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| Index | 12 reviews in total |
7 out of 9 people found the following review useful:
An excellent movie worth catching. Moving, thought provoking and dealing with serious issues., 15 August 2004
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Author:
from Glasgow, Scotland
A very moving and thought provoking film that raises issues of mental
health, terminal illness and euthanasia. Sound a bit too heavy? It is a
little, but this is all treated in a realistically straight forward way
within a story of the changes that take place to the family who have to
deal with these things. This is a positive story of facing up to life
and responsibility that isn't overwhelm by the subject matter.
Afterlife is beautifully shot and crafted film set in modern times and
dealing with modern issues. It is a character driven, enthralling film
with a strong cast and some very good performances.
Unfortunate it is not the sort of film that always performs well at the
box office, so catch it while you can.
3 out of 3 people found the following review useful:
Nice Film, 14 February 2006
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Author:
paul-mcauley4 from Scotland
I agree with Andy, this is a good movie. Kevin McKidd's character is believable throughout the film. We're forced to hate him and latterly sympathise with him. Paula Sage who plays Roberta puts in a good performance too. It's thought-provoking and emotive without any slush over-production. Credit to director Alison Peebles and writer Andrea Gibb for that. A very worthwhile viewing. The pace of the film is just right, raising just enough interest in the subject matter to reel you in, rather than bombard you with facts in a documentary style. Nice little soundtrack to go with the film too, again used sparingly, not to distract you from storyline. Recommended.
3 out of 3 people found the following review useful:
Grr...The Ending! (WARNING: SPOILERS - STRONGLY HINTS AT THE ENDING), 3 November 2003
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Author:
c75 from London, England
*** This review may contain spoilers ***
Before I had seen this film, I had heard some negative comments about it.
However, when watching it I found myself thinking "ok, it's a little
slow-paced but this is quite interesting". As it built toward the end,
it
created a complex moral dilemma, leading to a shocking yet, within the
context of the film, entirely believable decision with extremely powerful
dramatic consequences. If this had been followed through, it would have
been a tremendously powerful ending and would have given me a very
favourable impression of the film.
However, due to an ending which not only cops out emotionally, tacking on
an
unnecessary happy-ish ending without real emotional credibility but also
within the context of the film makes absolutely no sense whatsoever for
you
clearly see one of the character take an action which should end her life
but inexplicably doesn't. Incidentally, please tell me if I did miss
something here and there is a reason why she survives as I just couldn't
how
logically she could have and this wrecked the whole film for
me.
This said, all three leads put in powerful performances although Kevin
McKidd's characters' transformation by the end goes a little further than
is
fully convincing and it does create a very powerful ethical
triangle.
This film is recommended if you ready yourself to walk out when the mother
and the sister are lying on the bed. But do not watch further than this
unless you have only a pinch, but several mountains, of
salt.
4 out of 6 people found the following review useful:
touching performance, 14 October 2003
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Author:
simonrosenbaum from New Malden, England
Not an easy film to like at first with both the lead characters quite unlikeable but luckily the heart and soul of the film is Paula Sage's touching performance which drives the film into uncharted waters and transcends the rather awkward storyline. This gives the film a feeling of real truth and makes you think you've seen something special.(7/10)
4 out of 7 people found the following review useful:
Crowd pleasing low budget wins audience award at Edinburgh, 31 August 2003
Author:
katharina001 from Scotland
This film may be low budget but it is certainly high on the emotional
scale
with fantastic performances, especially from Paula Sage (Roberta) who has
Downs Syndrome. The film is very funny and moving and depicts Roberta in
a
completely different way than characters with special needs are usually
shown - she is selfish, rude but also very funny - in fact most of the
humour in the film comes from Roberta. The relationship between Kenny
(Kevin McKidd) and May (Lindsay Duncan) is realistic and insightful.
The ending is very moving, a little twist had us all cringing in our seats
as we awaited the final outcome. This film quite rightly won the audience
award at the Edinburgh Film Festival with the highest votes ever.
