Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for 50 years.
Escalating events begin when U.N. interpreter Silvia Broome alleges that she has overheard a death threat against an African head of state, spoken in a rare dialect few people other than Silvia can understand. With the words "The Teacher will never leave this room alive," in an instant, Silvia's life is turned upside down as she becomes a hunted target of the killers. Placed under the protection of federal agent Tobin Keller, Silvia's world only grows more nightmarish. As Keller digs deeper into his eyewitnesses' past and her secretive world of global connections, the more suspicious he becomes that she herself might be involved in the conspiracy. With every step of the way, he finds more reasons to mistrust her. Is Sylvia a victim? A suspect? Or something else entirely? And can Tobin, coping with his own personal heartache, keep her safe? Though they must depend on one another, Silvia and Tobin couldn't be more different. Silvia's strengths are words, diplomacy and the subtleties of ... Written by
Sujit R. Varma
The American poster design has the flags in front of the U.N. building curved across the bottom. On the first version of the poster, the one on the far left was the U.N. flag. This placed the U.N. flag higher on the poster than the adjacent American flag, which is exactly in line with the flag etiquette in force at U.N. Headquarters. However, the poster was redesigned, presumably to avoid causing offense to American audiences who might be ignorant of the U.N. HQ flag etiquette. The second poster removes the U.N. flag entirely, and moves every other flag one flagpole over, so that the American flag is now highest, followed by the Canadian, then the British which, incidentally, is still incorrect on several counts: at U.N. HQ the US flag does not fly higher than the others since it is contrary to international flag etiquette for one nation's flag to be displayed higher than any other in time of peace, and the flags at the U.N. are arranged in English alphabetical order. See more »
(at around 30 mins) When Tobin was reviewing the pictures of Jean Gamba, the car in the first picture is Mercedes E-class 90; in the next, the car is a Mercedes S-class 00. See more »
She wouldn't tell me her husband's name. She wouldn't even write it.
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The Interpreter is an extremely packaged political thriller that contains only a little punch. The main reason I gave it a go was Sean Penn who seems to rarely make mistakes selecting his work. Nicole Kidman can be a mixed bag, and Sydney Pollack a competent seasoned veteran director. All three performed well without setting the screen alight.
The use of the United Nations building was a big plus and definitely gave the movie more realism. It also gave the viewer more of an idea on what a massive organisation the UN is.
Even though "The Interpreter" was enjoyable the ending was definitely a disappointment. It wasn't that it was necessarily wrong, just that you knew what was coming. This was the "Hollywood Factor" showing through. Perhaps the reason it didn't turn into real Hollywood trash was the fact it was filmed and produced in New York.
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