| Yeong-su Oh | ... | Old Monk (as Young-soo Oh) | |
| Ki-duk Kim | ... | Adult Monk | |
| Young-min Kim | ... | Young Adult Monk | |
| Jae-kyeong Seo | ... | Boy Monk | |
| Yeo-jin Ha | ... | The Girl | |
| Jong-ho Kim | ... | Child Monk | |
| Jung-young Kim | ... | The Girl's Mother | |
| Dae-han Ji | ... | Detective Ji | |
| Min Choi | ... | Detective Choi | |
| Ji-a Park | ... | The Baby's Mother | |
| Min-Young Song | ... | The Baby |
Directed by | |||
| Ki-duk Kim | |||
Writing credits(in alphabetical order) | ||
| Ki-duk Kim | writer | |
Produced by | |||
| Karl Baumgartner | .... | co-producer | |
| Soma Chung | .... | executive producer | |
| Raimond Goebel | .... | co-producer | |
| Dong-Joo Kim | .... | producer | |
| So-hee Kim | .... | co-producer | |
| Seung-jae Lee | .... | producer | |
Original Music by | |||
| Ji-woong Park | |||
Cinematography by | |||
| Dong-hyeon Baek | |||
Film Editing by | |||
| Ki-duk Kim | |||
Costume Design by | |||
| Min-Hee Kim | |||
Sound Department | |||
| Stephan Konken | .... | sound re-recording mixer | |
| Bon-seung Ku | .... | sound | |
| Richard Welsh | .... | dolby sound consultant | |
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| My Own Private Idaho | The Loss of Sexual Innocence | Boy A | Andrei Rublev | Farewell My Concubine |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Drama section |
| IMDb South Korea section |
This film is a good example why cinema is called an art - this is not just another movie, but a real piece of art. The pleasure of seeing it belongs to the aesthetics, and it transcends beyond the action and beyond what only happens on screen, or what the characters say and do.
It is both a simple and complex story - the story of a life, catching all seasons of development of man: innocence of childhood - so quickly lost unfortunately, mistakes of the young age, tragedies of maturity , and wisdom coming with the old age.
The film is filmed at one location of a cut-breathing beauty. Beauty of nature is being maximized by the art of the camera. The soundtrack has little dialog, but the expressiveness of the actors makes the dialog useless. You feel the drama, you do not need to hear the words, and the music says more than words.
There are a lot of symbols in this movie, and I probably lost most of them because they belong to the Budhist culture. There are however many other symbols that speak to the European spectator - the cycles of life, the rhythms of nature, the magic figure 4, like the number of seasons of the year, or like the number of parts in classic symphony, the unity of space as in Greek tragedy, and time - one life instead of one day, all give to this creation a wonderful symmetry and equilibrium.
Worth seeing, this is a film that will make the delight of anybody who believes like I do that cinema is an art.