The only residents of young Nicholas's seaside town are women and boys. When he sees a dead body in the ocean one day, he begins to question his existence and surroundings. Why must he, and all the other boys, be hospitalised?
Images flash through Arthur's brain, voices buzz in his mind, uttering disjointed words and sentences. Arthur Seligman seems to have had an accident but did he run over a little boy or not?... See full summary »
Two friends, Björn and Hampus, decide to move in together. If one ignores the fact that the two men are completely different, theirs is a close relationship. Being in love with your best ... See full summary »
An accomplished playboy Leo neglects his girlfriend and enjoys parties. His girlfriend parts from him and then, when he wants to see her once more, he has an accident. He survives, but his ... See full summary »
Felix is secretly in love with Ralph. This doesn't seem to be the biggest problem. But Felix is 15 and Ralph his 34 years old soccer coach. They meet every day in an ambush. One day Felix ... See full summary »
In the final sequence showing the girls descending the steps to the fountains, the picture has been flipped to maintain their movement from left to right. In actuality they are descending from right to left. See more »
Amazing. Not for all tastes, to be sure, but infinitely intriguing and accomplished. Great movie. After all the previous not totally successful, or barely watchable or downright awful fantasy movies that have come out of France in the last five years or so, French cinema turns out to be capable of producing an intelligent, beautiful, original work of art with its roots in the fantasy field which is both a treat to the eye and intelligence, and a graphically arresting piece of movie making. The film, dealing with strange ongoings at a remote boarding school for young girls in a mystery-ridden forest somewhere, is incredibly catching, full of hypnotic images. It is indeed closer to the spirit of silent movies, in particular the German school of Fritz Lang, Murnau, Pabst, etc, than to most modern movies. But so brilliant and respectful in its approach that it soon makes you forget its origins. The are dreamlike visions by the dozen in Innocence, superior or equal to Lynch's best films, to Jackson's Heavenly Creatures, or to Jane Campion's cinema in its finer moments, for instance. A painter in terms of framing and composition, the director is always lifting the material up into poetry country. See it and you will not be left untouched. Few films ever reach that kind of weirdness and movie magic. It has no comparison. Really.
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