Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
A blind girl gets a cornea transplant so that she would be able to see again. However, she got more than what she bargained for when she realised she could even see ghosts. And some of ... See full summary »
Oxide Pang Chun,
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
A couple on a holiday in the Caribbean decide to spend the day on a scuba diving trip. But was it the wrong decision? When a mis-count happens on the boat, Susan and Daniel are left behind in the middle of the ocean, the boat long gone. With all their hopes set on the boat coming back to rescue them, they try to keep themselves safe, especially when sharks start to appear. Written by
The filmmakers used Hollywood shark-wrangler Stuart Cove, wild sharks and well-timed bloody bait to create the film's shark footage. No digital or special effects were used in the film. See more »
Susan's octopus (the yellow spare regulator) goes from being unattached to her BCD to attached and back again throughout the film. See more »
[on his cellphone]
Hey Don. It's Daniel. Listen, don't put the boiler in until I get back. The framing inspection isn't for a couple of weeks, so we've got plenty of time. And I'll check in with you guys in a couple of days, OK? Take care. Bye.
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As the credits roll, a fisherman guts a dead shark. As he sorts through the contents of its stomach, he finds Susan and Daniel's yellow camera. See more »
It seems a lot of people were expecting "Jaws" when they rented "Open Water". This is no monster movie. It's a quietly intense psychological film, that works amazingly well. The fact that it was literally shot without a crew makes it nearly a miracle of a movie.
I was pretty impressed by the cast, especially Susan (Blanchard Ryan). It isn't often that two unknown actors can carry a film so well. Their emotions are very real which really adds to the tension.
I'm pretty sure the director (Chris Kentis) will go on to make some good bigger budget movies. He's got a real knack for building suspense. I was also impressed with the organic structure of the narrative. You're not really sure where it's taking you, which only adds more to the horror of what eventually happens. Kentis' dialog writing seems to be the weakest aspect of the movie. Some of the dialog the actors have to (literally) spew is awkward and extraneous, sort of a failed comic relief. In a no-budget movie that's often the case. Hell, that's often the case in big budget movies. Overall the movie is very successful and all involved have received just praise.
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