
| Richard D. Lewis | .... | production executive | |
| Michael J. Linowes | .... | production legal services: Linowes & Burkin (as Michael J. Linowes Esq.) | |
| Jay Mason | .... | script supervisor | |
| Richard McDonough | .... | assistant to producers | |
| Peter McKernan | .... | pilot (as Peter J. McKernan) | |
| Leslie A. Morrow | .... | key assistant location manager | |
| Scott Mosher | .... | assistant location manager (as Scott D. Mosher) | |
| Dale Ottley | .... | production secretary | |
| Richie Parker | .... | stand-in (as Richard Parker) | |
| Tanoa Parks | .... | production accountant | |
| Daniel Rosenthal | .... | production assistant | |
| Jimmy Rudon | .... | production assistant (as Jimmy 'Bling' Rudin) | |
| Gian Sardar | .... | assistant: Mr. Haggis | |
| Kai Schürmann | .... | production supervisor: ApolloProScreen (as Kai Schuermann) | |
| Jack Stern | .... | studio teacher | |
| Shelly Strong | .... | production executive | |
| Daniel Stutz | .... | business and legal affairs executive | |
| Mark Thomason | .... | stand-in | |
| Tiffany Thomas | .... | first assistant accountant | |
| Angel Villatoro | .... | catering assistant: Hanna Brothers | |
| Ian Watermeier | .... | staff coordinator | |
| Jörg Westerkamp | .... | production executive: ApolloProScreen (as Joerg Westerkamp) | |
| Dana Wilkey | .... | product placement | |
| Nicole Wirtz | .... | stand-in | |
| Charlotte Young | .... | assistant legal affairs | |
| Unjoo Lee Byars | .... | main title producer (uncredited) | |
| Nadine Deckensattl | .... | assistant business affairs (uncredited) | |
| Thomas Fischer | .... | legal affairs (uncredited) | |
| Suraj Gohill | .... | production lender (uncredited) | |
| Michael J. Harker | .... | completion bond company representative (uncredited) | |
| Jonathan Heine | .... | production financing (uncredited) | |
| Algerita Wynn Lewis | .... | photo double (uncredited) | |
| Warner Loughlin | .... | acting coach (uncredited) | |
| Michael McIntyre | .... | creative director: main titles (uncredited) | |
| Mikki Pallas | .... | unspecified assistant (uncredited) | |
| Julie Polkes | .... | publicist (uncredited) | |
| Lina Shanklin | .... | script supervisor (uncredited) | |
| Brad Shoemaker | .... | general foreman (uncredited) | |
Thanks | |||
| Anita W. Addison | .... | dedicatee: (1952-2004 a great friend) (as Anita Addison) | |
| Aliya Allyn | .... | the producers gratefully acknowledge the help of | |
| Tim Allyn | .... | the producers gratefully acknowledge the help of | |
| Laurence Becsey | .... | the producers gratefully acknowledge the help of (as Larry Becsey) | |
| Donna Buchanan | .... | the producers gratefully acknowledge the help of | |
| Unjoo Lee Byars | .... | the producers gratefully acknowledge the help of | |
| Michael Chaiken | .... | the producers gratefully acknowledge the help of (as Dr. Michael Chaiken) | |
| Tony Danza | .... | the producers gratefully acknowledge the help of | |
| Rick Gold | .... | the producers gratefully acknowledge the help of | |
| Meredith Grindlinger | .... | the producers gratefully acknowledge the help of | |
| Ted Haggis | .... | the producers gratefully acknowledge the help of | |
| Floy Hawkins | .... | the producers gratefully acknowledge the help of | |
| Marshall Herskovitz | .... | the producers gratefully acknowledge the help of | |
| Jason Isaacs | .... | the producers gratefully acknowledge the help of | |
| Carl Lumbly | .... | the producers gratefully acknowledge the help of | |
| Rosie McCann | .... | the producers gratefully acknowledge the help of | |
| Buckley Norris | .... | the producers gratefully acknowledge the help of | |
| Chuck Parker | .... | the producers gratefully acknowledge the help of | |
| Pam Perry | .... | the producers gratefully acknowledge the help of | |
| Mike Pietrzak | .... | the producers gratefully acknowledge the help of | |
| Rebecca Pollack | .... | the producers gratefully acknowledge the help of | |
| Deborah Rennard | .... | the producers gratefully acknowledge the help of | |
| Salli Richardson-Whitfield | .... | the producers gratefully acknowledge the help of (as Salli Richardson) | |
| Robyn Roth | .... | the producers gratefully acknowledge the help of | |
| Neil Sacker | .... | the producers gratefully acknowledge the help of | |
| Janet Salas | .... | the producers gratefully acknowledge the help of | |
| Anthony Santa Croce | .... | the producers gratefully acknowledge the help of | |
| John Segota | .... | the producers gratefully acknowledge the help of | |
| Todd Sharp | .... | the producers gratefully acknowledge the help of | |
| Mary Jo Slater | .... | the producers gratefully acknowledge the help of | |
| Allan Steele | .... | the producers gratefully acknowledge the help of | |
| Ryk St. Vincent | .... | the producers gratefully acknowledge the help of | |
| Dr. Ronald Sue | .... | the producers gratefully acknowledge the help of | |
| Glenn Taranto | .... | the producers gratefully acknowledge the help of | |
| Jeff Wachtel | .... | the producers gratefully acknowledge the help of | |
| Deborah Wettstein | .... | the producers gratefully acknowledge the help of | |
| Randy Wiggins | .... | the producers gratefully acknowledge the help of | |
| Chuck Worthen | .... | the producers gratefully acknowledge the help of | |
| Catherine Zappa | .... | the producers gratefully acknowledge the help of | |
| Randall Zisk | .... | the producers gratefully acknowledge the help of (as Randy Zisk) | |
L.A. Crash (Germany)
more
Rated R for language, sexual content and some violence.
