Mou gaan dou III: Jung gik mou gaan (2003)

User Rating:

7.0/10   

Directors:

Wai-keung Lau
Alan Mak

Writers:

Alan Mak (written by) &
Felix Chong (written by)

Release Date:

12 December 2003 (Hong Kong)

Genre:

Action | Crime | Drama | Thriller

Plot:

Months after the events of the original film, Ming suspects a police superintendent as being a new mole for the triads, while years earlier, Yan embarks on his first mission.

Plot Keywords:

Martial Arts | Flashback Sequence | Told In Flashback | Part Of Trilogy | Trilogy

Awards:

2 wins & 8 nominations

Cast

Tony Leung Chiu Wai	...	Chan Wing Yan (as Tony Leung)
Andy Lau	...	Inspector Lau Kin Ming
Leon Lai	...	Inspector / SP Yeung Kam Wing
Daoming Chen	...	Inspector Shen Chen (as Chen Dao Ming)
Kelly Chen	...	Dr. Lee Sum Yee
Anthony Wong Chau-Sang	...	SP Wong Chi Shing (as Anthony Wong)
Eric Tsang	...	Hon Sam
Sammi Cheng	...	Mary
Carina Lau	...	Mary Hon
Edison Chen	...	Young Lau Kin Ming
Shawn Yue	...	Young Chan Wing Yan
Chapman To	...	Tsui Wai-keung
Waise Lee	...	Chun (as Lee Chi Hung)
Ka Tung Lam	...	Inspector Billy (as Lam Ka Tung)
Ting Yip Ng	...	Inspector Cheung (as Ng Ting Yip)

Also Known As:

Infernal Affairs III (Hong Kong: English title) (Singapore: English title)
Infernal Affairs 3 (Australia)
Infernal Affairs: End Inferno 3 (USA)
Wu jian dao III: Zhong ji wu jian (Hong Kong: Mandarin title)

Runtime:

Argentina:118 min (Mar del Plata Film Festival)

Country:

Hong Kong | China

Language:

Cantonese | English | Mandarin

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

Taiwan:R-12 | Iceland:12 | Malaysia:U | Australia:M | Hong Kong:IIB | South Korea:15 | Germany:16 | UK:15 | New Zealand:R16 | Finland:K-15 | Netherlands:16 | Singapore:PG | Argentina:13

Company:

Media Asia Films

Goofs:

Revealing mistakes: When Inspector Lau is looking at the cameras which he placed in Yeung's office through his mobile, you can see a timeline at the bottom of the screen of the mobile. Thus revealing it is a pre-recorded shot.

Quotes:

Inspector Lau Kin Ming: I'm a cop too!

Movie Connections:

Remade as The Departed (2006)

Soundtrack:

ROAD TO INFERNO

Tying up loose ends--for the fans.

While in the U.S. the 3rd movie of anything is suppose to be the large-scale, big-budget, battle-destruction-galore ending to a series, Infernal Affairs 3 shamelessly does the opposite and delivers an introspective look devoid of any "battle" scene at all. Now that IA has become somewhat of a cult following (ironically the story is not meant to go any further) it seems fitting that we are delivered a film as if the cutting-room floor pieces were placed together from the previous two movies and sequenced for the conclusion.

The story attempts to elaborate the most important details of the series and not presenting them in sequence, only a handful of present scenes exist which each are periodically given a large delve into the past. IA 3 explores what happened leading up to many scenes in the first Infernal Affairs which is really pretty neat for anyone who watches movies and seen the first. As a result its a jumble and mix of scenes giving you dates of when they occur (sometimes eliciting humor) and glimpsing every single character in the series as if they were the past but really filmed new for the movie. And in this way follows Yan and Ming's characters as they progress to their fates.

But it seems perhaps that by doing so, the movie is simply what was left out in the first film and anyone new to the series will obviously not understand the significance of what is going on other than the artsy cinematography of white-washed cool hues, steady camera work, and continual sponsorship of devices and products. This also includes the chaotic, dizzy feeling of progressing back and forth sometimes not knowing when you are (as with scenes that occur in Ming's mind only). Perhaps only the avid movie goer will realize Mo Gan Do 3 is a representation of hell in a high-tech world, the redemption of Yan and Ming's fall into insanity. But most will be confused about why until they see it all.