Harry Potter and the Order of the Phoenix

So many great parts were skipped over, rushed with ridiculous cliché transition scenes, or simply changed because, apparently, it's impossible to include everything. But what can anyone reasonably expect?

I went into this expecting exactly what I saw, it's still just a tad annoying hearing people talk about how impossible it would be to follow the book. It's not impossible at all. Look at the matrix 2&3, look at pirates of the caribbean 2&3, look at LOTR (it's all one continuous story). Lots of "stories" have had to be split up into multiple films and they all worked great. It's just a tad short-sighted to say it wouldn't work with a harry potter film. I think a lot of what people enjoy is looking at the wizard world, seeing cool looking spells, and generally learning more about everything to do with the harry potter universe. You don't get much of that when a 26 hour read is condensed into a 2.5 hour film. I personally would love to see more of the "boring" parts of the book simply because it's interesting seeing a high-budget Hollywood interpretation of what was in the book. Maybe it's just me, but I wouldn't be the least bit disappointed if the film-makers simply came out and said "this book is too long to put into a single film with out leaving out a lot of the book and changing a lot of other parts, so we're releasing it in two films." It's completely understandable. It's an 800 page book! LOTR books were only 400-600 pages and the films were considerably longer than any of the harry potter films.

Overall, it was a decent enough movie though. Great special effects, good enough acting (I wouldn't go so far as to say it was amazing). I'd say it's basically a standard high-budget film. Entertaining to watch, well worth my $10 so I could come and complain how it was nothing like the book :)

For the avid Harry Potter reader the whole suspense leading up to HP Order of the Phoenix can be summed up in the word "how". How are they going to translate a nearly 900 page book to the screen, how are they going to tie together a storyline that in the 5th book breaks into dozens of streams like a mighty river coming to its delta.

This seemingly impossible task is well accomplished by astute summation of plot and concentration of action. Also, the heart and soul of the book, i.e. the thematic spirit of the story and Rowling's shining gift for characterization are given the fullest support in this film more so than in any previous HP movie.

Harry Potter and the Order of the Phoenix basically involves Harry being persecuted by the government for telling a truth they refuse to believe all while dealing with the same feelings of teen angst and emerging love that any ordinary teen finds stressful and consuming. Only through the love and dedication of family and especially friends does Harry come across the means to fight back against the government, elude his enemies and make some sense of his emotional turmoil.

Most reader's will come out of the theater saying "I wish they had shown this or that." However, all will leave satisfied that they have been treated to a faithful rendering brilliantly acted and directed. All the HP movies are a "good watch" but in this one we get a great movie.

We have the advantage of going to our HP movies with a non-reader and she was, to say the least, blown away and pronounced it a near classic. My daughter and myself have read and reread the books many times over and came out limp from exhilaration, our keen anticipation very much fulfilled.

A few highlights: The acting is best ever. The three principles push themselves to a new level. My favorite new characters were Imelda Staunton as Delores Umbridge, excellent (you'll love to hate her) and Natalia Tena as Tonks. Natalia is sheer delight. She is the penultimate punk rock witch girl(think Dead Milkmen here). And Helena Bonham Carter is in her medium (she played the witch Morganna in the movie Merlin) as the dangerous and demented Bellatrix LeStrange.

Battle scenes: breathtaking. Commraderie: The only HP that actually caused me to get teary so heartfelt are the portrayals of friendship and family.

See the film knowing that unless you want a 10hour movie some things are going to have to go. Leave having enjoyed a film that takes the beans and water and instead of a nice large coffee treats one to a perfectly concentrated, most artfully brewed and extremely tasty espresso. It has been said before but truth is truth: BEST YET!

Overall, not a bad film, especially the opening sequence which'll have you quivering behind the seat in front! Great effects as always.

For me, Imelda Staunton as Dolores Umbridge completely steals the show. Her character was fantastically well observed - the odd little hysterical titters of laughter she gave had superb comedic timing. Helena Bonham Carter had a star turn too as Belatrix - she's completely bonkers and HBC totally did her justice! Loved it!

For me, both their successes stood out conspicuously when compared to the horrendously awkward acting from the younger members of the cast. Sorry(!) but there were so many cringe worthy moments (especially the more intimate ones) where you kept begging the director to cut away from the acting. Tighter editing could have prevented these distracting moments from constantly reminding me I was watching actors on a set.

Hermione (Emma Watson), Luna (Evanna Lynch) , and Cho (Katie Leung) were the main culprits, with Daniel Radcliff not falling far behind. Okay, I know they're supposed to be awkward teenagers in the story, but hey! My suspicion is that these poor kids feel so caught up in the huge franchise that is HP that the pressure to perform must be enormous. Couple that with the screenplay's stilted dialogue, and being surrounded by what must have been a huge crew with them all staring at you, it's hardly a surprise that a few cracks were shown. Still, you'd have thought the editing might have been able to get around it.

These cringes aside, I enjoyed the film. Also, a huge congrats to all those involved in the hard work that obviously went into the post production too.

Within the first 5 minutes you can tell the series has undergone a dramatic tone shift and I have to say I think thats appropriate since Voldemorts return at the end of Goblet of Fire means that it's time to put aside childish things. The big bad men are here and they don't care about hurting children. it's time to get nasty.

