| Photos (see all 12 | slideshow) | Videos |
| Kuno Becker | ... | Mansur | |
| Jay Hernandez | ... | Erali | |
| Jason Scott Lee | ... | Oraz | |
| Doskhan Zholzhaksynov | ... | Galdan Ceren, the Jungar Sultan | |
| Ayanat Ksenbai | ... | Gaukhar (as Ayana Yesmagambetova) | |
| Mark Dacascos | ... | Sharish | |
| Ashir Chokubayev | (as Ashir Shokibaev) | ||
| Zhanas Iskakov | |||
| Almaikhan Kenzhebekova | |||
| Tungyshbai Dzhamankulov | (as Tungishbai Zhamankulov) | ||
| Erik Zholzhaksynov | ... | Barak | |
| Dilnaz Akhmadieva | ... | Hocha | |
| Termirkhan Tursingaliev | |||
| Asylbolat Ismagulov | |||
| Sabit Orazbaev | |||
| Yergali Urazimbetov | (as Ergali Orazimbetov) | ||
| Vladimir Begma | |||
| Azis Beyshinaliev | ... | Ragbat | |
| Baiten Omarov | |||
| Aldabek Shalbayev | |||
| Shingiz Krykbaev | |||
| Baikenzhe Belbayev | |||
| Kuman Tastanbekov | |||
| Linda Nigmatullina | |||
| Dimash Rakish | |||
| Nurgali Nursultan | |||
| Kuralai Zhunisbekova | |||
| rest of cast listed alphabetically: | |||
| Ling Bai | ... | Gaukhar (voice: English version) | |
| Steve Blum | ... | Shaman (voice: English version) (as Steven Jay Blum) | |
| Richard Epcar | ... | Sultan Wali (voice: English version) | |
| David Gore | ... | (voice) | |
| April Hong | ... | Hotha (voice: English version) | |
| Susan Kellermann | ... | Babooshka (voice: English version) | |
| Paul Nakauchi | ... | Galdan (voice: English version) | |
| Kirk Thornton | ... | Barak (voice: English version) | |
| Arman Zajic | ... | Young Mansur (voice: English version) | |
Directed by | |||
| Sergei Bodrov | |||
| Ivan Passer | |||
Writing credits(in alphabetical order) | ||
| Rustam Ibragimbekov | writer | |
Produced by | |||
| Ram Bergman | .... | producer | |
| Pavel Douvidzon | .... | producer | |
| Milos Forman | .... | executive producer | |
| Rustam Ibragimbekov | .... | producer | |
| David Pomier | .... | associate producer | |
| Yan Fisher Romanovsky | .... | production associate producer | |
Original Music by | |||
| Carlo Siliotto | |||
Cinematography by | |||
| Dan Laustsen | |||
| Ueli Steiger | |||
Film Editing by | |||
| Ivan Lebedev | |||
| Rick Shaine | |||
Casting by | |||
| Jose Villaverde | |||
Production Design by | |||
| Miljen Kreka Kljakovic | |||
Art Direction by | |||
| Mladen Lisavac | |||
| Domenico Sica | |||
| Branimir Babic | (uncredited) | ||
Costume Design by | |||
| Marit Allen | |||
| Michael O'Connor | |||
Makeup Department | |||
| Orlando Bassi | .... | wig maker and supplier | |
| Vance Hartwell | .... | special makeup effects artist | |
| Marc Hollenstein | .... | makeup artist | |
| Bill Johnson | .... | makeup effects coordinator | |
| Martina Kohl | .... | makeup supervisor | |
| Martina Kohl | .... | makeup supervisor: stunts | |
| Thomas Nellen | .... | hair designer | |
| Thomas Nellen | .... | makeup designer | |
| Jekaterina Oertel | .... | makeup artist (as Katharina Oertel) | |
| Giacomo Peier | .... | key makeup artist | |
Art Department | |||
| Jerry Bingham | .... | storyboard artist | |
| Giancarlo Di Fusco | .... | painter | |
| Ilia Iovu | .... | property master | |
| Glauco Isidori | .... | painter | |
| Dierdre Kane | .... | on-set dresser | |
| Domenico Reordino | .... | painter | |
| Vladimir Richter | .... | metal armour | |
| Vladimir Richter | .... | props | |
| Sirio Sugamele | .... | lead person | |
| Mickey Woolfson | .... | property master | |
Sound Department | |||
| Randy Babajtis | .... | sound effects editor | |
| Jeremy Balko | .... | foley mixer | |
| George Berndt | .... | adr supervisor | |
