Burrard Blunt is a 33 year old film-maker trying to regain momentum in his career, which has slipped into a dead end of addictions and wasted promise. His wife Virginia - the most famous ... See full summary »
Big cat conservationist LARRY BLACK and his filmmaker brother BEN travel into the Indonesian jungle to find and document the rare and endangered Javan Leopard. As they travel deeper and ... See full summary »
For 12 days in July, 1916, a shark patrolled the waterways of northern New Jersey. This docudrama is based on Richard Fernicola's account of those days. Other accounts of those 12 days led Peter Benchley to write _Jaws_.
Amy, her husband James and their baby Sarah travel to Mexico to sail in the yacht of their reckless friend Dan with their common friends Zach and Lauren and celebrate the thirtieth birthday... See full summary »
Susan May Pratt,
Richard Speight Jr.,
A man remembers a strange moment of his childhood when, having recently emigrated with his family, torrential rain trapped them on the last floor of a tall building. An event that forced ... See full summary »
A couple on a holiday in the Caribbean decide to spend the day on a scuba diving trip. But was it the wrong decision? When a mis-count happens on the boat, Susan and Daniel are left behind in the middle of the ocean, the boat long gone. With all their hopes set on the boat coming back to rescue them, they try to keep themselves safe, especially when sharks start to appear. Written by
Filmed on weekends and holidays with a crew that usually consisted of two or three people. See more »
The length of Daniel's sideburns varies throughout the movie. Specially between the hotel room's scenes and the water shots. See more »
[on his cellphone]
Hey Don. It's Daniel. Listen, don't put the boiler in until I get back. The framing inspection isn't for a couple of weeks, so we've got plenty of time. And I'll check in with you guys in a couple of days, OK? Take care. Bye.
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As the credits roll, a fisherman guts a dead shark. As he sorts through the contents of its stomach, he finds Susan and Daniel's yellow camera. See more »
By Rameau Poleon, Henry Sinais, Frances Ashdale
from the recording entitled "Music Traditions of St. Lucia, West Indies"
Smithsonian Folkways 40416
Provided courtesy of Smithsonian Folkways Recordings
1993 used by permission See more »
I found this film terrifying to watch. I've been in a similar situation, except for the sharks. You can't imagine the feeling of being alone in the ocean, far from land, not knowing if you'll make it back to shore. I had drifted out a ways trying to reach a floating log in the Pacific. My friends were hung over and passed out on the beach. It was early morning. I finally reached the log not realizing the tide was going out and I was being pulled further out to sea. Once I discovered what was happening I jumped back in and started for shore, quite a ways to go. It took calming down, floating a lot, and continued paddling to get ashore. When I finally touched bottom, I crawled up to the beach and collapsed. With the tension, fear of drowning and exertion of strokes, it totally exhausted me. Also wondering what was underneath the surface, not seeing it.
I thought this film brought that terror out. It was filmed as though you were right next to the couple. The use of the water level being right where your eyes would be, made it so real. I wondered where the camera was and how did they get that level of eyesight? Chris Kentis wrote and directed this with a keen eye and a good sense of tension mounting. He also brought out excellent performances from two newcomers, Blanchard Ryan and Daniel Travis. I thought the were very convincing in their performances. I found at times that I was no longer watching a movie - that they were really in the danger that existed. I also think it was possibly beyond the call of duty to put the actors through the paces of being in the water so long. Not your usual demands of actors, unless it were a fish tank and fake waves. But this was real and they were in the middle of the ocean.
Hats off to all three involved - Kentis, Ryan and Travis. Chris Kentis also did the camera work as well as editing the film. Good work, Chris. You got me with this.
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