Gone is the frivolity of the first couple of movies where magic was cool and everything in this new and magical world was just wonderful to behold, a la World of Disney. The new director has taken some risks with style and approach and they've paid off brilliantly. Order of the Phoenix is probably the darkest of the five movies we've had so far, even more so than Azkhaban which was a step in the right direction for where the series would eventually be heading. There's very little "fun" in Phoenix and you can see why. The Dark Lord is back, it's no laughing matter and this movie actually sells that fact.

This (in the movie world at least) is where Harry Potter crosses the line from kids movie to grown ups movie.

Harry now has some serious mental scars (as well as his actual one of course) since the events of the previous movie which while lighter than Azkhaban, followed on well from that movie. The Ministry of Magic is in denial about Voldermorts return and are trying to control the flow of rumour stemming from the events of Goblet. To this end we have new teacher and Ministry stooge Dolores Umbridge. Pink and fluffy on the outside, crunchy and evil on the inside. She makes no qualms about re-ordering the law at Hogwarts putting the kybosh on anything even remotely fun and making the students lives a complete misery. What she put Harry through in detention was simply pure evil.

She wasn't quite how I pictured her from the book but Imelda Staunton played her with a deliciously bitter/sweet twist, all charming and proper in her righteous delusions with that "stab you in the back" thing going on. She was a nasty piece of work.

It is a shame that a lot of the content of the book was missing but it was a big book and although I can't put my finger on what wasn't in the movie (I read it a while ago now) it does sometimes feel that there should have more substance to a few areas, mainly the characterisation of some of the characters. Most of the major bits I remember from the book were in the movie. There's a pace here we haven't seen before, a new musical approach also puts a new twist on things and I think Harry Potters world seems to fit it's new clothes well. I'm eagerly anticipating what's next as I hear David Yates is also directing the Half Blood Prince (last I heard anyway) and since that book has zombies in it I think the new dark style will suit it awesomely thank you very much.

The characters all look much older than they're supposed to be in Phoenix but it also kind of works in it's favour. They all look like they have a bit more history and life experience behind them, they're coping with stuff that will age any kid and it shows. That's also testament to the acting as well. Here mostly all the acting is pretty good, Ron Harry and Hermione all put in good efforts obviously having gotten the hang of the whole acting lark. Gambon is good as Dumbledore but I do miss Richard Harris and keep playing what might have been his versions of Gambons scenes over in my head. When I read the books it's Harris I'm picturing. Helena Bonham Carter gives a kooky insane kind of air to Bellatrix Lestrange (must get that from hubby Tim Burton) who was a pretty good character. One thing about this film though is that the actual Order of the Phoenix isn't in it all that much really. A flaw that wasn't in the book. The line about Snape being in the order, if you missed it you wouldn't even know he was in the order at all and a subsequent scene later on might seem confusing.

Kreacher was well done I though, coming across as a real miserable old bugger which was appropriate. The producers apparently weren't going to put him in the movie at all but JK Rowling said they'd be stuffing themselves up for the final movie if they did that.

All in all I think Phoenix is the best so far of the five movies, followed by Azkhaban, Goblet, then the other two in no particular order.

Now I've just got hold of The Deathly Hallows and although it's quarter past five I'm off to bed so see you later....

Why do Harry Potter movies give me, but not the children, nightmares? I've been wondering this for the past few years. Today, watching Movie No. 5, Harry Potter and the Order of the Phoenix (Warner Bros., 2007), I got my answer. Simply: Harry's world is the real world. As Harry and his friends mature, the line between the world of wizardry, magic, and Hogwarts and the world of self-centered, manipulative, cruel adults thins to the point of almost magical invisibility.

Fantasy literature has since the beginning of time been about mediating and making sense of the real world; Harry Potter is part of this tradition.

Indeed, one of the movie's first big special effects embodies this idea. As the movie opens, Harry is the subject of a smear campaign that Valdemore has cooked up because darkness works tirelessly to triumph over the light; when his friends come to rescue him from the suburban horror show known as his adoptive family, they take him to the headquarters of the Order of the Phoenix, a place that doesn't exist until a row of Georgian homes stretches out to reveal it. It's there, but the neighbors are unaware of it. They have no idea their building grew a house that the wizards and witches of the world can solve an internal problem. Such is life; how seldom do we know the inner workings, the coping mechanisms, the interior life of the people around us? In The Order of the Phoenix, Harry Potter again does battle with evil to bring home the theme that when you fight, you fight well with and for your friends and to the death if necessary. Truth and goodness--call if love, if you want--are worth the trouble. The Gothic idiom of Harry Potter brilliantly takes the challenges Harry faces out of the present on one level even though these are very clearly 21st century characters facing contemporary challenges. Alongside the power of goodness over evil theme is the theme of the power of the imagination to find solutions to problems that are the same in every generation: politics, power games, jealousy, stupidity, growing up.

Always in Harry Potter is the clear distinction between the good guys and the bad ones right alongside the good kids and the annoying kids, who could very well become evil people if they so choose. They are tragic because they don't understand the long-range consequences of their petty cruelties--but then, as we learn in this movie, even the good kids are capable of petty cruelties that break souls. Always there is Snape, the middling Hogwarts employee who is not clearly good but not clearly bad but capable of both (until fate forces his hand in Book 6).

J.K. Rowling doesn't let anybody off of the hook of responsibility for their choices. But she does present the internal struggle for goodness and justice for the mess that it can be. Just as the Gothic world of Hogwarts helps Harry and his friends mediate the real world, so Rowling helps her readers see the world for what it is. This is a world that can give me nightmares, though not my daughter and my nephews. Perhaps because all they really need is an honest story.