| Julian Sands | ... | Manuel Romasanta | |
| Elsa Pataky | ... | Bárbara | |
| John Sharian | ... | Antonio | |
| Gary Piquer | ... | District Attorney Luciano de la Bastida | |
| David Gant | ... | Professor Philips | |
| Maru Valdivielso | ... | María | |
| Luna McGill | ... | Teresa | |
| Carlos Reig-Plaza | ... | Gómez (as Carlos Reig) | |
| Reg Wilson | ... | Judge | |
| Ivana Baquero | ... | Ana | |
| Laura Mañá | ... | Antonia | |
| Sergi Ruiz | ... | Francisco | |
| Itziar Fenollar | ... | Benita | |
| Carlos Sante | ... | Hunter 1 | |
| Jaume Montané | ... | Raúl | |
| Arantxa Peña | ... | Helena | |
| Anna Estellés | ... | Paula | |
| Ben Temple | ... | Defending Counsel | |
| Tacho González | ... | Police Officer 1 (as Taxo González) | |
| Pep García | ... | Laborer | |
| Alejandra Juno | ... | Laundress | |
| Jesús Berenguer | ... | Merchant | |
| John Easthman | ... | Police Officer 2 | |
| rest of cast listed alphabetically: | |||
| Macarena Gómez | ... | Romasanta's victim (uncredited) | |
Directed by | |||
| Paco Plaza | |||
Writing credits | ||
| Alfredo Conde | (story) | |
| Elena Serra | (screenplay) & | |
| Alberto Marini | (screenplay) | |
Produced by | |||
| Carola Ash | .... | associate producer | |
| Zaza Ceballos | .... | associate producer | |
| Carlos Fernández | .... | executive producer | |
| Julio Fernández | .... | executive producer | |
| Julio Fernández | .... | producer | |
| Teresa Gefaell | .... | line producer | |
| José Luis Jiménez | .... | line producer | |
| Stephen Margolis | .... | co-executive producer | |
| Albert Martinez Martin | .... | co-producer (as Albert Martínez Martín) | |
| Brian Yuzna | .... | creative producer | |
Original Music by | |||
| Mikel Salas | |||
Cinematography by | |||
| Javier G. Salmones | (as Javier Salmones) | ||
Film Editing by | |||
| David Gallart | |||
Casting by | |||
| Pep Armengol | |||
| Carol L. Dudley | |||
Art Direction by | |||
| Baltasar Gallart | |||
Costume Design by | |||
| Sonia Grande | |||
Makeup Department | |||
| Elvira Guijarro | .... | hairdresser assistant | |
| Iñaki Maestre | .... | key makeup assistant | |
| David Martí | .... | special makeup supervisor | |
| José Quetglás | .... | head makeup artist (as Pepe Quetglas) | |
| Carmen Rial | .... | additional key makeup assistant | |
| Blanca Sánchez | .... | head hair designer | |
Production Management | |||
| Carla Pérez de Albéniz | .... | unit manager | |
| Jesús L. Pérez Villar | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Francisco Barrionuevo | .... | additional assistant director | |
| Isabel Caralt | .... | third assistant director | |
| Richard Diment | .... | second assistant director | |
| Iñaki Sanchez | .... | additional assistant director (as Iñaki Sánchez) | |
| Fernando Sánchez-Izquierdo | .... | first assistant director (as Fernando Izquierdo) | |
Sound Department | |||
| Steve Cook | .... | sound supervisor: UK | |
| Jorge Corral | .... | sound editor | |
| Tony Currie | .... | sound editor | |
| Alfredo Díaz | .... | sound editor | |
| Richard Lewis | .... | sound re-recording mixer | |
| Álvaro López | .... | sound mixer | |
| Dennis McTaggart | .... | adr editor | |
| Steven Parker | .... | sound assistant | |
| Daniel Peña | .... | sound editor | |
| Daniel Peña | .... | sound effects editor | |
| Trevor Swanscott | .... | foley editor | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Special Effects by | |||
| Arturo Balceiro | .... | special effects makeup | |
| Xavi Bastida | .... | special effects makeup | |
| Víctor García | .... | special effects crew | |
| Pau Loewe | .... | special effects crew | |
| José M. Meneses | .... | special effects technician: DDT | |
| Juan Serrano | .... | special effects technician: DDT SFX | |
Visual Effects by | |||
| Ivan Busquets | .... | digital compositor | |
| Laura Maynadé | .... | visual effects coordinator | |
| Quico Noizeux | .... | digital compositor | |
| Joan Carles Vendrell | .... | CG artist | |
| Jaume Vilaseca | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Rubén Bernad | .... | electrician | |
| Eduardo Bonilla | .... | electrician (as Edu Bonilla) | |
| Oriol Busquets | .... | first assistant camera | |
| Manuel Carballo | .... | video playback operator (as Manu Carballo) | |
| Salvador Castellarnau | .... | additional grip | |
| Gonzalez Leonardo Javier | .... | grip | |
| Adrián Lorente | .... | best boy (as Adrià Lorente) | |
| Segismundo Mulero | .... | key grip (as Mundo Mulero) | |
| Oriol Múrcia | .... | second assistant camera (as Oriol Murcia) | |
| Antoni Puertas | .... | gaffer (as Toni Puertas) | |
| Andreu Rebés | .... | director of photography: second unit | |
| Pau Reig | .... | additional assistant camera | |
Casting Department | |||
| Mireia Juarez | .... | casting assistant | |
Editorial Department | |||
| José Pedraza | .... | digital intermediate colorist | |
| Elena Ruiz | .... | assistant editor | |
| Neguine Sanani | .... | additional editor | |
Music Department | |||
| Yann McCullough | .... | assistant music editor | |
| Zacarías M. de la Riva | .... | orchestrator | |
Other crew | |||
| Jordi Aragay | .... | production cashier | |
| Daniela Buckley | .... | dialogue coach | |
| Andrea Izquierdo | .... | directorial intern | |
| Manuel Monzón Fueyo | .... | development executive | |
| Eva Ramos | .... | production office | |
| Elisa Sirvent | .... | production secretary | |
| Ursi Van der Herten | .... | assistant: Brian Yuzna | |
| Enric Verdaguer | .... | production office | |
| Anna Vilà | .... | script | |
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| The Howling | Evilenko | The Reckoning | Party Monster | Ted Bundy |
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Werewolf Hunter is an elegant Gothic horror film that hearkens back to the days of Hammer, but with the production capabilities of today. The film is not an action packed mixture of violence and CGI transformations like many werewolf films of today have degenerated into but an actual leisurely paced film that takes the time to develop its characters. At no time during the film is the viewer ever told that yes this is real or no it is not. It is up to the viewer to make their own decision. The film deals with the true story of Manuel Blanco Romasanta, a man arrested in 1851 for the murder of more than 13 people in rural Spain. He became known as the Werewolf Of Allariz because his defense against these charges was that he could not control his animal urges since he was in fact a werewolf. Some liberties are taken with the case. One character in the film, Antonio, was never actually proved to have existed since he was never found. Also, the ending merely provides a possible explanation since the truth of the matter is unknown to anyone. Paco Plaza has crafted a truly special film that is unfortunately hampered with a dreadful direct to video title but you should get past that and give this one a shot.