The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Miles is a failed writer living a meager existence in San Diego as an English teacher. With his career seemingly fading and the fate of a book hinging on a publisher's decision, Miles is depressed with himself and what he hasn't achieved. Jack is a television actor whom some recognize but not many do, as if he were a minor actor who got a taste of success. With his best friend Miles, the two embark on a road trip through California's wine country. Miles wants to give his friend a nice sendoff before married life, while Jack simply wants to have a fling beforehand. As they're both nearing middle age with not much to show for it, the two will explore the vineyards while ultimately searching for their identities. Written by
"The Sideways Wine Club", the licensee of Fox Searchlight Pictures, was started in April of 2005 and became the fastest growing wine club in the United States. It originally featured many of the wines seen in the movie then expanded to include similar wines from all over the world - wine from boutique producers who pour their heart and soul and second mortgage into their venture. Although the "Sideways" license has expired the Club continues to operate at See more »
When Miles pours the wine from the spit bucket at the tasting room over his head it drenches his shirt and pants. In the subsequent scenes, the wine stains have dried, but the clothes have actually been changed. There are stains on the shirt, but there are not enough to match the original incident and the pants have no stains at all. See more »
Alexander Payne is becoming a magnet for me. I wait for his films. He is an eminently American director that can look in with the incisive eye of an incisive foreigner. Besides all that, he is a poet. In "Election" he gives us an electro shock disguised as a Teen College Comedy. I laughed in horror at the cleverness of the storytelling. In "About Schmid" he forces us to look into one of the darkest corners of our society and find ourselves there. And he does it in the funniest most entertaining way. In "Sideways" he trusts his audience enough to put impossible hurdles for us to love his characters -- Paul Giamatti and his mother's money, for instance -- and yet, we have to admit he's made his point. We are all people. He manages to surprise us with our own capacity for compassion. Vittorio De Sica, Billy Wilder and Mario Monicelli come to mind. Yes Mr. Payne you are the ticket!
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