| Benjamin Bober | .... | boom operator | |
| Vladislav Boyadjiev | .... | ProTools engineer | |
| Dhyana Carlton-Tims | .... | assistant dialogue editor | |
| Lawrence L. Commans | .... | boom operator | |
| Olivier Dandré | .... | sound mixer: second unit | |
| Andreas Drost | .... | dubbing recordist | |
| Ezra Dweck | .... | sound re-recording mixer | |
| Michael J. Fox | .... | adr mixer | |
| Jerry Gilbert | .... | sound re-recording mixer | |
| Scott Hinkley | .... | additional sound re-recording mixer | |
| Cody King | .... | assistant sound effects editor | |
| Shawn London | .... | sound editor | |
| Jonathan Miller | .... | supervising sound designer | |
| Jonathan Miller | .... | supervising sound editor | |
| Andrew Morgado | .... | foley editor | |
| Rob Nokes | .... | supervising sound editor | |
| Eric Reuveni | .... | adr mixer | |
| André Rigaut | .... | sound mixer | |
| Shelley Roden | .... | foley artist | |
| Marco Streccioni | .... | sound engineer | |
| Mark Weingarten | .... | sound mixer | |
Special Effects by | |||
| Ron Colucci | .... | special effects technician | |
| Yves De Bono | .... | special effects supervisor | |
| Phil H. Fravel | .... | special effects technician | |
| Ken Gorrell | .... | on set foreman | |
| David Hill | .... | special effects technician | |
| Terry W. King | .... | special effects technician | |
| Roger Nichols | .... | senior technician | |
| The Nomad | .... | special effects foreman | |
| Dima Stesenko | .... | special effects supervisor | |
| Russell Tyrrell | .... | special effects foreman | |
Visual Effects by | |||
| Victor DiMichina | .... | imaging supervisor | |
| Jim Gorman | .... | digital compositor | |
| Robert Grasmere | .... | cinematographer: visual effects unit | |
| Robert Grasmere | .... | visual effects supervisor | |
| Jay Mark Johnson | .... | visual effects supervisor | |
| Bonnie Kanner | .... | visual effects executive producer: Pixel Magic | |
| Steven Lloyd | .... | digital artist | |
| Patrick Paul Mullane | .... | digital compositor: Pixelmagic | |
| Reid Paul | .... | senior digital effects supervisor | |
| Reid Paul | .... | visual effects producer | |
| Paul Taglianetti | .... | visual effects producer | |
Stunts | |||
| Nurlan Altaev | .... | stunts | |
| Nurbek Bolotov | .... | stunts | |
| Oleg Botin | .... | stunts | |
| Murat Burkhanov | .... | stunt double | |
| Murat Burkhanov | .... | stunts | |
| German Galuaev | .... | stunt performer | |
| German Galuaev | .... | stunts | |
| Beibut Khomikov | .... | stunts | |
| Dzhaidarbek Kunguzhinov | .... | stunt double | |
| Richard Norton | .... | fight coordinator | |
| Vladimir Orlov | .... | stunt coordinator | |
| Vladimir Orlov | .... | sword fight choreographer | |
| Slava Samuchov | .... | stunt double | |
| Slava Samuchov | .... | stunts | |
| Eric Shaipulov | .... | stunts | |
| Nodirbek Shaymardanov | .... | stunts | |
| Jim Vickers | .... | stunt coordinator: second unit | |
| Almat Yelegenov | .... | stunts | |
Camera and Electrical Department | |||
| Gary L. Camp | .... | Steadicam operator | |
| Gary L. Camp | .... | camera operator: "b" camera | |
| Václav Cermak | .... | rigging gaffer | |
| Birgit Dierken | .... | assistant camera | |
| Scott Drinon | .... | technocrane operator | |
| Paul A. Edwards | .... | camera operator | |
| Robert K. Feldmann | .... | key grip | |
| Jesper Find | .... | Steadicam focus puller | |
| Karsten Jacobsen | .... | Steadicam operator | |
| Charles Laughon | .... | video assist operator | |
| Anatoliy Neznanov | .... | best boy | |