112 min | 115 min (director's cut)
2.35 : 1 more
Netherlands:12 | New Zealand:R16 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | USA:R (certificate #40991) | Sweden:7 | Taiwan:R-12 | Argentina:16 | France:U | Iceland:16 | Brazil:14 | Belgium:KT | Chile:TE | India:A | USA:Unrated (director's cut) | South Korea:15 | Ireland:15 (DVD rating) | Hong Kong:IIB | Malaysia:(Banned) (theatrical) | Malaysia:U (DVD) | Japan:PG-12 | Australia:MA | Canada:13+ (Quebec) | Canada:14A (British Columbia) | Canada:14A (Ontario) | UK:15 | Finland:K-11 | Ireland:15A | Singapore:M18 | Germany:12 | Portugal:M/12 | Norway:15 | Philippines:R-13
Two Koreans were intentionally cast as the "Chinese" couple to underscore the fact that most non-Asians cannot or don't care to differentiate between the various Asian nationalities and instead choose to refer to all of them (Chinese, Korean, Thai, Japanese, etc.) as "Chinese", like the characters in the movie do. more
Crew or equipment visible: When Daniel comes in to speak with Farhad after fixing his lock, two members of the production crew can be seen attempting to hide behind one of the store shelves in the bottom-left corner of the frame. more
[first lines]
Graham:
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
more
Referenced in "Entourage: Crash and Burn (#3.5)" (2006) more
God Rest Ye Merry Gentlemen more
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Take the pop-cultured infused socio-political discourse of a Spike Lee movie, the glossy grit of a Michael Mann LA crime story, and the compelling mosaic story-telling technique of a Paul Thomas Anderson film, and you'll get the "feel" for Paul Haggis' stunning directorial debut. To boil a film like "Crash" down to such terms, however, would do it severe injustice. Powerful and thought provoking, this is the most accomplished and compelling film since "21 Grams" premiered back at the end of 2003.
"Crash" brilliantly shows through intertwining vignettes, that are often blazingly funny in their brutal honesty and fascinatingly gut-wrenching in their melodrama, how subtle racism (often guised in nervous humor) and overt prejudice (often exasperated by sudden irrational violence and an overabundance of readily available firearms) completely permeate our culture and everyday interactions within society. A hyper intelligent script showcases not characters, but brilliant representations of real people, people we know and pass in the street every day, people not unlike us. People who at first seem to be lost causes in the war against racism (witnessed in Matt Dillon's harried beat cop and Sandra Bulluck's spoiled District Attorney's wife) can often become the most unlikely solutions to the problem, while people who ride in on their high horse (witnessed in Ryan Phillipe's noble young police officer) can turn against the tide in the blink of an eye. No one is immune to it no matter how hard they try to rise above it (witnessed in Don Cheadle's quietly tragic detective).
In the end, everyone is flawed, the racism is inescapable, and the audience feels a twinge of sympathy for just about everyone. Perhaps that is what Haggis is hinting at to be our answer. Showing empathy and being able to relate even on the most remote level to every human being out there is the first step to that true brotherhood of man. Because the film offers no real solution, the discussion and discourse it creates in the minds of the viewers is the first step in solving society's ills. We can't tackle everything at once, but we can open a dialogue, and hopefully, one person conversing with another will be the first step to our salvation. It takes a bold film to raise such questions, and an even greater one to compel an audience to talk about the potential answers, and that is exactly what "Crash" accomplishes.