After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Five friends head to a remote cabin, where the discovery of a Book of the Dead leads them to unwittingly summon up demons living in the nearby woods. The evil presence possesses them until only one is left to fight for survival.
Martin was a normal teenage boy before the country collapsed in an empty pit of economic and political disaster. A vampire epidemic has swept across what is left of the nation's abandoned ... See full summary »
After moving with her mother to a small town, a teenager finds that an accident happened in the house at the end of the street. Things get more complicated when she befriends a boy who was the only survivor of the accident.
The residents of Haddonfield don't know it yet... but death is coming to their small sleepy town. Sixteen years ago, a ten year old boy called Michael Myers brutally kills his step father, his elder sister and her boyfriend. Sixteen years later, he escapes from the mental institution and makes his way back to his hometown intent on a murderous rampage pursued by Dr Sam Loomis who is Michael's doctor and the only one who knows Michael's true evil. Elsewhere a shy teenager by the name of Laurie Strode is babysitting on the night Michael comes home... is it pure coincidence that she and her friends are being stalked by him? Written by
During their struggle when Michael kills Laurie's adoptive mother (Dee Wallace), the phone gets knocked off the hook. Yet when the sheriff calls the house later to inform them of the danger, he gets a ring and an answering machine. See more »
How sad that a classic, seminal horror film could be this maligned in a remake. Zombie is living proof that just because someone is a "fan" of a certain type of film it doesn't mean that they should MAKE that type of film.
Zonbie proves with this film he is a one note director: vulgarity, nudity, violence and profanity are his subject matter, while likable characters, character development and any amount of suspense are jettisoned so he can move on to the next expletive, breast, or bloody body as quickly as possible. There isn't a character in the film who doesn't make sexual references or swear. Even Tommy, (the little boy who the Laurie Stode character babysits) mentions that Lyndsey, his schoolfriend, "smells like her". Who wants to sit through two hours of such sad repellent characters?
Carpenter's original, a simple, straight-ahead suspense film had little blood and intense suspense driven partly by the fact that the Boogeyman of the film WASN'T jumping out of the shadows every two seconds. In fact, part of what made the original so scary was the fact that Michael often did NOT appear at times when one was sure he would jump out. In this version, one could set one's watch by how often Michael comes creeping out of the darkness, usually in the exact same set up for every kill: victim in the foreground and Michael walking up in the background. Again and again. Repetitive and dull.
Zonbie could have made a depressing study of a troubled little boy and his psychiatrist and never called it "Halloween" and come out of this debacle with reputation more intact. But when the focus suddenly and awkwardly shifts to the Strode character and we see the events of the original condensed into about 30 minutes, its impossible not to judge the film by the impressive merits of the original. That's when one realizes Zombie has no true focus or thrust for a storyline and that his "reimagining" of a classic is an immense failure.
Don't look to this detestable film for even a modicum of suspense and maybe you won't be disappointed. The biggest "BOO!" in this film should come from the audience.
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