Police inspector and excellent hostage negotiator Ho Sheung-Sang finds himself in over his head when he is pulled into a 72 hour game by a cancer suffering criminal out for vengeance on Hong Kong's organized crime Syndicates.
Sammi Cheng plays Mimi Mo, a young exchange student to Japan who met and fell in love with a budding pianist, Kurokawa, played by Rikiya Kurokawa. Kurokawa eventually leaves to study music ... See full summary »
Wah and Kinki both working at the same department of a computer company. Both of them are not getting on very well initially, but friendship develops when they get to know each other after ... See full summary »
A cop is forced into early retirement due to retinal damage. But after witnessing a bank robbery along with a female inspector - who believes he has acute senses - they team up in hope to solve the case.
When an ambulatory TV news unit live broadcasts the embarrassing defeat of a police battalion by five bank robbers in a ballistic showdown, the credibility of the police force drops to a ... See full summary »
Exotic dancer Dai Jet Lo (brawny man) has a gift to see through "cause and consequence". He meets a female cop and uses his gift to help her capture an extremely dangerous murderer. The female cop learns that Dai Jet Lo was once a monk who, due to the murder of a friend, left the monastery to find the killer. The female cop also has a inevitable "karma" that dooms her to die an unnatural death. The duo decide to oppose "cause and consequence" and change what cannot be changed. Written by
RUNNING ON KARMA is an odd little movie. The film features a gimmick where star Andy Lau wears a "muscle suit" throughout, but for the life of me I can't figure out why. It seems to be a gimmick, and really serves no purpose other than to have Cecilia Cheung's character call him "Big One" or "Big Guy" because his character, from what I can gather, has no name. The film gets extremely muddled and weak when it wanders into karma and destiny land. It might have been better had the film stuck to a more traditional method of storytelling. As it is, it's good to see Cecilia Cheung out of period costume or hanging out with Wong Jing. The film's first half, with its police cases and action, are its best. The second half reminds one of German filmmaker Tom Tywker, only less coherent and unfocused.
6 out of 10
(go to www.nixflix.com for a more detailed review of this film)
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