A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
Over a thirty-six hour period in Los Angeles, a handful of disparate people's lives intertwine as they deal with the tense race relations that belie life in the city. Among the players are: the Caucasian district attorney, who uses race as a political card; his Caucasian wife, who, having recently been carjacked by two black men, believes that her stereotypical views of non-whites is justified and cannot be considered racism; the two black carjackers who use their race both to their advantage and as an excuse; partnered Caucasian police constables, one who is a racist and uses his authority to harass non-whites, and the other who hates his partner because of those racist views, but who may have the same underlying values in his subconscious; a black film director and his black wife, who believes her husband doesn't support their black background enough, especially in light of an incident with the racist white cop; partnered police detectives and sometimes lovers, one Hispanic female ... Written by
When releasing the illegal Asian immigrants from the stolen delivery van, the internal cage door is open. In the next shot, it is already closed when the outer van doors are shut, even though nobody closes the cage. See more »
It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
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The film's title isn't shown until all of the opening credits are completed. See more »
The film does not allow any character to fall into a stereotype despite the initial appearances. Everyone is redeeming, in a greater or lessor degree, in their own world, despite their frailties and prejudices. The writing is crisp and no easy turns are taken. The film has unexpected twists but none of them are contrived. Each character is developed just enough for us to develop our opinions of them and then things change. Those of us familiar with LA will recognize the icons of the city and the mix of cultures. Each character has enough prejudice or hate in his/her repertoire of life to demonstrate we had better not be too quick to judge without exploring what might in us be similar to the characters' flaws. A must see just for the pacing and script. Malcolm
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