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A cockney womanizer learns the hard way about the dangers of his actions.



(play), (earlier screenplay) | 2 more credits »
4,216 ( 1,493)
Won 1 Golden Globe. Another 5 wins & 7 nominations. See more awards »



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Cast overview, first billed only:
Lu Schnitman (as Renee Taylor)
Jeff Harding ...
Mrs. Wing
Bitter Girl


In Manhattan, the British limousine driver Alfie is surrounded by beautiful women, most of them clients, and he lives as a Don Juan, having one night stands with all of them and without any sort of commitment. His girl-friend and single-mother Julie is quite upset with the situation and his best friends are his colleague Marlon and his girl-friend Lonette. Alfie has a brief affair with Lonette, and the consequences of his act forces Alfie to reflect and wonder about his life style. Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis


Meet a man who never met a woman he didn't love. See more »


Comedy | Drama | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, some language and drug use | See all certifications »

Parents Guide:






Release Date:

5 November 2004 (USA)  »

Also Known As:

Untitled Alfie Remake  »

Filming Locations:


Box Office


$60,000,000 (estimated)

Opening Weekend:

£1,314,156 (UK) (22 October 2004)


$13,395,939 (USA) (7 January 2005)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Susan Sarandon gave pictures of herself in the 1970s to British artist Russell Oxley, who used them to paint an acrylic portrait of her character, supposedly from that era. After filming, the canvas went home with Sarandon. See more »


When Alfie is driving from Manhattan to visit Marlon and Lonette, he crosses the Brooklyn Bridge, which goes to Long Island, not upstate New York where they live. See more »


[first lines]
Alfie: You're lucky you know. I rarely allow anyone into my flat.
See more »

Crazy Credits

The main credits at the end of the picture show the person's face alongside his or her name. Even Michael Caine is pictured, alongside Bill Naughton's credit. See more »


References The Murder in the Museum (1934) See more »


I Can't Stand the Rain
Written by Ann Peebles, Bernard Miller & Don Bryant
Performed by Ann Peebles
Courtesy of Hi Records under license from EMI Film & Television Music
See more »

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User Reviews

Sort of a pointless exercise.
6 July 2005 | by (United States) – See all my reviews

The original 'Alfie,' released in 1966, was considered a revelation for its frank and somewhat dark portrait of the life of a cockney rake, and can now be seen as somewhat prophetic, as it predated (and in some ways helped to introduce) the era of 'swinging London' and the sexual revolution. The 2004 'Alfie' seems to exist for no other purpose than to dress Jude Law up in a hip wardrobe and allow him to wink, smirk, and sigh endlessly at the camera as he sleeps his way through a series of likable women he doesn't deserve. There isn't much of a narrative structure here, and while Law is an engaging screen presence, Alfie is a totally unsympathetic lout who deserves his eventual comeuppance.

It's too bad that Bill Naughton wasn't able to update his original story more effectively, because the film is gorgeous to look at. Despite a few unnecessary bits of cleverness (billboards with odd, art-nouveau messages like 'desire' and 'wish', a lot of mod-ish split screen sequences with still photography, etc.), the cinematography is superb, Law looks dashing in his GQ hipster wardrobe, and the ladies--Susan Sarandon, Jane Krakowski, Nia Long, Marisa Tomei, and newcomer Sienna Miller (whom Law apparently dumped his wife for during filming)--are ravishing. The soundtrack is also superb, made up mostly of new tunes by Mick Jagger and Dave Stewart (of Eurythmics fame).

The biggest problem here is that times have changed since the original Alfie: sexual and gender politics don't allow for a protagonist who bed-hops and deceives women with impunity to be cast as heroic or even remotely sympathetic. In the end, the film seems hollow, like a nearly two-hour long visual fashion spread (interestingly, 'Vanity Fair' editor Graydon Carter has a cameo in the film). Beautiful to look at, but ultimately it's just pretty trash.

99 of 162 people found this review helpful.  Was this review helpful to you?

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