After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
It's one year later after the events of Halloween 4. Michael survives the shootings and on October 31st he returns with a vengeance. Lurking and stalking, Jamie, Rachel, and Rachel's ... See full summary »
Serial Killer Michael Myers is not finished with Laurie Strode, and their rivalry finally comes to an end. But is this the last we see of Myers? Freddie Harris and Nora Winston are reality ... See full summary »
Six years ago, Michael Myers terrorized the town of Haddonfield, Illinois. He and his niece, Jamie Lloyd, have disappeared. Jamie was kidnapped by a bunch of evil druids who protect Michael... See full summary »
Heidi, a radio DJ, is sent a box containing a record -- a "gift from the Lords." The sounds within the grooves trigger flashbacks of her town's violent past. Is Heidi going mad, or are the Lords back to take revenge on Salem, Massachusetts?
Sheri Moon Zombie,
The residents of Haddonfield don't know it yet... but death is coming to their small sleepy town. Sixteen years ago, a ten year old boy called Michael Myers brutally kills his step father, his elder sister and her boyfriend. Sixteen years later, he escapes from the mental institution and makes his way back to his hometown intent on a murderous rampage pursued by Dr Sam Loomis who is Michael's doctor and the only one who knows Michael's true evil. Elsewhere a shy teenager by the name of Laurie Strode is babysitting on the night Michael comes home... is it pure coincidence that she and her friends are being stalked by him? Written by
No asylum where a character is imprisoned as criminally insane would give inmates metal forks. They would be replaced by plastic cutlery, for exactly the reasons that they end up being used here - fear of being used as weapons to attack staff or other inmates. See more »
When I heard that Rob Zombie had been chosen to remake "Halloween" I thought it was an interesting pick. Interesting as in wrong and not suited for this kind of project, but, hey, maybe that was exactly what was needed: someone who had a completely different approach to the story of a man we've all come to know so well since 1978 (why they didn't just wait one more year for the remake to coincide with the 30th anniversary of the franchise, God only knows). So, was Zombie the right choice? Nah!
Personally, I'm not a big fan of anything the man has made up until this point. Each of his previous movies has been an incoherent and chaotic mess. Zombie thinks foul language, twisted story lines and perverted freaks make for a scary horror movie. Well, not in my book, they don't. You can tell that for the remake of "Halloween" Zombie was trying to restrain himself, but his "style" still shines through. Worse still, his obvious weaknesses in writing dialog and making his actors play naturally become apparent in a story as dependent on suspense and likable characters as this one.
The whole idea of making this movie part prequel, part remake of the original is stupid. It seems like the craziest overestimation of a movie's capabilities since Sam Raimi decided to have three villains in one "Spider-Man" movie. There's just no way this whole story can be told within one motion picture. Besides, who ever really wanted to see Michael's origins? What made Michael Myers so scary in the first place was that he was an evil, dehumanized monster. Getting to know him means taking away half of his appeal.
Of course, it's hard to make a "Halloween" movie in 2007 and still surprise an audience that has seen this kind of movie countless times by now. Then again, no one forced Dimension to green-light this project in the first place. It has just been a bad idea all along and the outcome isn't even good enough to be a throwaway, by-the-numbers slasher-flick, let alone a remake of the mighty "Halloween".
Rob Zombie is to blame most of all. He turned all the characters into Southern rednecks who curse, f..k and drink 24/7. Michael Myers himself is now a long haired metal-head (who listened to KISS in the 70's because... THEY WERE MASKED! Isn't that a great analogy?). In this version of "Halloween" Laurie is a faceless heroine who is every bit as foul-mouthed as her bitchy friends. And Dr. Loomis - well, Malcom McDowell does his best, but Donald Pleasence owned this role and there's not one scene in which it isn't apparent that Pleasence could have done the job ten times better.
McDowell is still the shining light in this ensemble. Most of the cast doesn't do as well as him, most notably the "teenage" girls, but maybe they're not to blame for the horribly contrived dialog they have to recite. Then there are names like Brad Dourif, William Forsythe or Udo Kier - all very cool actors, but what purpose do they serve here in roles that mostly don't have any significance at all? It's typically Zombie to throw together people and ideas like that and hope that the sum of all he thinks is cool will be bigger than the individual parts.
What about the death scenes? Well, they are as trite as they come. There's not one original kill in the movie and some deaths have simply been lifted from the original and repeated with more blood and less tension. Add to that more than a few obvious continuity errors and some scenes that are downright laughable (for instance, when young Michael tapes his sleeping stepfather to a chair and the guy doesn't even wake up) and you got yourself one of the messiest horror movies of the year.
I like Rob Zombie for his passion about horror movies, but let's face it: the guy isn't a good director. He was given a great opportunity here and he messed it up. "Halloween" is one giant failure and an indicator for Zombie that maybe it would be better for him to give up making movies.
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