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Directed by | |||
| Rob Zombie | |||
Writing credits(WGA) | ||
| Rob Zombie | (screenplay) | |
| John Carpenter | (1978 screenplay) and | |
| Debra Hill | (1978 screenplay) | |
Produced by | |||
| Malek Akkad | .... | producer | |
| Patrick Esposito | .... | associate producer | |
| Andy Gould | .... | producer | |
| Andrew G. La Marca | .... | line producer (as Andy La Marca) | |
| Matthew Stein | .... | executive producer | |
| Bob Weinstein | .... | executive producer | |
| Harvey Weinstein | .... | executive producer | |
| Rob Zombie | .... | producer | |
Original Music by | |||
| Tyler Bates | |||
Cinematography by | |||
| Phil Parmet | (director of photography) | ||
Film Editing by | |||
| Glenn Garland | |||
Casting by | |||
| Monika Mikkelsen | |||
Production Design by | |||
| Anthony Tremblay | |||
Art Direction by | |||
| T.K. Kirkpatrick | |||
Set Decoration by | |||
| Lori Mazuer | (key set decorator) | ||
| Stephanie Ziemer | |||
Costume Design by | |||
| Mary E. McLeod | (as Mary McLeod) | ||
Makeup Department | |||
| Michael Deak | .... | makeup effects technician (as Mike Deak) | |
| Yvonne Depatis-Kupka | .... | department head hair stylist | |
| Renee Ferruggia | .... | key hair stylist | |
| Luis García | .... | key makeup artist | |
| Vickie Mynes | .... | key hair stylist | |
| Douglas Noe | .... | makeup department head | |
| Brian Rae | .... | makeup effects technician | |
| Wayne Toth | .... | special makeup effects artist | |
| Chris Zega | .... | makeup effects technician | |
| Silvina Knight | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Stephen P. Del Prete | .... | assistant director: reshoots | |
| Stephen P. Del Prete | .... | second second assistant director | |
| Alexander H. Gayner | .... | first assistant director (as Alex Gayner) | |
| Emily McGovern | .... | second assistant director | |
| Korey Scott Pollard | .... | second second assistant director (as Korey Pollard) | |
| Tommy Harper | .... | first assistant director: additional photography (uncredited) | |
| Rawn Hutchinson | .... | second unit director (uncredited) | |
| John Pontrelli | .... | first assistant director: second unit (uncredited) | |
| David Waters | .... | second assistant director: additional photography (uncredited) | |
Art Department | |||
| Todd Bakerian-Devane | .... | on-set dresser (as Todd Devane) | |
| John Brunot | .... | property master | |
| Robert J. Carlyle | .... | construction coordinator | |
| Adam Chambers | .... | set decorator production assistant | |
| Susan Cho | .... | set decorator buyer | |
| Don 'Tex' Clark | .... | leadman: re-shoot | |
| Dennis De George | .... | set dresser | |
| Jeremy Deal | .... | on-set greensman | |
| Elixandro Diaz Jr. | .... | plaster foreman (as Elixandro Diaz [Juju]) | |
| Jason Garner | .... | design department assistant | |
| Michael V. Maurice | .... | set dresser | |
| Kirstin Mooney | .... | art department coordinator | |
| James F. Orendorff | .... | construction foreperson | |
| Enrico Paronelli | .... | paint supervisor | |
| Neil David Pontecorvo | .... | greens foreman | |
| Nick Principe | .... | props | |
| Eugenio Quintero | .... | plaster foreman | |
| Kelsey Riach | .... | set decorator production assistant | |
| Mark Richardson | .... | assistant property master | |
| Andre Sowards | .... | on-set dresser: additional photography | |
| Gary Stel | .... | propmaker gangboss | |
| Chad Vachter | .... | assistant property master | |
| Vanessa Velez Boswell | .... | assistant property master | |
| Joel Venti | .... | storyboard artist | |
| Brent Williams | .... | set dresser | |
| Carl Horner | .... | special props (uncredited) | |
| James R. Lord | .... | propmaker (uncredited) | |
Sound Department | |||
| Barney Cabral | .... | supervising sound editor | |
| Patrick Cyccone Jr. | .... | sound re-recording mixer | |
| Paul Drenning | .... | adr mixer | |
| Rickley W. Dumm | .... | sound effects editor | |
| Richard Dwan Jr. | .... | supervising dialogue editor | |
| Alan Freedman | .... | adr mixer | |
| Michael Kreple | .... | foley mixer | |
