Following Jigsaw's grisly demise, Mark Hoffman, the final apprentice to the serial killer is deigned a hero. Meanwhile, Agent Strahm continues to track Hoffman while another group of strangers are put through a series of gruesome traps.
Jigsaw and his apprentice Amanda are dead. Now, upon the news of Detective Kerry's murder, two seasoned FBI profilers, Agent Strahm and Agent Perez, arrive in the terrified community to ... See full summary »
Darren Lynn Bousman
Katie is trying to make it in the cutthroat world of modeling. When she innocently accepts an offer to have new photos taken for her portfolio, the experience quickly turns into an ... See full summary »
Steven R. Monroe
Desperate to repay his debt to his ex-wife, an ex-con plots a heist at his new employer's country home, unaware that a second criminal has also targeted the property, and rigged it with a series of deadly traps.
Top cover girl and fashion model, Jennifer Tree has it all - beauty, fame, money and power. Her face appears on covers of hundreds of magazines. At the top of her game, Jennifer is America's sweetheart. She is loved and adored and sought after. Everyone wants her. But someone out there has been watching and waiting. Someone wants her in the worst way. Out alone at a charity event in Soho, Jennifer is drugged and taken. Held captive in a cell, Jennifer is subjected to a series of terrifying, life-threatening tortures that could only be conceived by a twisted, sadistic mind. It follows the story of one woman who is abducted and tortured, held against her will in a place where days turn into weeks. Written by
After Dark Films
A great part of the film was filmed in Russia, where nearly all the crew spoke only Russian. Elisha Cuthbert says that only a handful of the cast were there from America, and formed a tight-knit group since they spoke no Russian See more »
While wearing a longer flowered skirt, Jennifer is seen ripping up a black mini skirt with a studded silver belt. In subsequent scenes she switches between wearing the flowered skirt and the black mini that she previously destroyed. See more »
[to his younger brother]
You're the insider, I'm the outsider.
See more »
Adds nothing new, but it's a hell of a lot better than the Saw sequels!
I have to admit that I probably wouldn't have gone to cinema to see this film if it wasn't for all the unneeded controversy surrounding it's marketing campaign in the USA, but I guess that's a good thing as it shows that the people who initiate that sort of thing usually just end up helping the film in question to reach a wider audience. I have to say that whoever it was that made such a fuss about the posters did me a favour, as while Captivity isn't exactly a modern masterpiece; it's certainly a decent little horror thriller, and I'm glad I went to see it. The film focuses solely around Jennifer Tree, an actress who is abducted and thrown into a basement dungeon from which there is no escape and she is continually watched over by the psychopath who abducted her; a man who also enjoys putting her through all manner of sadistic and brutal torturing. Hope arises when she finds a man in the cell next to her, and together they attempt to escape from the dungeon. But as they face more sadism and torture, it turns out that the situation isn't all it seems.
This film is obviously catching on to the 'torture porn' film type that seems to be dominating the horror genre recently (films such as Hostel and Saw being at the forefront), but while this doesn't add anything new; it is entertaining to watch, and that is really all that is important from this sort of film. The film is, surprisingly, directed by experienced director Roland Joffé, whose only other film I've seen is the Oscar nominated "The Killing Fields" - and this is nothing like it! (Though I'd say that's a good thing...). The screenplay was written by the great Larry Cohen, who you can always count on for an entertaining thrill ride, and while this isn't one of his best attempts; I'd pretty much say he delivered (it's better than Cellular, too). The twist in the middle can be seen coming a mile off, but that's not important either as the handling after the twist is good and with this, Cohen succeed in racketing the film up a notch. Captivity is very short at just 85 minutes, but I'd rather it be on the short side than feature a bucket load of filler like many films these days do. Overall, I won't say this is brilliant or a classic; but it's a more than decent horror thriller and I definitely recommend seeing it.
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