Tamala 2010: A Punk Cat in Space (2003)

Director:

Tol

Writer:

Tol (writer)

Genre:

Animation | Drama | Fantasy | Sci-Fi

Plot:

It's the year 2010 on the planet of cats, where lies Meguro City, a megalopolis entirely controlled by the super-corporation Catty & Co...

Plot Keywords:

Cat | Year In Title | Young Woman | Surrealism | Animal In Title

Awards:

2 wins

Cast

Béatrice Dalle	...	Tatla the Machine God (voice)
Takeshi Katô	...	Zombie Cat (voice)
Hisayo Mochizuki	...	Tamala (voice)
Shinji Takeda	...	Michelangelo (voice)

Also Known As:

Tamala 2010 (USA) (short title)

Runtime:

Japan:92 min

Country:

Japan

Language:

Japanese

Color:

Black and White | Color

Some background on t.o.L. and Tamala 2010 production

I attended a screening of Tamala 2010 at the Egyptian Theatre in Hollywood. The directors, t.o.L. (trees of Life), and animator were present for discussion after the film. It was two years ago, so my memory might be shaky, but I can fill in some information about the production of the film.

t.o.L. is an enigmatic multi-media creative duo (a man and a woman). While they work with animation, illustration, and graphic design, their primary focus seems to be music, and they composed and performed all of the music for the film.

All of the animation was done by one (!) man. He labored for nearly four years animating Tamala 2010. From his comments, it sounds like the directors fed him information about story and scenes, bit by bit, which he would use to animate segments. He usually did not know what was coming next while animating a segment. After the initial character design and style was established, he was left with complete control over his work.

Responding to a question from an audience member, the directors admitted that the idea for "Minerva" was based on "Tristero" from Pynchon's novel "The Crying of Lot 49".

The directors also indicated that they are very interesting in marketing merchandise based on Tamala 2010.

While the film is visually and conceptually interesting, it is disjointed, lacking a smooth flow. This is probably a result of the "make it up as you go" approach to direction and animation. The film could have been more satisfying if it had been planned out more carefully from the beginning.

The music provides continuity and holds the film together, which leads me to believe that music is t.o.L.'s primary interest.