James Murphey is a rugged cryptozoologist, who thirty years earlier, during a trip to Loch Ness, Scotland, had a fatal encounter with the fabled "Nessie" creature that killed his father, ... See full summary »
An increasing number of people are dying mysterious deaths in the dark waters of Loch Ness, victims of the famous monster. But what other mysteries does the Loch hold? What about the ... See full summary »
Bristling with equipment, two enthusiastic local access cable TV producers recruit an assistant and venture into a forest in search of the mythical and horrifying Jersey Devil. Days later, ... See full summary »
Seattle's Loch Ness: The Lake Washington Sea Monster For hundreds of years the Wonkatilla tribe of the Northwestern United States has worshipped a giant sea creature they call Willatuk, God... See full summary »
The timely story of a normal family disintegrating under financial pressure, eventually driven to the unimaginable. We witness the terrifying events unfold through daughter Judith's video camera, which subsequently becomes Exhibit A.
On a typical fall evening in 1983, a young man was videotaping his niece's 5th birthday party. As the night's strange occurrences took place, he kept his video camera running, recording the entire event.
The German film director Werner Herzog sets out to the Scottish Highlands to make a documentary, "Enigma of Loch Ness", exploding the myth of the Loch Ness Monster. Meanwhile, another documentary film crew is making a film about Werner Herzog, and we see the production of "Enigma" from their point of view. Shooting on a rented boat, tensions begin to rise as director Herzog and his producer, Zak Penn, find themselves at cross-purposes on the black surface of Loch Ness. Things get very edgy when the film crew starts seeing shapes in the murky water. Written by
Martin Lewison <email@example.com>
Zak Penn and Werner Herzog perform the DVD commentary while still in character, trading insults frequently, scolding each other and referring to a fake legal agreement that presumably would have been reached after the events take of the film take place. Their argument gets so heated that Herzog 'leaves' and the commentary stops and then restarts, this time hosted by Penn and producer Jana Augsberger. See more »
When I look back, and I hear people talk about what suffering, I say to myself, "Who suffered more than I did"? I mean, other than the people who died. I mean, obviously, they suffered more because, well, they're dead. But, you could make the argument that they're dead, so they're not really dealing with it, whereas I live with the guilt, and I live with the sadness.
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This film is answers the age-old question, "what would a Herzog documentary look like if taken the way of Spinal Tap?" That's right, after decades of stunning works and intimate studies, Herzog has finally gone and made (or at least involved himself in)... a Mockumentary.
I caught this on the Canadian Documentary channel the other night and was floored by Herzog's famously dry wit, and the utter ridiculousness of the film itself. It's essentially a Herzog project where all pretense of objectivity is supposedly embedded within one film crew as it studies the workings of yet another in the creation of a second Herzog documentary. This documentary is a study of the "Loch Ness" phenomenon, one aimed at taking Herzog's incisive wit (superb UFO quote in the beginning of the film) and great eye to the people involved with, and the history of the subject. OK, straight forward enough. But when a series of events begin to cripple the production, Herzog and his merry band are ultimately drawn into a situation even murkier than the depths of the lake they're studying...
Typical film class issues like Herzog's use of truth vs. the lies implicit in film are given a tongue-in-cheek treatment as the two crews begin to bicker and expose one another, and recurrent themes like Herzog vs. big boats (Fitzcarraldo) are made light of and just as quickly thrown about the wayside, alongside any semblance of reason or prudence. What is left is a fascinating exploration of what a funny sense of humor Herzog has, I mean, who else could include a cameo by Jeff Goldblum, the crew of a boat searching for a mythical fish, ridiculous matching jumpsuits, and clever references to Jacques Cousteau without incurring the wrath of Wes Anderson? Oh, yeah, this film also features brief, albeit fitting, appearances by Crispin Glover and Yucca roots. Genius!!!
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