In this prequel to Mou gaan dou (2002), Chan Wing Yan has just become an undercover cop in the triads while Lau Kin Ming joins the police force. Both the triads and the police find an enemy in a rival crime boss.
Anthony Chau-Sang Wong
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime Syndicates.
A cop is forced into early retirement due to retinal damage. But after witnessing a bank robbery along with a female inspector - who believes he has acute senses - they team up in hope to solve the case.
A storm is heading to the city, and with it comes another occurrence so destructive, it vows to bring down everything it touches. A crew of seasoned criminals led by the notorious Nam (Hu ... See full summary »
Because Chan was being expelled from the school in 1991, SP Yeung Kam Wing graduated, with all police reports distinctions, being the first in whole class. Twelve year later, he was being sent, working to Lau. Ten months after Chan dies, Yeung's spy had blew a case and the spy wish to kill Yeung, but Yeung took his gun and shot him to conclude this failure. Lau gave Yeung car park seat B3A6 when Yeung met Lau. Yeung asked Chan who he is, but Chan didn't remember him. Sam works with Yeung and Lau is recording Yeung's words so that he can sue Yeung. Yeung is a police SP, which is being sent to Sam as the spy from police. Lau doesn't really know Yeung's Police SP position and wish to catch Yeung to the police head. Yeung work with another inspector who is a good friend of Yeung himself. Lau sneaked into Yeung's office, stealing the cassette, and ask the head to tell him that Yeung is the spy of the triad, Sam's triad. The inspector friend of Yeung, without found by Lau, changed Lau's own... Written by
When Inspector Lau is looking at the cameras which he placed in Yeung's office through his mobile, you can see a timeline at the bottom of the screen of the mobile. Thus revealing it is a pre-recorded shot. See more »
This time around, we have the returning Tony Leung, Andy Lau, and the new comer Leon Lai to light up the screen for Infernal Affairs III. The three are arguably the biggest pop stars in Hong Kong since the 80's. Does it make the movie any better, I don't think so. These superstars just act like superstar actors (essentially playing their cool selves on screen) and I don't think they are great in this one. They have better performances in other movies. The cool monotone blackish production design doesn't necessarily make the movie cool and modern, not even the computer, gadgets, GPS..., in fact it comes across as rather pretentious and boring. How does it compare to the original Infernal Affairs? I like the first one better, at least it has some good story telling there, not necessarily original: undercover cop, mole, I don't think it's all that original, but you don't necessarily to be original to be good. This sequel rehash the basic premise of the first one, do some more plot twisting and psychological drama there, which I somehow find totally unnecessary other than let's make another sequel to cash in from the first one. It's not a good sequel and definitely not a very good movie either.
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