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Sammi Cheng plays Mimi Mo, a young exchange student to Japan who met and fell in love with a budding pianist, Kurokawa, played by Rikiya Kurokawa. Kurokawa eventually leaves to study music ... See full summary »
Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime Syndicates.
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A cop is forced into early retirement due to retinal damage. But after witnessing a bank robbery along with a female inspector - who believes he has acute senses - they team up in hope to solve the case.
Three people - a criminal, a bank officer and a cop - end up in a catastrophic situation in the midst of a global economical crisis and are forced to betray any morals and principles to solve their financial problems.
Exotic dancer Dai Jet Lo (brawny man) has a gift to see through "cause and consequence". He meets a female cop and uses his gift to help her capture an extremely dangerous murderer. The female cop learns that Dai Jet Lo was once a monk who, due to the murder of a friend, left the monastery to find the killer. The female cop also has a inevitable "karma" that dooms her to die an unnatural death. The duo decide to oppose "cause and consequence" and change what cannot be changed. Written by
A lot of comments have been made about the gimmick of Andy Lau's body suit but I think the director intentionally used it. Much of the film is metaphorical and symbolic. The movie artfully provides a story that is richer for its indirectness. Just as Daai Chek Liu fights the form of his would be self, and prevents the triggering of a new karmic thread through a potential revenge/ justifiable killing of Sun Ko, the body suit may in fact symbolize the effort that many people put into developing the unimportant/ ineffectual aspects of their lives. In the first part of the movie, none of his highly developed skills or extrasensory perception can avert the eventual course of karma; and only in the second part, when he forgives Sun Ko, is he successful in making any difference.
His shedding of his over-developed physique during this journey is perhaps symbolic of his return to simply pursuing "the only thing that Buddha taught" (per his soliloquy after he resolves the conflict with his alter ego). If you watch carefully, everything you need to understand the story is right there; but it's not obvious. There are many places where the director has only sown the seed for further inquiry. I could go on; but suffice to say it's not a movie that can be fully appreciated without at least some analysis on the part of the audience :) In the end, if your interpretation even makes you think about the laws of nature, the meaning and purpose of your life, that's what matters, and is perhaps what the director/ scriptwriter intended.
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