Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
A blind girl gets a cornea transplant so that she would be able to see again. However, she got more than what she bargained for when she realised she could even see ghosts. And some of ... See full summary »
Oxide Pang Chun,
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
A couple on a holiday in the Caribbean decide to spend the day on a scuba diving trip. But was it the wrong decision? When a mis-count happens on the boat, Susan and Daniel are left behind in the middle of the ocean, the boat long gone. With all their hopes set on the boat coming back to rescue them, they try to keep themselves safe, especially when sharks start to appear. Written by
The sharks used in this film were Caribbean Reef Sharks. The cast wore chain mesh under their diving suits for protection and though none of them was bitten by the sharks, Blanchard Ryan (Susan) was nipped by a barracuda on the first day of filming. In the movie, after Susan is bitten, her boyfriend says, "It was probably a barracuda seeing what you taste like." See more »
During the movie the tank caps change color, most of the time they are red but sometimes one is green or black. See more »
[on his cellphone]
Hey Don. It's Daniel. Listen, don't put the boiler in until I get back. The framing inspection isn't for a couple of weeks, so we've got plenty of time. And I'll check in with you guys in a couple of days, OK? Take care. Bye.
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As the credits roll, a fisherman guts a dead shark. As he sorts through the contents of its stomach, he finds Susan and Daniel's yellow camera. See more »
By Padaun Suara Mara
from the recording entitled "Music of Indonesia, Vol.10 Music of Biak, Ira Jaya"
Smithsonian Folkways 40426
Provided courtesy of Smithsonian Folkways Recordings
1996 used by permission See more »
I found this film terrifying to watch. I've been in a similar situation, except for the sharks. You can't imagine the feeling of being alone in the ocean, far from land, not knowing if you'll make it back to shore. I had drifted out a ways trying to reach a floating log in the Pacific. My friends were hung over and passed out on the beach. It was early morning. I finally reached the log not realizing the tide was going out and I was being pulled further out to sea. Once I discovered what was happening I jumped back in and started for shore, quite a ways to go. It took calming down, floating a lot, and continued paddling to get ashore. When I finally touched bottom, I crawled up to the beach and collapsed. With the tension, fear of drowning and exertion of strokes, it totally exhausted me. Also wondering what was underneath the surface, not seeing it.
I thought this film brought that terror out. It was filmed as though you were right next to the couple. The use of the water level being right where your eyes would be, made it so real. I wondered where the camera was and how did they get that level of eyesight? Chris Kentis wrote and directed this with a keen eye and a good sense of tension mounting. He also brought out excellent performances from two newcomers, Blanchard Ryan and Daniel Travis. I thought the were very convincing in their performances. I found at times that I was no longer watching a movie - that they were really in the danger that existed. I also think it was possibly beyond the call of duty to put the actors through the paces of being in the water so long. Not your usual demands of actors, unless it were a fish tank and fake waves. But this was real and they were in the middle of the ocean.
Hats off to all three involved - Kentis, Ryan and Travis. Chris Kentis also did the camera work as well as editing the film. Good work, Chris. You got me with this.
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