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Nomad: The Warrior (2005)

Köshpendiler (original title)
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An historical epic set in 18th-century Kazakhstan, where a young man is destined to unite the country's three warring tribes.
Nominated for 1 Golden Globe. Another 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Mansur
...
Erali
...
Oraz
Doskhan Zholzhaksynov ...
Galdan Ceren, the Jungar Sultan
Ayanat Ksenbai ...
Gaukhar (as Ayana Yesmagambetova)
...
Ashir Chokubayev ...
(as Ashir Shokibaev)
Zhanas Iskakov
Almaikhan Kenzhebekova
Tungyshpai Zhamankulov ...
(as Tungishbai Zhamankulov)
Erik Zholzhaksynov ...
Barak
Dilnaz Akhmadieva ...
Hocha
Termirkhan Tursingaliev
Asylbolat Ismagulov
Sabit Orazbaev
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Storyline

Rebirth of a nation. Not since Genghis Khan has anyone united the Kazakh tribes. Jungar tribesmen of Mongolia rule Kazakh land, but a prophecy has it that a descendant of Genghis will unite his people. Oraz the Wise travels the land looking for the child who will fulfill the prophecy. He finds that infant and protects him from the warriors of Galdan, the Jungar king. Oraz recruits one lad from each Kazakh tribe and teaches them the art of war, loyalty, and camaraderie. Two are the best: Mansur and Erali. They are like brothers. Each must prove himself; both fall in love with the same young woman; both fall into enemy hands. At what cost does a prophecy come to pass? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Plot Keywords:

kazakhstan | nomad | 1800s | See All (3) »

Taglines:

Courage know no limit

Genres:

Drama | History | War

Motion Picture Rating (MPAA)

Rated R for violence | See all certifications »
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Details

Official Sites:

Country:

|

Language:

|

Release Date:

17 July 2005 (Kazakhstan)  »

Also Known As:

Nomad  »

Filming Locations:


Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$14,250 (USA) (16 March 2007)

Gross:

$77,231 (USA) (11 May 2007)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Begun in 2004, completed in 2005, not released until 2006. See more »

Goofs

When the chief of the Jugars is riding a horse that had just been picked by Oraz, dust left by a vehicle can be seen in front of him, even though he is supposed to be ahead of all the riders. See more »

Connections

Featured in The 64th Annual Golden Globe Awards (2007) See more »

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User Reviews

 
Scenery/Action Over Character ...A Shame
29 January 2008 | by (United States) – See all my reviews

Certainly NOMAD has some of the best horse riding scenes, swordplay, and scrumptious landscape cinematography you'll likely see, but this isn't what makes a film good. It helps but the story has to shine through on top of these things. And that's where Nomad wanders.

The story is stilted, giving it a sense that it was thrown together simply to make a "cool" movie that "looks" great. Not to mention that many of the main characters are not from the region in which this story takes place (and it's blatantly obvious with names like Lee and Hernandez). If movie makers want to engross us in a culture like the Jugars and the Kazaks, they damn well better use actors/actresses that look the part.

Warring tribes, a prophecy, brotherly love and respect, a love interest that separates our "heroes", are all touched on but with so little impact and screen time that most viewers will brush them aside in favor of the next battle sequence, the next action horse scene, or the breathtaking beauty of the landscape.

It is worth mentioning that there were some significant changes made to Nomad during its filming, specifically the director and cinematographer. Ivan Passer (director) was replaced by Sergei Bodrov, and Ueli Steiger (cinematographer) was replaced by Dan Laustsen. In one respect, Laustsen seems to have the better eye since his visions of the lands made the final cut that we see here. Definitely a good thing. However, the changing over to Bodrov as director may not have been the wisest choice. From what I'm seeing here, the focus is on the battles and not the people, which I sense comes from Bodrov's eyes and not Passer's. A true travesty.

The most shameful aspect is that this could've been a really fantastic film, with both character and action focuses. Unfortunately, the higher-ups apparently decided that action was what was needed and took the cheap (intellectually speaking) way out.

Even though I can't give this film a positive rating, it is worth watching simply for the amazing cinematography work. But that's all.


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