Set in northern Australia before World War II, an English aristocrat who inherits a sprawling ranch reluctantly pacts with a stock-man in order to protect her new property from a takeover plot. As the pair drive 2,000 head of cattle over unforgiving landscape, they experience the bombing of Darwin, Australia, by Japanese forces firsthand.
When a disgraced former college dean has a romance with a mysterious younger woman haunted by her dark, twisted past, he is forced to confront a shocking fact about his own life that he has kept secret for 50 years.
Escalating events begin when U.N. interpreter Silvia Broome alleges that she has overheard a death threat against an African head of state, spoken in a rare dialect few people other than Silvia can understand. With the words "The Teacher will never leave this room alive," in an instant, Silvia's life is turned upside down as she becomes a hunted target of the killers. Placed under the protection of federal agent Tobin Keller, Silvia's world only grows more nightmarish. As Keller digs deeper into his eyewitnesses' past and her secretive world of global connections, the more suspicious he becomes that she herself might be involved in the conspiracy. With every step of the way, he finds more reasons to mistrust her. Is Sylvia a victim? A suspect? Or something else entirely? And can Tobin, coping with his own personal heartache, keep her safe? Though they must depend on one another, Silvia and Tobin couldn't be more different. Silvia's strengths are words, diplomacy and the subtleties of ... Written by
Sujit R. Varma
The scene shot in the Security Council room was shot in one day. That room is on call 24/7 for emergency meetings. If one were to be called, the crew would have three hours to clear out before the meeting. See more »
When Silvia and Philippe meet at the park bench for the first time, a strand of hair across the middle of Philippe's forehead appears and reappears between shots as they talk. See more »
She wouldn't tell me her husband's name. She wouldn't even write it.
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Last night, I watched The Interpreter, primarily because I wanted to see if Sydney Pollack still had it and in my humble opinion, he does. I don't see too much film-making like this these days. For one thing, it's slow, but in a good way. Too many suspense films speed by at such an absurd rate that there's never any time for a mood to be built or characters to be known. Here, we get to know the characters intimately and are gradually drawn into the complex and compelling and relevant plot. Speaking of relevance, there is, here, a "message", but it's delivered organically by way of carefully structured storytelling and character development, not with a bullhorn and fireworks. Speaking of characters, I love the understated performances in this film by Sean Penn and Nicole Kidman. I love also the moments in this film, such as when Penn's character in a country-western bar unplugs the jukebox to stop the noise of some country-pop crap then restarts it in order to play Lyle Lovett's wonderful "If I Had a Boat" then goes to a pay phone and calls his own house just to hear his wife's voice on the answering machine.
Also, while I have nothing against fast, action-adventure-cartoon-type violence when it's done just right. The violence in this film isn't exciting. It's just as it should be considering the subject matter. It's sad and desolate and when a man speaks his last words to the child-soldier who has just shot him and when a bus is bombed or a desperate man is betrayed and murdered you feel it, the final moments of human lives; a being being taken away. There's room for sentiment in such films and it doesn't have to be sap as it so often is.
I don't follow entertainment news much these days (much as I'd love to) because such stories and reviews and even trailers (which I also used to love watching) give away far too much of the story (which I'm trying here not to do) so I don't know how this film was received, but I hope it did well and if it didn't, I hope audiences come to discover and love it gradually so that there might be more films like it.
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