| Daniel J. Leahy | .... | sound re-recording mixer | |
| Brian Magerkurth | .... | sound mix technician | |
| Cynthia Merrill | .... | foley artist | |
| Sterling Moore | .... | utility sound | |
| Nick Neutra | .... | foley supervisor | |
| Rick Owens | .... | foley artist | |
| Perry Robertson | .... | supervising sound editor | |
| Brian Robinson | .... | boom operator | |
| Buck Robinson | .... | sound mixer | |
| Scott Sanders | .... | supervising sound designer | |
| Steve Schatz | .... | sound mixing recordist: predubs | |
| Eric Thompson | .... | adr mixer | |
| Kevin Zimmerman | .... | assistant sound editor | |
Special Effects by | |||
| Rachel Leigh Arnold | .... | graphic designer | |
| Mark R. Byers | .... | special effects coordinator (as Mark Byers) | |
| Wayne Toth | .... | special effects makeup | |
| Tom von Badinski | .... | special effects foreman | |
Visual Effects by | |||
| Jamie Baxter | .... | digital compositor | |
| Ryan Beadle | .... | digital I/O | |
| Samuel M. Dabbs | .... | digital compositor | |
| Shaina Holmes | .... | digital compositor | |
| Nicholas Kim | .... | digital compositor | |
| Paulina Kuszta | .... | visual effects coordinator | |
| Amani Williams | .... | digital compositor | |
Casting Department | |||
| Barbara Harris | .... | adr voice casting | |
| Gene Vassilaros | .... | casting associate | |
Costume and Wardrobe Department | |||
| Artemio Carpio | .... | costumer | |
| Ivory Stanton | .... | head costume ager/dyer | |
| Jennifer Wolf | .... | costumer | |
Editorial Department | |||
| Brian Hayashi | .... | post-production assistant | |
| Matthew W. Johnson | .... | iq artist | |
| Joel T. Pashby | .... | associate editor | |
| Joe Patnaud | .... | post-production assistant | |
| Matthew Schmidt | .... | assistant editor | |
| Dennis Virkler | .... | additional film editor | |
| Scott Freeman | .... | digitizer (uncredited) | |
Music Department | |||
| John Carpenter | .... | composer: theme music | |
| Amy Decker | .... | music coordinator | |
| Michael Farrow | .... | scoring mixer | |
| Darrell Hall | .... | music editor | |
| Tom Rowland | .... | music supervisor | |
| Robin Urdang | .... | music consultant | |
| Tim Williams | .... | conductor | |
| Tim Williams | .... | orchestrator | |
| Rob Zombie | .... | music supervisor | |
Transportation Department | |||
| Rich Bennetti | .... | transportation | |
| Rob Byer | .... | transportation office coordinator | |
| Jack R. Campbell | .... | driver | |
| Matthew DeAmicis | .... | driver | |
| Dan Gearhart | .... | driver | |
| Barry E. Golob | .... | driver | |
| Billy R. Hass | .... | transportation co-captain | |
| Jeff Hatten | .... | driver | |
| Darrell Janson | .... | driver | |
| Jerry McMullan | .... | driver | |
| Tony Mercier | .... | driver | |
| David Muntz | .... | driver | |
| Kelly Murphy | .... | transportation | |
| Tina Peterson | .... | driver | |
| Tommy Rizzo | .... | driver | |
| Richard C. Ryan | .... | transportation coordinator: additional photography | |
| Vicki Sousa | .... | driver | |
| Paul Stanbrough | .... | driver | |
| Chuck Tomasello | .... | driver | |
| Wayne Williams | .... | transportation coordinator | |
| Randall Wolff | .... | driver | |
Thanks | |||
| Rima Akkad Monla | .... | thanks | |
| Moustapha Akkad | .... | in memory of | |
| Patricia Akkad | .... | thanks | |
| Moustapha Monla | .... | thanks | |
| Tarek Monla | .... | thanks | |
| Ziad Monla | .... | thanks | |
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| Halloween II | Halloween | Friday the 13th | Friday the 13th | Torso |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
When I heard that Rob Zombie had been chosen to remake "Halloween" I thought it was an interesting pick. Interesting as in wrong and not suited for this kind of project, but, hey, maybe that was exactly what was needed: someone who had a completely different approach to the story of a man we've all come to know so well since 1978 (why they didn't just wait one more year for the remake to coincide with the 30th anniversary of the franchise, God only knows). So, was Zombie the right choice? Nah!
