Directed by | |||
| Roger Paradiso | |||
Writing credits(in alphabetical order) | ||
| Roger Paradiso | ||
Produced by | |||
| Mark Lipsky | .... | producer | |
| Justin Moritt | .... | co-producer | |
| Roger Paradiso | .... | producer | |
| Michael Tadross Jr. | .... | associate producer | |
| Michael Tadross | .... | producer | |
| Tony Travis | .... | producer | |
| Glen Trotiner | .... | co-producer | |
Cinematography by | |||
| Giselle Chamma | |||
Film Editing by | |||
| Jennifer Davidoff Cook | |||
Casting by | |||
| Pat McCorkle | |||
Production Design by | |||
| Patricia Woodbridge | |||
Art Direction by | |||
| Aristedes Philip DuVal | (co-art director) | ||
Set Decoration by | |||
| Susan Ogu | |||
Costume Design by | |||
| Richard Owings | |||
Makeup Department | |||
| Jill Astmann | .... | makeup artist | |
| Peggy Nicholson | .... | head of hair department | |
Production Management | |||
| Linus Hume | .... | post-production supervisor | |
Art Department | |||
| Tom LaVecchia | .... | on-set dresser | |
| Marc Newman | .... | lead man | |
| Donna Paul | .... | set dresser | |
| Dylan Sheridan | .... | property master | |
| Richard Tenewitz | .... | construction coordinator | |
| R.J. Wilson | .... | set dresser | |
Sound Department | |||
| Ryan Collison | .... | foley engineer | |
| Michael J. Fox | .... | adr mixer | |
| Peter D. Lago | .... | assistant sound editor | |
Camera and Electrical Department | |||
| Douglas C. Hart | .... | first assistant camera | |
| Jendra Jarnagin | .... | additional electrician | |
| Gregory F. Johnson | .... | best boy | |
| Saiyiu. Li | .... | assistant camera | |
| Sean Sheridan | .... | gaffer | |
Casting Department | |||
| Ed Lewis | .... | casting associate | |
Costume and Wardrobe Department | |||
| Pattie J. Barbosa | .... | wardrobe supervisor | |
| Marta Font | .... | costume supervisor | |
| Mary Gierczak | .... | costumer | |
Editorial Department | |||
| Steve Calalang | .... | dailies colorist | |
| John Dowdell | .... | digital intermediate colorist | |
| Kate Eales | .... | assistant editor | |
Music Department | |||
| Joey Carbone | .... | music producer | |
| Tony Travis | .... | executive music producer | |
Other crew | |||
| Seth Carmichael | .... | publicist | |
| Patrick Curd | .... | production assistant | |
| Jacq Donegan | .... | production secretary | |
| Ryan Ferguson | .... | location manager | |
| Damien Grimaldi | .... | special assistant to executive producer | |
| Courtney E. Hansen | .... | production assistant | |
| Darren E. Johnson | .... | assistant to producers | |
| Andrew Kletjian | .... | public relations | |
| Davin Michaels | .... | production assistant | |
| Kyle O'Brien | .... | production accountant | |
| Christopher Pizzo | .... | publicist | |
| Joe Randazzo | .... | production assistant | |
| Lisa Shriver | .... | choreographer | |
| Ned Thorne | .... | production assistant | |
| Diego Daniel Pardo | .... | dialect coach (uncredited) | |
|
|
|
|
|
| Baby Doll | Muriel's Wedding | The Bachelor | High Society | Riding in Cars with Boys |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
1988 on Long Island. Tony (who's family runs a strip club in Queens) and Tina (who lives with her mom in Massapequa) get married and then go to a run down catering hall for a reception. Its every wedding and Italian American joke you can think of brought to life as two families that never should meet, do so at the wedding of their children. Its nostalgia for those who lived through (and were scarred by) the 1980's, particularly those who did so on Long Island and Queens.
Long running Off Broadway participatory theater hit has been turned into a movie. What you experience in the theater (actually a church and in a restaurant) has been shifted around so that we are experiencing first from the point of Tony and Tina and then from the point of view of the video camera recording the event. What worked live becomes a bit shrill on screen as all of the big over the top characters seem even more cartoonish. These people are everyone of your most stereotypical Italian American stereotypes brought to life. Don't get me wrong, its a funny movie but its really more an R-rated low brow sitcom than a big screen movie. I know much of my enjoyment comes from the nostalgia factor, I was just a bit older than Tony and Tina at the time this movie is set and I knew people who were just like this (and there is a reason that I don't talk to them any more). I like the music,and I'm amused by the hairstyles. I enjoyed the pre-movie advertising cards that set the mood and fill in details of some of our characters (I used to see these sort of things projected on the screen all through the 80's and 90's in theaters and more times than not when I mentioned seeing the ads it shocked the owners of the stores)
Amusing to a point, the jokes play too much into stereotypes and set patterns (clearly the result of the movies participatory origins where you need that sort of thing as a short hand), this is not something I would have been happy paying 10 or 11 bucks to see in a theater (I saw this on IFC in Theaters on cable). I think most people are going to find something to laugh at, but I think mostly this is going to appeal to those who are from Long Island or Queens, especially those who are children of 1980's Long Island or Queens.
Wait for cable 6.5 out of 10