| Reid Russell | .... | camera operator: horse camera | |
| Reid Russell | .... | second assistant camera: "a" camera | |
| Joe Sanchez | .... | key first assistant camera | |
| Andreas Schneuwly | .... | first assistant camera: second camera | |
| Andrey Schtaff | .... | best boy grip | |
| Stefan Sosna | .... | second assistant camera | |
| Alexandra Weiss | .... | camera loader | |
Casting Department | |||
| Marc Handler | .... | voice casting | |
| Nick Pellegrino | .... | casting associate | |
Costume and Wardrobe Department | |||
| Lizzette Brodsky | .... | assistant costume designer | |
| Lizzette Brodsky | .... | costumer | |
| Anna Jartin | .... | costume textile artist | |
| Severina Nedelchuk | .... | costume supervisor | |
| Joanna Weaving | .... | costume breakdown artist | |
Editorial Department | |||
| Philip Harrelson | .... | assistant editor | |
Music Department | |||
| Ludovico Fulci | .... | music assistant | |
| Dave Tinsley | .... | music editor | |
| Christopher Violette | .... | music supervisor | |
Transportation Department | |||
| Oleg Gres | .... | unit transportation coordinator | |
Other crew | |||
| Oleg Botin | .... | horse master | |
| Polina Douvidzon | .... | assistant to producer | |
| Jessica Drake | .... | dialect coach | |
| Nica Gajiu | .... | assistant to producer | |
| Constantine Gregory | .... | dialogue coach | |
| Marc Handler | .... | voice director | |
| Meggi Ibragimbekova | .... | assistant production coordinator | |
| Meggy Ibragimbekova | .... | assistant production coordinator | |
| Naryn Igilik | .... | personal assistant to director | |
| Bruce Larsen | .... | mechanical horse | |
| Zarina Mamyrculova | .... | assistant production coordinator | |
| Lina Merculova | .... | production coordinator | |
| Kairzhan Orynbekov | .... | translator | |
| Paul St. Peter | .... | dialect coach (as George C. Cole) | |
| Galina Veryovkina | .... | assistant to producer | |
| Galina Veryovkina | .... | script editor | |
| Lisa Vick | .... | script supervisor | |
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| The Rising: Ballad of Mangal Pandey | The Messenger: The Story of Joan of Arc | Revolution | One Man's Hero | Nouvelle-France |
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I would argue that there weren't many genuinely original concepts, other than simply shedding some light on Kazakh history. Basically a live action, feel-good version of the Prince of Egypt cartoon, trading Egyptians and Hebrews for nomadic Muslims. But that being said, it was decent and crisp.
Filming locations seemed really great, like LOTR - The Two Towers without any need for CGI! As for rating/violence, it could have almost been PG13 in the US, but I liked this fact. It was a clean-ish film that likens back to the spaghetti western. No over-the-top violence, sex, swearing, or embellishing for the sake of a Hollywood audience. While this generally comes off slightly cartoonish, it was refreshing.
As for the language, I would swear that it seemed to be filmed in English and dubbed in Kazakh. In fact, I don't usually mind a dubbed movie (especially Spanish or Japanese for some reason), but half-way through this film, I realized there was an English audio track and switched it over, and I was more engaged.
The horse work was pretty amazing, I thought.
Again, overall, this film seemed to have all the filming quality of an expensive Hollywood movie, but brought a niceness that's less common in contemporary film (Note: guaranteed NOT to hold the attention of most American youth).