5 out of 9 people found the following review useful:
The best of UK cinema, very thought provoking and moving, 19 July 2005
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Author:
(j_m_scott@yahoo.com) from Aberdeen, Scotland
This is a great example of very none Hollywood film making which is
very thought provoking, moving and not without a sense of humor, Kevin
McKidd and Paula Sage are superb.
I actually watched it on late night TV and I can see why I missed it in
the cinema, its not the sort of film that the multi-screen "mega"
cinemas show nowadays, mores the pity.
I am going to look for the DVD. Not for those who prefer, the current
trend towards special effects and no story. If you liked the best
selling book "The Curious Incident of the Dog in the Night-time",
you'll enjoy this film.
This film ranks beside the best of Scottish films, such as "Small
Faces" and "trainspotting". All films which Kevin McKidd also star in.
Highly Recommended.
Scottish 'life' drama..., 12 August 2012
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Author:
Tim Kidner (tim@kidnerpix.com) from Salisbury, United Kingdom
Rather condescendingly and disappointingly this DVD has English
subtitles come up by default. Why? Because it's Scottish and whilst
some accents are stronger than others, most, if not all dialogue will
be quite clear to all of us, here in Britain.
Actress Alison Peebles, who's CV looks a bit bleak, debuts with this
her first, and only feature film. It's quite dour, depressing at times
and is held together mainly by some now familiar actors and their
performances.
Kevin McKidd and Shirley Henderson, both stars in Trainspotting, here
play arrogant journalist and his photographer/artist girlfriend,
respectively. Both have carved Hollywood careers since. As Kenny, he
starts out following a story concerning one of those now notorious
Swiss euthanasia clinics, after a man suspected of being mentally
unwell was 'treated' there and wasn't in a position to decide his fate
for himself.
This rather pales into the background as the intense Kenny copes with
his mother, May, who is diagnosed with ovarian cancer and her chances
are slim. He is further bound by his Downs syndrome sister, Roberta,
whose character blows through the otherwise maudlin story like a breath
of fresh air. Real-life Downs sufferer Paula Sage cannot help bring
smiles and tears - anyone who knows a Downs person (I worked with one)
know all too well their zest for life and can be very characterful but
also their vulnerabilities.
These elements do - though not always smoothly, or satisfactorily run
alongside and with each other. Kenny is obviously annoyed by his
sister's long term incapacity and the limits that puts on his freedom,
both as journalist and future life with his new girlfriend. This is
intentionally made obvious, but that doesn't make him, or the film any
more pleasant.
Some reviews on other sites have said how the ending was a
disappointment, or other phrases meaning much the same thing.
Obviously, without even hinting what that is, I would say that I for
one, was OK with it.
I have to admit that I bought this DVD in error, as I was in a shop
many years ago and knew of another film with the same name, but without
being able to access reference material, I bought the wrong one. I
found the one I wanted later (Hirokazu Koreeda's 1998 Japanese film).
So, get this mainly for early performances - including Eddie Marsden -
and a sterling and at times uplifting performance from Paula Sage.
Not a great film but not that bad, 16 July 2006
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Author:
psyctc from London, Britain
Just a very short note to disagree with Andrew Whyte's (?) comment.
I didn't think this film had much to do with "Rainman", certainly it's
about an adult with a very different handicap from the autistic
spectrum problems that Hoffman's character had. Putting someone with
Down's syndrome as a central and very real protagonist here is far more
challenging than putting someone with autistic problems centrally and I
thought the film, as well as the actress, managed that rather better
than Hoffman et al. managed the parallel challenge.
I did think the acting in this was weak in places and certainly there's
a lot of shouting. I thought the subplot about the brother having given
up medicine was almost too lightly played but perhaps as someone who
stayed that distance but always with ambivalence about medics and our
delusions of grandeur, I would be sympathetic to that. Although some
acting did seem stretched, I thought the handicapped daughter and
mother were very, very good.
Not a great film and probably not as good as "Rainman" but certainly
worth a DVD rental and our whole family, from age 9 to 49, felt it had
been a tough but worthwhile rent.
