Che: Part Two (2008)

Director:

Steven Soderbergh

Writers (WGA):

Peter Buchman (screenplay) and
Benjamin A. van der Veen (screenplay) ...

Release Date:

24 January 2009 (USA)

Genre:

Biography | Drama | War

Plot:

In 1967, Ernesto 'Che' Guevara leads a small partisan army to fight an ill-fated revolutionary guerrilla war in Bolivia.

Plot Keywords:

Bolivia | Guerrilla | 1967 | Che Guevara | Bolivian Army

Awards:

1 win & 2 nominations

Cast

Benicio Del Toro	...	Ernesto 'Che' Guevara
Carlos Bardem	...	Moisés Guevara
Demián Bichir	...	Fidel Castro
Joaquim de Almeida	...	President René Barrientos
Pablo Durán	...	Pacho (Alberto Fernandez Montes de Oca)
Eduard Fernández	...	Ciro Algarañaz
Marc-André Grondin	...	Régis Debray
Óscar Jaenada	...	Darío (David Ardiazola)
Kahlil Mendez	...	Urbano (Leonardo Tamayo Nunez)
Cristian Mercado	...	Inti (Guido Peredo Liegue)
Jordi Mollà	...	Captain Mario Vargas
Gastón Pauls	...	Ciros Bustos
Antonio Peredo	...	Coco (Roberto Peredo Liegue)
Jorge Perugorría	...	Joaquin (Juan Vitalo 'Vilo' Acuna)
Lou Diamond Phillips	...	Mario Monje

Also Known As:

Guerrilla (International: English title) (alternative title) (USA) (working title)
Che (USA) (working title)
Che - 2ème partie - Guerilla (France)
Che: Guerrilla (Spain: Castilian title)

Runtime:

135 min

Country:

Spain | France | USA

Language:

Spanish | Aymara | Quechua | English

Color:

Black and White | Color

Aspect Ratio:

1.78 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

UK:15 | Brazil:14 | Ireland:15A | Argentina:13 | USA:R | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Canada:14A (Alberta) | Canada:PG (British Columbia) | Portugal:M/12 (Qualidade) | Finland:K-13 | Sweden:11 | Germany:12 | Singapore:PG | New Zealand:M | Netherlands:12

Filming Locations:

La Paz, Bolivia

Company:

Laura Bickford Productions

Trivia:

Although Benicio Del Toro was always considered the absolute first choice to headline this film, Val Kilmer was considered as a secondary option to play Argentine revolutionary Che Guevara if Del Toro had not been available.

Goofs:

Revealing mistakes: When the Bolivian troops are about to ambush the guerrillas crossing the river, you can see, that the machine guns belt is holding bullets with primers that have already being fired. The firing pin imprint on the cap is clearly visible.

Quotes:

[last lines]
Ernesto Che Guevara: [to a Bolivian soldier about to execute him] Shoot. Do it. Shoot me, you coward! You are only killing a man. You will never kill my spirit, or the spirit of the revolution!

Movie Connections:

Referenced in 15th Annual Screen Actors Guild Awards (2009) (TV)

Soundtrack:

Balderrama

decline of a revolutionary

Part Two picks up... not where the last film left off. As part of the quasi-conventionality of Steven Soderbergh's epic 4+ hour event, Che's two stories are told as classic "Rise" and "Fall" scenarios. In Part Two, Che Guevara, leaving his post as a bureaucrat in Cuba and after a failed attempt in the Congo (only in passing mentioned in the film), goes down to Bolivia to try and start up another through-the-jungle style revolution. Things don't go quite as well planned, at all, probably because of Che's then notorious stature as a Communist and revolutionary, and in part because of America's involvement on the side of the Bolivian Government, and, of course, that Castro wasn't really around as a back-up for Che.

As it goes, the second part of Che is sadder, but in some ways wiser than the first part. Which makes sense, as Guevara has to endure low morale from his men, betrayals from those around him, constant mistakes by grunts and nearby peasants, and by ultimately the enclosing, larger military force. But what's sadder still is that Guevara, no matter what, won't give in. One may see this as an incredible strength or a fatal flaw- maybe both- but it's also clear how one starts to see Che, if not totally more fully rounded, then as something of a more sympathetic character. True, he did kill, and executed, and felt justified all the way. And yet it starts to work on the viewer in the sense of a primal level of pity; the sequence where Guevara's health worsens without medicine, leading up to the shocking stabbing of a horse, marks as one of the most memorable and satisfying of any film this year.

Again, Soderbergh's command of narrative is strong, if, on occasion, slightly sluggish (understandable due to the big running time), and one or two scenes just feel totally odd (Matt Damon?), but these are minor liabilities. Going this time for the straight color camera approach, this is almost like a pure militia-style war picture, told with a great deal of care for the men in the group, as well as Guevara as the Lord-over this group, and how things dwindle down the final scene. And as always, Del-Toro is at the top of his game, in every scene, every beat knowing this guy so well- for better and for worse- that he comes about as close to embodiment as possible. Overall, the two parts of Che make up an impressive package: history as drama in compelling style, good for an audience even if they don't know Che or, better, if they don't think highly of him. It's that special. 8.5/10