The story of the life and career of the legendary rhythm and blues musician Ray Charles, from his humble beginnings in the South, where he went blind at age seven, to his meteoric rise to stardom during the 1950s and 1960s.
A middle-aged Japanese man travels to California to attend the wedding of his American-based friend. Prior to the big event, they take one last trip to Napa Valley, where they taste wine, dally with romance.
In 1959, Truman Capote learns of the murder of a Kansas family and decides to write a book about the case. While researching for his novel In Cold Blood, Capote forms a relationship with one of the killers, Perry Smith, who is on death row.
Philip Seymour Hoffman,
Clifton Collins Jr.,
Miles is a failed writer living a meager existence in San Diego as an English teacher. With his career seemingly fading and the fate of a book hinging on a publisher's decision, Miles is depressed with himself and what he hasn't achieved. Jack is a television actor whom some recognize but not many do, as if he were a minor actor who got a taste of success. With his best friend Miles, the two embark on a road trip through California's wine country. Miles wants to give his friend a nice sendoff before married life, while Jack simply wants to have a fling beforehand. As they're both nearing middle age with not much to show for it, the two will explore the vineyards while ultimately searching for their identities. Written by
When Miles hits the ball back at the golfers behind them, the person who actually hit the ball was the author of the novel the film was based on. He claims that Paul Giamatti's exceptionally poor golf form made it impossible for him to accomplish the shot. See more »
When Maya joins the boys at the restaurant bar for a drink after her shift, the position of her arm (holding the cigarette) keeps changing from shot to shot during their conversation. See more »
Alexander Payne is becoming a magnet for me. I wait for his films. He is an eminently American director that can look in with the incisive eye of an incisive foreigner. Besides all that, he is a poet. In "Election" he gives us an electro shock disguised as a Teen College Comedy. I laughed in horror at the cleverness of the storytelling. In "About Schmid" he forces us to look into one of the darkest corners of our society and find ourselves there. And he does it in the funniest most entertaining way. In "Sideways" he trusts his audience enough to put impossible hurdles for us to love his characters -- Paul Giamatti and his mother's money, for instance -- and yet, we have to admit he's made his point. We are all people. He manages to surprise us with our own capacity for compassion. Vittorio De Sica, Billy Wilder and Mario Monicelli come to mind. Yes Mr. Payne you are the ticket!
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