3 out of 7 people found the following review useful:
Fails at the screenplay level; poor dialogue and a terrible closing scene, 22 August 2003
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Author:
Adam Whyte (charteredstreets@hotmail.com) from Scotland
`AfterLife' is about a somewhat arrogant, reasonably wealthy man who
discovers that his mother is dying, and finds himself looking after his
sister, who has Down's Syndrome. He can't be bothered with her, and
basically just wants to get her off his hands; he has better things to
do.
At one point he finds that he has to take her, by car (she doesn't like
flying) across the country.
If that all sounds familiar to you, it is probably because you have seen
`Rainman,' a film far superior to its imitator, `AfterLife.' That it
copies
the basic premise (heck, it nicks a few characters and even scenes too)
is
not the fundamental problem with the film. The fundamental problem is
that
I did not care about these characters.
The brother, Kenny (Kevin McKidd), is a bit of a womaniser. He has a
girlfriend who comes and goes in the story, and who learns to like the
Down's Syndrome sister (again, this is taken from `Rainman'). He is a
journalist, trying to get an interview with a doctor who is facing a
scandal. When he ends up looking after Roberta, the sister, he doesn't
have
much time for her, and sometimes leaves her alone for a little too long.
When she wanders off, he becomes even angrier towards her. Am I spoiling
anything by saying that he becomes a nicer, loving person by the end of
the
film?
Roberta is not determined to be 'normal'; she is 'normal,' and wishes
people
would stop treating her differently. She is played by Paula Sage, an
actress who does have Down's Syndrome, and her performance is easily the
best thing about the film; why did the screenwriter not explore her
character more? Well, probably because that would mean the characters
would
get in the way of the story. When we surely already know the story
anyway,
didn't the filmmakers see the problem they were creating?
For a film about a dying mother and her handicapped daughter (the father
is
absent; I think he is dead, but I'm not sure), it is surprising how
little
impact the film has on the emotions of the viewer. The scenes are
performed
in such a standard, dull way, with such standard, predictable dialogue,
that
I found myself rolling my eyes.
I have nothing against sentimentality in films, but it only really works
if
you care about the characters. Here the characters are so uninteresting
and
two-dimensional that I didn't really think there was much to care about.
`Rain Man' has an emotional climax, but that moved me, because I cared
about
the characters.
Talking of climaxes, this film has a stinker. There is sequence at the
end
of the film that starts off as an unbelievable situation and ends up in
even
worse territory; an unforgivably cruel trick is played on the audience.
The
sequence is designed to move the audience, but ends up being horribly
manipulative and offending the intelligence of the viewer. Audiences
aren't
stupid, and they know when the film is cheating. What a cheap
shot.
There is not one scene in this film that has the impact it should. There
are a few sequences that are funny, yes, but when the characters talk to
each other, I can practically see the screenplay in front of me, moving
predictably and uninterestingly, never hitting anything that touches the
mind or the heart. There are those phoney arguments that are reserved
especially for the movies, where the other character knows exactly what
the
reply is. Why don't supposedly 'realistic' films not realise that, in
real
life, anger can be irrational, and sometimes people can't express their
emotions, and they might say things that don't make sense, or not be able
to
say anything at all? All of the actors in this film deserve better
material. This film is not based on fact, but I think a documentary on a
family with a Down's Syndrome member would be much more interesting.
That
way, we might have had truth and emotion. For some reason the characters
in
this film think that an emotion only involves saying something loudly and
making a suitable facial expression.
** (out of 5)
1 out of 5 people found the following review useful:
Super film with excellent ending, 11 February 2004
Author:
andyfaeglasgow
This film takes you through a pretty rough ride. First, you feel like
hating Kenny, the career minded, selfish big brother; his arrogance, his
bad
temper at home, and his womanising ways. As the film progresses however,
he
is gradually softened by the irresistable nature of his little sister
Roberta, and the realisation of what the future holds.
Roberta provides much of the film's humour with her cheekiness to Kenny
and
her mum. She also keeps the biggest surprise till the end with a clever
twist to the story.
Rating: 8/10
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