| Janchiv Ayurzana | ... | Janchiv | |
| Chimed Ohin | ... | Chimed | |
| Amgaabazar Gonson | ... | Amgaa | |
| Zeveljamz Nyam | ... | Zevel | |
| Ikhbayar Amgaabazar | ... | Ikchee | |
| Odgerel Ayusch | ... | Odgoo | |
| Enkhbulgan Ikhbayar | ... | Dude | |
| Uuganbaatar Ikhbayar | ... | Ugna | |
| Guntbaatar Ikhbayar | ... | Guntee | |
| Munkhbayar Lhagvaa | ... | Munkbayar, violin teacher | |
| Ariunjargal Adiya | ... | Teacher's Assistant | |
| Dogo Roljav | ... | Relative Aimak I | |
| Chuluunzezeg Gur | ... | Relative Aimak II | |
| rest of cast listed alphabetically: | |||
| Botok | ... | Baby Camel | |
| Ingen Tenne | ... | Mother Camel | |
Directed by | |||
| Byambasuren Davaa | |||
| Luigi Falorni | |||
Writing credits(in alphabetical order) | ||
| Byambasuren Davaa | writer | |
| Batbayar Davgadorj | writer | |
| Luigi Falorni | writer | |
Produced by | |||
| Claudia Gladziejewski | .... | co-producer | |
| Natalie Lambsdorff | .... | co-executive producer: HFF | |
| Tobias Siebert | .... | producer | |
| Evi Stangassinger | .... | co-executive producer: HFF | |
| Benigna von Keyserlingk | .... | co-producer | |
Original Music by | |||
| Marcel Leniz | |||
| Marc Riedinger | |||
| Choigiw Sangidorj | |||
Cinematography by | |||
| Luigi Falorni | |||
| Juliane Gregor | |||
Film Editing by | |||
| Anja Pohl | |||
Set Decoration by | |||
| Mendbayar Pol | |||
Costume Design by | |||
| Unorjargal Amgaabazar | |||
Second Unit Director or Assistant Director | |||
| Jiska Rickels | .... | first assistant director | |
Camera and Electrical Department | |||
| Sebastian Grundt | .... | assistant camera | |
Editorial Department | |||
| Bertl Grabmayr | .... | telecine grader | |
Other crew | |||
| Daschdamba Damba | .... | camp manager | |
| Batbayar Davgadorj | .... | location manager | |
| Beatrix Wesle | .... | world sales | |
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| Creation | My Father's Glory | As Far As My Feet Will Carry Me | The Kite Runner | Munich |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Germany section |
There's a new style of film eking into the film biz called "Narrative Documentary." What? An oxymoron you tutt-tutt silently as you read.Well, yes and no. It describes a documentary that has been embellished with narrative scenes to ultimately create the arc-drama one finds in a feature film with the intelligence of a documentary.
Narrative documentary is truly an appropriate expression for this wonderfully unique and intriguing little gem, The Story of the Weeping Camel.
As you watch the fairly simple tale of a camel that after a grueling birthing of her albino calf, she decides she's not interested in the ideas of motherhood and abandons the newborn to fend for itself.
Sounds positively dull until you start to watch this young mother and the footage the filmmakers gathered and you are pulled in - mesmerized, "How did the film crew get this?" It feels like a documentary, looks like a documentary but then there's the story obviously running along side the remarkable footage that you realize is scripted, storyboarded and a team behind the lens have planned. Amazing.