In the 1890s, Father Adolf Daens goes to Aalst, a textile town where child labor is rife, pay and working conditions are horrible, the poor have no vote, and the Catholic church backs the ... See full summary »
Antje de Boeck
In August 1996, bus drivers Marcel Van Loock and Wim Moreels are apprehended by the Moroccan Customs for drug trafficking. Inside their bus, hidden behind a false compartment, they have ... See full summary »
Five close friends, all of them married, share a loft to meet their mistresses. One day they find the body of a young woman in the loft. Since there are only five keys to the loft, the five men begin to suspect each other of murder.
Erik Van Looy
Koen De Bouw,
Tom Vansant is an emergency physician from Brussels who is desperately searching for his daughter who ran away from home and is now missing for eighteen months. He meets a girl of whom he ... See full summary »
Frank van Mechelen
Koen De Bouw,
A tragicomedy about the everyday life of a butchers family Vangenechten. The business is running fine until the son returns home after a long time. He wants to learn more about the butchers... See full summary »
Koen De Graeve,
Mieke De Groote,
'Buiten de Zone' is set at a telephone exchange, run by five volunteers, who try to answer the telephone calls from people of their own age. They don't get many calls however, which lets ... See full summary »
Bart De Pauw,
Hector had been in the orphanage for 35 years, until his aunt Ella and uncle Achiel pick him up. They want him to work at their bakery. At his new home he also helps training Achiel's son, ... See full summary »
Michelle, Guido and Frankie have been co-workers and close friends for years. But when their boss gets fired, Guido gets a promotion and is replaced by the odd Alain Van Damme. No normal ... See full summary »
Dirk van Dijck
Vincke and Verstuyft are one of the best detective teams of the Antwerp police force. When they are confronted with the disappearance of a top official and the murder of two prostitutes, the trail leads to the almost retired assassin Angelo Ledda. Since Ledda starts showing symptoms of Alzheimer's, it's getting more and more difficult to complete his contracts. When he has to murder a 12-year old call-girl, he refuses and becomes a target himself. While Vincke and Verstuyft are chasing him and counting the corpses, Ledda is taking care of his employers. Written by
Throughout the movie, the laser on Ledda's pistol is unsynchronized. In wide shots, he turns it on or off as appropriate (when hiding, he is not projecting a red light) but in all closeups the laser is on. See more »
I saw this film at the 2004 Toronto International Film Festival. Although based on a novel, this stylish police thriller's main conceit ("hit-man has Alzheimer's") could have been lifted from a Hollywood film executive's idea of "high concept". Except that it would have made a forgettable Hollywood picture. Instead, director Van Looy sets this story in his native Belgium. Police detectives Vincke and Verstuyft are like a modern day Starsky and Hutch, without the bad haircuts. Who knew that Antwerp even had police, never mind such cool ones? Their job is to track down the man who's killed several high-profile politicians and a young child prostitute.
Reminding me a lot of Terence Stamp in The Limey, veteran actor Jan Decleir portrays aging hitman Angelo Ledda, whose refusal to kill the young girl leads him to seek revenge on the people who want her dead. His deterioration is a cause for sympathy as well as a plot device. He must complete his "mission" before he forgets his reasons for carrying it out. He also plays a cat and mouse game with the police who are trying to solve the killings, staying one step ahead until he can no longer think clearly.
Van Looy admitted his fondness for "police thrillers with a soul" and especially for the work of Michael Mann, and the influence of Mann is everywhere. If you like Mann, you'll like this film. Well-developed characters, moody cinematography and fine acting didn't completely save this film, though. I thought the plot was a little too straightforward, and the film itself was about 20 minutes too long, with a couple of false endings that could have been re-cut. I think I would have given a shorter version of this film an 8, but even if it was a slightly derivative cop film, it was a slightly derivative cop film IN FLEMISH, which has to count for something!
42 of 56 people found this review helpful.
Was this review helpful to you?