Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
A blind girl gets a cornea transplant so that she would be able to see again. However, she got more than what she bargained for when she realised she could even see ghosts. And some of ... See full summary »
Oxide Pang Chun,
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
A couple on a holiday in the Caribbean decide to spend the day on a scuba diving trip. But was it the wrong decision? When a mis-count happens on the boat, Susan and Daniel are left behind in the middle of the ocean, the boat long gone. With all their hopes set on the boat coming back to rescue them, they try to keep themselves safe, especially when sharks start to appear. Written by
When Susan asks, "Where's the boat?", they are in the shadow of the camera boat. See more »
[on his cellphone]
Hey Don. It's Daniel. Listen, don't put the boiler in until I get back. The framing inspection isn't for a couple of weeks, so we've got plenty of time. And I'll check in with you guys in a couple of days, OK? Take care. Bye.
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As the credits roll, a fisherman guts a dead shark. As he sorts through the contents of its stomach, he finds Susan and Daniel's yellow camera. See more »
A short and sweet gimmick movie about two people who are stranded in the middle of the ocean when their scuba diving boat leaves without them and then face the ordeal of slowly dying (of dehydration and/or exposure) or quickly dying (gobbled up by sharks).
The obvious question of course is: can a director pull off a visually interesting film when the bulk of it consists of two people sitting immobile in the water? The answer is yes, mostly. The film does a good job of creating a dreadful feeling in the pit of your stomach, not because we care all that much about these particular people (the characters aren't developed enough or likable enough for that) but because the situation they find themselves in taps into any number of visceral fears that just about anyone could relate to.
And kudos to the writer and director for having the guts to go for the grim, nihilistic ending.
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