7.4/10
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57 user 53 critic

The Memory of a Killer (2003)

De zaak Alzheimer (original title)
Vincke and Verstuyft are the best detectives of the Antwerp police department. They are confronted with the murder on a leading executive and put all their effort to catch the murderer.

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(novel), (screenplay) | 1 more credit »

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7 wins & 3 nominations. See more awards »

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Cast

Cast overview, first billed only:
Laurien Van den Broeck ...
Bieke Cuypers
...
Vader Cuypers
...
Werner De Smedt ...
Hilde De Baerdemaeker ...
Linda de Leenheer
...
...
...
Anne-Caroline Suberville ...
Dienster
Jan Dyck ...
Taxi Driver
Miek Van Bocxtaele ...
Receptionist (as Miek Van Bocxstaele)
Deborah Ostrega ...
Anja
...
Els Dottermans ...
Eva Van Camp
Lucas Van den Eynde ...
Bob Van Camp
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Storyline

Vincke and Verstuyft are one of the best detective teams of the Antwerp police force. When they are confronted with the disappearance of a top official and the murder of two prostitutes, the trail leads to the almost retired assassin Angelo Ledda. Since Ledda starts showing symptoms of Alzheimer's, it's getting more and more difficult to complete his contracts. When he has to murder a 12-year old call-girl, he refuses and becomes a target himself. While Vincke and Verstuyft are chasing him and counting the corpses, Ledda is taking care of his employers. Written by BlackHawk

Plot Summary | Add Synopsis


Motion Picture Rating (MPAA)

Rated R for violence, sexuality and nudity | See all certifications »
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Details

Official Sites:

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Country:

Language:

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Release Date:

26 September 2005 (USA)  »

Also Known As:

The Memory of a Killer  »

Filming Locations:

 »

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Box Office

Budget:

€2,500,000 (estimated)

Opening Weekend USA:

$41,254, 28 August 2005, Limited Release

Gross USA:

$332,015, 6 November 2005
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Official Selection Toronto 2004. See more »

Goofs

Bieke's father who gets shot resisting arrest at the beginning of the film, is clearly shot on his left side of the chest. But in the shot right before he lays still, we see the gunshot wound on the other side, then it flips back again when he's down. See more »

Quotes

Freddy Verstuyft: [Nearly hitting a car] Goddammit! Fucking BMW's!
Eric Vincke: Right does have priority, Freddy. Pay attention.
See more »

Connections

Followed by Dossier K. (2009) See more »

Soundtracks

Some Of Us
Performed by Starsailor
Courtesy of EMI Music Ltd.
Published by EMI Music Publishing Ltd.
Played during end credits
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User Reviews

 
Best of the Flemish Police Thrillers (!)
11 September 2004 | by See all my reviews

I saw this film at the 2004 Toronto International Film Festival. Although based on a novel, this stylish police thriller's main conceit ("hit-man has Alzheimer's") could have been lifted from a Hollywood film executive's idea of "high concept". Except that it would have made a forgettable Hollywood picture. Instead, director Van Looy sets this story in his native Belgium. Police detectives Vincke and Verstuyft are like a modern day Starsky and Hutch, without the bad haircuts. Who knew that Antwerp even had police, never mind such cool ones? Their job is to track down the man who's killed several high-profile politicians and a young child prostitute.

Reminding me a lot of Terence Stamp in The Limey, veteran actor Jan Decleir portrays aging hitman Angelo Ledda, whose refusal to kill the young girl leads him to seek revenge on the people who want her dead. His deterioration is a cause for sympathy as well as a plot device. He must complete his "mission" before he forgets his reasons for carrying it out. He also plays a cat and mouse game with the police who are trying to solve the killings, staying one step ahead until he can no longer think clearly.

Van Looy admitted his fondness for "police thrillers with a soul" and especially for the work of Michael Mann, and the influence of Mann is everywhere. If you like Mann, you'll like this film. Well-developed characters, moody cinematography and fine acting didn't completely save this film, though. I thought the plot was a little too straightforward, and the film itself was about 20 minutes too long, with a couple of false endings that could have been re-cut. I think I would have given a shorter version of this film an 8, but even if it was a slightly derivative cop film, it was a slightly derivative cop film IN FLEMISH, which has to count for something!

(7/10)


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