Personally, I'm not a big fan of anything the man has made up until this point. Each of his previous movies has been an incoherent and chaotic mess. Zombie thinks foul language, twisted story lines and perverted freaks make for a scary horror movie. Well, not in my book, they don't. You can tell that for the remake of "Halloween" Zombie was trying to restrain himself, but his "style" still shines through. Worse still, his obvious weaknesses in writing dialog and making his actors play naturally become apparent in a story as dependent on suspense and likable characters as this one.
The whole idea of making this movie part prequel, part remake of the original is stupid. It seems like the craziest overestimation of a movie's capabilities since Sam Raimi decided to have three villains in one "Spider-Man" movie. There's just no way this whole story can be told within one motion picture. Besides, who ever really wanted to see Michael's origins? What made Michael Myers so scary in the first place was that he was an evil, dehumanized monster. Getting to know him means taking away half of his appeal.
Of course, it's hard to make a "Halloween" movie in 2007 and still surprise an audience that has seen this kind of movie countless times by now. Then again, no one forced Dimension to green-light this project in the first place. It has just been a bad idea all along and the outcome isn't even good enough to be a throwaway, by-the-numbers slasher-flick, let alone a remake of the mighty "Halloween".
Rob Zombie is to blame most of all. He turned all the characters into Southern rednecks who curse, f..k and drink 24/7. Michael Myers himself is now a long haired metal-head (who listened to KISS in the 70's because... THEY WERE MASKED! Isn't that a great analogy?). In this version of "Halloween" Laurie is a faceless heroine who is every bit as foul-mouthed as her bitchy friends. And Dr. Loomis - well, Malcom McDowell does his best, but Donald Pleasence owned this role and there's not one scene in which it isn't apparent that Pleasence could have done the job ten times better.
McDowell is still the shining light in this ensemble. Most of the cast doesn't do as well as him, most notably the "teenage" girls, but maybe they're not to blame for the horribly contrived dialog they have to recite. Then there are names like Brad Dourif, William Forsythe or Udo Kier - all very cool actors, but what purpose do they serve here in roles that mostly don't have any significance at all? It's typically Zombie to throw together people and ideas like that and hope that the sum of all he thinks is cool will be bigger than the individual parts.
What about the death scenes? Well, they are as trite as they come. There's not one original kill in the movie and some deaths have simply been lifted from the original and repeated with more blood and less tension. Add to that more than a few obvious continuity errors and some scenes that are downright laughable (for instance, when young Michael tapes his sleeping stepfather to a chair and the guy doesn't even wake up) and you got yourself one of the messiest horror movies of the year.
I like Rob Zombie for his passion about horror movies, but let's face it: the guy isn't a good director. He was given a great opportunity here and he messed it up. "Halloween" is one giant failure and an indicator for Zombie that maybe it would be better for him to give up making movies.